There are evenings in New York when music transcends mere entertainment, reconstructing memory itself and drawing listeners into a vivid chiaroscuro where joy, longing, and cultural history intermingle. Saturday evening's presentation of "Motown's Heat Wave: The Songs of Holland-Dozier-Holland" at The 92nd Street Y, as part of the Y's Lyrics and Lyricists American Songbook Series, transformed the David Geffen Stage at Kaufmann Concert Hall into a sanctuary of American musical genius. In this space, the ephemeral becomes eternal through performance.

The Visual and Sonic Architecture of Detroit's Soul

Under the masterful musical guidance of Michael O. Mitchell, this Lyrics & Lyricists celebration became an effervescent homage to a triumvirate whose songs shaped America's sonic identity. The evening unfolded as a journey through continuity and nostalgia, tracing how the Holland-Dozier-Holland sound emerged from close-knit Detroit neighborhoods where church music, community rituals, and the collective heartbeat of soul nurtured an entirely new musical idiom.

The stage design, crafted by projection artists Kylee Loera and Taylor Gordon, created a kaleidoscope of eras—Detroit streets, recording studios, and civil-rights-era imagery dissolved into contemporary celebrations, suggesting how music transcends temporal boundaries. John Kelly's lighting design operated as a visual counterpoint, sculpting the stage in warm golds and vibrant reds, illuminating not merely performers but emotional landscapes shifting from amber nostalgia to crystalline present joy.

L-R: Elizabeth Addison, Writer. Courtesy elizabethspeaks.com., Ehpraim Sykes. Performing Artist. Courtesy @ephsykes on Instagram, Curtis Wiley, Performing Artist, Courtesy @curtis_wiley on Instagram

Broadway Luminaries Channel Motown's Spirit

What Brian Harlan Brooks achieved as director and choreographer, alongside writer Elizabeth Addison, was theatrical alchemy. The five featured vocalists—Derrick Baskin, Najah Hetsberger, Melrose Johnson, Ephraim Sykes, and Curtis Wiley—formed a sparkling ensemble whose theatrical vigor, charm, dancing, singing, and rhythmic precision galvanized the audience from the opening gesture.

Baskin, a Grammy and Tony nominee and "Ain't Too Proud" alumnus, infused "Standing in the Shadow of Love" with a narrative arc that felt freshly dramaturgical, while later transforming "Bernadette" into a dramatic monologue. Hetsberger, currently gracing Broadway in "SIX," channeled Diana Ross with such authenticity that one experienced the aura of the original. At the same time, her "Reach Out and Touch (Somebody's Hand)" sparkled with playful urgency and translucent phrasing. Johnson shaped "You Keep Me Hangin' On" with balletic poise, transforming the familiar lament into a declaration of joyous personal sovereignty.

Sykes, another Tony and Grammy nominee and "Ain't Too Proud" alumnus, brought "I Can't Help Myself" to a musical climax of emotional immediacy, creating a dialogue reminiscent of the call-and-response traditions from which this music emerged. Wiley's tender and buoyant "Baby I Need Your Loving" revealed an artist deeply attuned to the melodic chiaroscuro that defines Holland-Dozier-Holland's writing.

The Orchestra as Historical Narrator and Rhythmic Engine

Mitchell's sextet functioned as both engine and aura; their sound was gloriously reminiscent of Motown's legendary Funk Brothers yet unmistakably contemporary. Trumpeter Jeremiah Flack and trombonist Taja Graves-Parker supplied buoyant brass sonorities with rich exclamations and soaring lines. Guitarist Sherrod Barnes added rhythmic grit and eloquence, while bassist Chelton Grey grounded the ensemble with supple propulsion. DaiQuain Davis's drums stitched everything together with precision and flair, creating what one might call the theater of the pulse—music so rhythmically alive that the audience couldn't help but tap, clap, and sway.

Mitchell's piano served as both anchor and catalyst, driving the narrative forward while honoring the music's gospel roots, creating a shimmering effect where the present moves through the past.

Love as Revolutionary Act During Turbulent Times

Perhaps most profound was the evening's revelation of how Holland-Dozier-Holland, during an era of Vietnam War upheaval and social fragmentation, chose love as their primary subject. As Mitchell noted in his program reflections, "their genius rested in discipline married to soulfulness, hooks balanced by humanity." This wasn't escapism but revolutionary optimism—the insistence on human connection when society seemed to be pulling apart.

Songs like "Reach Out I'll Be There" and "You Can't Hurry Love" became philosophical statements about patience, persistence, and the transformative power of human connection. Each lyric holds a kernel of universal longing: the desire to be loved, to break free, to hold on, to let go. These songs endure because they articulate the fragility and essentiality of human love.

L-R: Melrose Johnson, Performing Artist. Courtesy @melrosejohnsonvoice on Instagram, Derrick Baskin, Performing Artist. Courtesy @derrick.baskin on Instagram, Najah Hetsberger, Performing Artist. Courtesy @_only_one_najah on Instagram

A Communal Celebration of Cultural Memory

The evening's true triumph lay in its dissolution of the fourth wall through rhythmic attraction. The audience—young, old, multigenerational—became part of the performance, embodying the recreation of cultural memory through collective participation when the whole company closed with "Heat Wave," the hall transformed into a joyous celebration, audience members arising to spontaneous ovation.

Production stage manager Lori Wekselblatt and artistic producer Stephanie Alvarado Prugh orchestrated seamless transitions that maintained the evening's vivacious momentum. At the same time, the design never overpowered the performers but intensified the emotional topography, guiding the audience through each song's narrative terrain.

The Enduring Legacy of Holland-Dozier-Holland

This musical production, shimmering with humor, heart, and historical reverence, embodied the spirit Holland-Dozier-Holland championed: music as a catalyst of love, empathy, and connection. More than a nostalgic celebration, it was cultural archaeology, revealing how three songwriters from Detroit created a musical language that continues speaking across generations, races, and nations—a soul that found its voice and gifted it to the world.

In a few words, this concert was a joyous, soul-stirring celebration that transformed Kaufmann Concert Hall into a collective dance party of shared memory, where Broadway brilliance met Motown magic to create an evening of pure, irrepressible delight.

A Symphony of Soul: Holland-Dozier-Holland's Timeless Tribute at the 92nd Street Y

Motown's Heatwave Lyrics and Lyricists American Songbook Series Tickets and Information

The Complete 2025-26 Season92nd Street Y 1395 Lexington Avenue, New York, NY 10128 Box Office: 212-415-5500

Runtime about 70 minutes without intermission

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