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given that musashi travels to dozens of parallel universes this could be a reference to any possible Touko but tell me you wouldnt drop money for a kara no kyoukai ova where a colorful samurai lady spontaneously appeared in the middle of the room while Touko, Shiki, and Mikiya were discussing a case.Â
Apparently Guda took an elective in history. Huh, neat.
i still cant believe they implied shirou might be a descendant of muramasa.Â
on the one hand it makes sense, shirou’s whole thing is making swords, it kind of fits that his ancestor might be a legendary sword smith. on the other hand, retconning in some kind of special heritage takes something away from him. shirou could have been literally anyone before the fire. its possible he could have even been a foreigner who was just visiting or living temporarily in japan. it didn’t matter, because whoever he was before the fire was burned to ash along with the city. the point was that he could have been anyone and that he wasn’t someone special. everyone else in fsn is a kid from a super special magic family. i liked that shirou was just a random nobody who managed to accomplish great things with his own effort and stubborn determination. retconning in that he actually has a secret special lineage kind of takes away from that.Â
a few days before i started shimosa i found myself thinking about agartha again and how bad it was and one thing i kept coming back to was the complete lack of npc’s. the best fgo chapters tend to have some great supporting servant characters AND some great normal humans of that era. Camelot had the kid whose mom mashu failed to save and merchant guy/other refugees, Babylon had Siduri and the other uruk citizens. It adds a good dimension to the story to have normal people involved like that, reminds you what you are supposed to be fighting for. Â
agartha’s complete lack of humans with names and faces stood out especially because so much of the chapter wanted to be about men being oppressed and violated by female overlords. it revels in the cruel violence, constantly using it to strawman woman with power as scary monsters who need to be torn down so men can be safe from their madness and evil. the player is forced to sit through multiple scenes where men are killed or tortured onscreen in horrific ways.Â
and yet none of those men have a name. not one of them gets to have a face or a personality. Not a single one of the slaves or Rider’s resistance members get to be people in any way the player could connect with.
For a brief second during the Chinese empire section, it seems like we might actually get something like that, as we see a slave try to convince one of his fellows to run away with him, get turned in, get sentenced to a torturous death, but ultimately despite losing a hand, he gets saved by our group and taken back to our base. and then he vanishes from the narrative. despite the fact that his pov as a former slave who lived in this world and faced death for trying to escape his oppression would add a lot of depth and emotion to the conflict, nope. he’s nothing. the moment he stops being useful for torture porn, the narrative has no need of him. Thats just the kind of trash Agartha is.
Coming back to Shimosa, this is why i found the almost instant addition of Onui and Tasuke (and Otama and Princess Kiyohime somewhat later on) so refreshing. After Agartha’s complete lack of npc’s, Shimosa shows why its great to have them. Onui and her little bro are not particularly deep characters. they exist to be cute kids the player should want to protect from all the danger they are facing. But they still add a human face to the conflict. you aren’t just fighting bc the baddies are bad, you are fighting because these assholes want to murder your cute kids! you are fighting to keep them alive so they can grow up happily. You appreciate Otama because she’s been putting up with this group’s nonsense despite what a pain in the ass it must be for her. You want to keep Princess Kiyohime from being assassinated because you just watched a whole scene where she dumps you for musashi and has a sleepover with her where they talk and bond.Â
Its very simple maybe, but having moments like that where you bond with the people of the world thats at stake make all the difference for how invested you can get in that world. Agartha felt like a world made of cardboard because no one there had a single speck of personality. Shimosa is a world i wouldn’t mind going back to.

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musashi is SO fun, i laughed out loud at that last line. her reaction to finding out the tokugawa lasts centuries being “damn, if id known that id have tried to get in good with them” was hilarious.
fate series in 2004: now shirou is going to fight gilgamesh, and we understand it might be hard for you to accept the idea of a normal human being able to fight equally with a heroic spirit, so let us assure you that this is a very specific rare circumstance where shirou’s unique ability perfectly counters gilgamesh’s, shirou is using rin’s vast magic reserves as a battery to fuel himself during this battle, gilgamesh himself is pretty mediocre when spamming weapons doesnt work, and most of all gilgamesh’s refusal to take shirou seriously as an opponent, all add up to shirou just barely being able to pull off a victory by the skin of his teeth. against any other servant shirou would have gotten trashed because again, humans cant fight servants except in very specific exceptions like this.
fate series today: musashi just fuckin,,, duels half a dozen heroic spirits to the death and she kills all of them. despite being normal human musashi, not a servant, she fights them multiple times, holds her own in combat, and kills them all. never mind all the previous lore about heroic spirits being stronger and faster then normal humans, she’s miyamoto musashi and she Just Does That. somehow. fuck you.