I really like how direct and on the nose this demonic transformation stuff is. Leaving nothing to the imagination about Battle Angel Gunmu's views on demons & power.
Demonic appearance, giving up part of your life for battle. This sentiment reminds of the Sunacchi phrase the samurai know. Surrender your name and be as a child. And how it applies to Kiku's story specifically.
I imagine that Queen would love this demon possession stuff. He loves using viruses to make his enemies fight each other like a game.
Plus, this is just a damn awesome two pager.
This line from the chief is good too. I like how it is highlighting the worst parts of Elbaf's warrior culture.
And remember, we have seen Usopp confront a similar mindset prior.
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"Hakumai maples,
Herald the flower's next bloom,
We're returning home."
Originally I had a big long post about this, but I said plenty of what I want to say here yesterday and past a certain point things seem best kept simple. The haiku really does say it all. If we're jumping this quick to returning the sword to this ramshackle shrine in the middle of nowhere. If it's just Yamato and his first two sworn swords it sorta proves returning the sword wasn't the reason for showing all this. So here we are at Enma Shrine. Do you remember this is a place we see a couple of times? There's an argument we're completing a Rashomon type scene with this being the third. Enma Shrine is not where Oden starts writing his journal, but it is somewhere Zoro/Hiyori went together and where Denjiro went to unleash his rage in the past.
The sword is returned, we have a nice double title, but there's still an obvious point in that hat Ulti's holding to keep us going. Kawamatsu is also free of the sword quest, which makes me really start thinking about how he's Kiku's bestie. What else is there to say at this point? The window that was obvious to me from the second we saw the map of Yamato's route is now wide open with a main story our girl is well in the wheelhouse of playing off of. Kappa buddy is free to help set it up. They're the only thing left now. Taking up and returning swords is an established motif in her story to mark changes. The play's over, time for the real story to manifest. I also do just love the panel. Got some of those lovely Hakumai maples and I like seeing Page One get a moment to rest.
Oh no! The wicked, skeletal Soul King's fiendish plot to reawaken Gunko-chan's repressed memories almost stopped her in her mission to uphold truth and justice in the world. Thankfully, our heroine's distant benefactor offered words of encouragement, allowing her to ascend to a new form! The brutish giants are no match for Gunko-chan's Devi-Devi Demon Contract of Kindness! Ganbatte Gunko-chan! We believe in you!
Thank you for humoring me. Now on to our main show. WHAT THE FUCK WAS THIS CHAPTER!? It was crazy enough when Stussy's dropping bat wings and going all Red Wine Supernova on CP0. Now Gunko's going full LadyDeviMon Digivolution here and whipping out comically oversized shotguns from a spellbook. This was a...sudden escalation. And we're only just now acknowledging our main fighters are still MIA. That said, if this is our first taste of Imu's power I actually do like a lot of what I'm seeing. I think this chapter does a lot to ensure Imu will stay a good foil to Luffy/Nika in the end of this. Because this power is still so wild.
See? God her flippantly doodling a spell circle has me feeling something. But this is crucial. We're seeing a brutal compelled contract power. Something much scarier than Tama's or Sugar's. Especially if it can affect guys like Dorry & Brogy. But it is still framed as something that will allow one to become unbound by logic and reason. Dark Nika. It seems there's some form of restriction where it has to work on someone Imu can rationalize as a King.
I love that hypocrisy. It reminds me of Fruits Basket a little, especially if you look at it through the lens of being a metaphor for the dynamics of the Sohma Family being very very old money. They could all always leave their troubling situations if they accepted growing up and being a normal person who has to live in the real world. Hierarchy is inherently a pyramid scheme. Every little bit of extra power you get over others further down comes with a cost of your freedom in having to maintain the position. The person at the top, be they Imu or Akito Sohma, is so busy maintaining their grip they don't have a life.
Why would I compare worldwide authoritarianism to the dynamics of an abusive home? Well maybe our title and vector for this shift can illuminate. Domi reversi would be Latin for "Returning Home." Why wouldn't I compare those two things? The more I watch far right (and frankly some leftist voices who lost sight of the cause) messaging spiral further and further into naked embrace of brutal repression towards "undesirables" the more the rhetoric reminds me of abusive family members. I don't want to flex stuff like this when talking about a comic book too much, but remember this is coming from someone with a Master's who has heavily studied authoritarianism since well before 2016 and I've worked with the juvenile justice system in the past. Fascist ideologies are really just abuse writ large in so many ways. From Cindry to Gunko and all these girlies in between we see these stories because they're a stand-in for the real world traumas that mirror these fantasy arcs.
Now, tomorrow we'll talk more about how this Domi Reversi title has a double meaning. You can't ignore how well it works for the cover serial this time too and when it came to Wano taking up/returning swords were a way to mark significant changes in Kiku's story. I can't ignore that happening and transitioning us to the part where she's perfectly poised to be weird and interesting right when a similar character in Gunko tears the wheels off of Elbaph and sends it into free fall. Let's wrap up this chapter, but I think it's a fair point to say any of the next 5-6 could get really clever with our girl in a myriad of ways.
"If I hit em high hit em high hit em high, then you hit em low hit em low hit em low."
Sorry, the original Space Jam soundtrack holds a permanent spot in my brain. The other reason I'd bring Kiku up here is because I cannot ignore how she's a great go-to example of someone who I could argue might be able to resist this type of demonic contract. A fair few but not all of these good-hearted women could but I wanna stick with the one who's got a golden opportunity to tie in via the covers. Let's assume for a second the idea the Knights had to consider a worthy target means there are some limits. I'm going to start from the idea it works like the closest thing we've seen. Big Mom (though Boa Hancock works) who is tied to Elbaf and don't forget we've connected that idea thematically in why the kids' moms were a good symbol. A miracle, even a staged one like Mother Caramel's might just be your best bet here.
Think about it this way. Big Mom's Soul Pocus worked if you had any shred of fear towards her. I get the vibe Imu's contract is the same, but for ambition. That's why a tough honorable warrior dude like Brogy who'd waste a century on a pissing match is susceptible and how Luffy needs to be special to overcome it. That's why someone like Kiku would not have to worry. Sure she was grateful and dutiful but generally happiest when she was part of a grubby little reject family no one would care enough about to laugh at the queer. Position requires obligation. Noblesse oblige is a two-way street. The best ones to wield power and influence are the ones who don't want it. It's not exactly a new idea, same logic as why the Hobbits were portrayed as the virtuous ones who could handle the One Ring's corruption.
When you put powerful men consistently up against women like this. When you take the time to show "good" guys like Oden & Vegapunk freely took advantage of this dynamic...I love the way you see these as two sides of the same coin. The more power you seek, the more humanity you rob from those you have dominion over...but you're losing humanity yourself and the one at the top is arguably in the worst position of all. Living Luffy's greatest fear of being fully alone. His greatest power is rallying anyone he meets to his cause. But you'll only ever maintain that if you never take the devil's bargain of stepping over others to serve your own ends. Even when they're hurt, helpful women who have had parts of their own humanity stripped away by the constant demands of others. Even if you know the exact words that can call her "home."
Some late night Darkness fruit and Domi Reversi thoughts.
Two similarities for the night. Sinking into the ground.
Followed by a dark liberation, in a physical sense with the Darkness fruit, and mental/emotional sense for Domi Reversi.
With all the similarities Gunko's situation has to Cindry's, this exchange just before the crew encounter Thriller Bark about what makes living valuable and that being dead is the end fits surprisingly well with the stories of both, as well as Ace and Blackbeard here.