seen from Malaysia
seen from United States
seen from United States
seen from Malaysia
seen from China
seen from United States
seen from United States
seen from United States
seen from United States
seen from China
seen from United States
seen from TĆ¼rkiye
seen from United States
seen from Malaysia
seen from Australia
seen from United States
seen from South Korea
seen from Maldives
seen from United States
seen from United States
āI just had this thought about how I want to work androgynous looks but that I want to be a girl androgyn who gets mistaken for a boy, not a boy androgyn who gets mistaken for a girl, which seems like a sort of silly but very critical differenceā
Mark Aguhar, calloutqueen, āBLOGGING FOR BROWN GURLS,ā March 4, 2012.
Read:Ā āOneās Own - Transgender Artists After Kinsey - Then and Nowā
Image:Ā Mark Aguhar, Making Looks, 2011. Courtesy of the artist. Photo by Mimi Wong.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ā¢ No registration required ā¢ HD streaming
Mark Aguhar's work appears in "A Queer Little History of Art," a new book coming out tomorrow. Damn how has it been five years already? This piece also hangs on my wall. #MarkAguhar #CallOutQueen
remember death
Mark Aguhar 1987-2012
earlier today i got a really sweet msg from a femme on my cigarette break at work and i started crying in the street in my tiny shorts and floral sleeveless shirt right as these two white bros walked by and in retrospect i am like what a fitting tribute to mark
Crasheās Law (5/30)
Organized DecayĀ ātis first a cobweb Formal Devilās work Ā Ā A fundamental pause Ruins Dilapidationās process Ā Ā is not an instantās Act.
Crumbling is on the Soul. Failing Ā Ā in an instant Ā Ā Into An Elemental Rust.
All men slipped Ā Ā Into the bore.
The Axes Ā Ā Ā Ā Ā Ā Ā [e.g. 1. Bodies are inherently valid] Are slow and consecutive. ------------------------- Todayās prompt was to reconstruct an Emily Dickinson poem. I chose Crumbling is not an instantās act. I havenāt read her poetry before and donāt know very much about her, but found her poems interesting in terms of construction and punctuation. I chose this one because it reminded me of cycles of depression (both my own and othersā who Iāve witnessed). Not sure about the Mark Aguhar Axes reference... it just sort of worked its way in.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ā¢ No registration required ā¢ HD streaming
flowers for mark aguhar -- (my) kith and kin. fat, femme brilliance. (jamal lewis, 2014)
One of the paradoxes of Markās style of critique is the intellectual vulnerability and contingency she maintained even as she raged against masculinity and whiteness with unapologetic generalization. These extremes are not performance. Or rather Markās ambivalent extremes are no more performative than other modes of critique and no more empty or less earnest for being deliberately performed. They are a demonstration of a politics guided by something bigger than the argument, a politics that can learn, feel, and change its mind.
Mark Aguhar's Critical Flippancy by Roy PĆ©rez
reminding self of what bully bloggers could sometimes do:
a politics that can learn, feel, and change its mind
