SENDĀ š“ TO SEE ONE OF MY MUSEāS DREAMS!
@bxrsenthorā asked:
š“Ā
There are so many stars overhead. So many. Heās been to a lot of places, and heās not sure heās ever seen a sky that full of stars. ⦠They are stars, arenāt they? They have to be. Theyāre moving a lot for stars, though. Shaking- No, swirling around. Gently in some areas, faster in others. ⦠It kind of makes him dizzy to look at. For a moment, he canāt look away.Ā
And then the stars are gone.Ā
They didnāt vanish. No, not quite. Itās almost like they were swallowed. Something closed over, and it was just dark. As far as the eye could see.Ā
Itās familiar.
Itās not a good familiar.Ā
He frowns, pressing his lips together as he continues to look up. He doesnāt get the sense of danger. ⦠Actually, he doesnāt get the sense of anything at all. He canāt sense anything. Why canāt heā? He looks around. Nothing but blackness, andā Oh.
Heās back here. The red path stretches out in front of him, running endlessly into a horizon that doesnāt exist. Itās still flat, still lifeless. Still vibrant against the nothing around him. Another beat, and thereās the same heavy, massive presence from before above him. No, above is still the wrong word. Itās around him. Engulfing him. Thereās the low rumble from somewhere in the distance, deep and sonorous. He glances over his shoulder with a frown. Part of him wonders if he ought to wait and see what makes it, this time. The Force nudges him to suggest thatās a bad idea.
Okay.Ā
He can follow orders. He keeps moving.Ā
His footsteps echo, louder and louder with each impact of his boot against the path, until itās nearly deafening. He wants to cover his ears. He does not. That would only slow him down, and the universe itself is advising against it.Ā
Thereās another sound, too. A higher-pitched clicking. More steady and rhythmic than his own footsteps. Over and over and over again, uninterrupted. It gets louder the further he runs.Ā
And then thereās the door. Wellā Itās still not a door, just a door frame. Still perfectly white and angular, a rectangle precise enough heād almost assume a droid made it. But, no.Ā
He knew, in the way the Force often made sure a Jedi knew, that this door - door frame - was much older thanĀ droids. Far older, even, than the Jedi.Ā
Thereās none of the hesitation he felt the first time he saw it. Not now. Not when whatever it is chasing him is getting closer closer itās right behind you RUNāĀ
His feet leave the path just long enough to launch through the doorway.
He staggers. Almost trips, but catches himself. Itās more instinct than anything else. His breath comes back to him, ragged and unsteady. He wills it to slow.Ā
Inā¦
⦠Out.
Inā¦Ā
⦠Out.Ā
Whatever it was that was chasing him, it's gone now. Maybe it couldnāt come through that threshold. Maybe the door took him to someplace far away. Either worked fine for him. Another slow, measured breath.
āOh,ā a voice, ancient, creaking, strong, frail, impossibly deep all at once, āyouāre back.ā Braig looks up, brows lifting in curiosity. There she is. The old faceless woman, rocking back and forth in that same antiquated chair, knitting with the finger-needles that keep snapping every so often. The matte red of the path stretched up from the ground to her hands. Braig took another few ragged breaths, then blinked, straightened, and took a second to right his tunic as he cleared his throat.Ā
āI am.ā He said, folding his hands behind his back once the last bit of imaginary dust was gone. He rocks up on the balls of his feet, then settles. āYou, ah, havenāt changed.āĀ
āHavenāt I?ā The faceless woman asks, looking up from her work and tilting her head, pausing the click of her needles. āEverything changes. From moment to moment, everything in the universe experiences a constant metamorphosis, even if you donāt perceive each minute shift.ā Another pause, and she resumed her knitting, though she didnāt turn her face - or lack thereof - away from Braig until her next words. āYouāve certainly changed quite a bit.ā
āI-ā Braig swallows. His mouth presses into a thin frown as he raises his fingers to the scar carved into his face. ⦠Itās not there. His fingers pass through where the skin should be, deeper and deeper into some place cold and cavernous and drippingā
He flinches back and pulls his hand away. He feels, almost, as though he just saved himself from being bitten.Ā
āYou are afraid.ā The woman says from in front of and behind him. Braig starts speaking, then stops again.Ā
ā... I am.ā There was no sense denying it - he had the feeling sheād see right through him, even if he tried.Ā
āYou are afraid of the way that you are changing; the nature of what you assume you are to become.ā Once again, this is not a question. And once again, Braig feels that there would be little sense denying it. He sighs and pushes his hand through his hair.Ā
āIs it so wrong of me to blame the war?ā He asks with an attempt at a sheepish chuckle. The woman doesnāt answer. The only other sounds are the click of the needles, a distant, behemoth rumbling. āI feel like Iām not who Iām meant to be. That the war has taken something from me that I canāt take back.āĀ
āEverything takes.ā This is said so matter-of-factly it takes Braig a moment before he realises making a counterpoint is even an option. āEverything takes, and everything gives. Through that, balance is maintained, yes?āĀ
āWhen itās equal.ā Braig says with a frown. āIf you take too much, or give too much, the balance is lost. And I feel like, lately, all weāve been able to do is give - but if we stopā¦āĀ
āIt isnāt an option, is it?ā The woman tuts to herself as another needle snaps. After a pause, Braig sighs.Ā
ā... No.āĀ
āThen you must keep going.ā The woman says. In the distance, the rumbling starts up again. Deep and abyssal and rumbling the marrow in his bones. Slowly getting louder, echoing itself in the creaking voice of the woman as she repeated those two words.Ā
āKeep going. Keep going. Keep going keep going keep going keep going keep goingāā
The path vanished beneath his feet.Ā
And he is falling.













