#bunk johnson

'Show about the first recording session of the New Orleans Revival in 1942. Recorded by Bill Russell.

Bunk Johnson tp, Big Jim Robinson tb, George Lewis cl, Walter Decou p, Lawrence Marrero bj, Austin Young b, Ernest Rogers d'

Today In History

William Geary “Bunk” Johnson, pioneer jazz cornetist and trumpeter, was born in New Orleans, LA, on this date December 27, 1879.

Johnson was regarded as one of the leading trumpeters in New Orleans jazz touring with minstrel shows and circus bands. In the 1920’s and 1930’s.

Johnson set off on a wild seven-year jazz history odyssey, playing in San Francisco, Los Angeles, Boston, New York, New Orleans, Chicago and Philadelphia, being praised by the press, and making dozens of records that were said to be authentic recreations of the earliest forms of jazz.

Introduction: The birth of jazz, with its complex rhythms, soulful melodies, and rich cultural roots, is a tale filled with mystery and innovation. Among the many figures credited with shaping this uniquely American genre, one name often stands out: Charles Joseph “Buddy” Bolden. Often shrouded in legend and myth, Bolden’s contributions to the development of jazz remain a subject of both…

Willie Gary Johnson (December 27, 1879 – July 7, 1949) was a prominent jazz trumpeter in New Orleans. Johnson gave the year of his birth as 1879, although there is speculation that he may have been younger by as much as a decade.

Education and early musical career

Johnson received lessons from Adam Olivier and began playing professionally in Olivier's orchestra. Johnson probably played a few adolescent jobs with Buddy Bolden, but was not a regular member of Bolden's Band (contrary to Johnson's claim). Johnson was regarded as one of the top trumpeters in New Orleans in the years 1905–1915, in between repeatedly leaving the city to tour with minstrel shows and circus bands. After he failed to appear for a New Orleans Mardi Gras parade job in 1915, he learned that krewe members intended to do him bodily harm, so left town, touring with shows and then settling in New Iberia, Louisiana. In 1931 he lost his trumpet and front teeth when a fight broke out at a dance in Rayne, Louisiana, putting an end to his playing. He thereafter worked in manual labor, occasionally giving music lessons.

Career revival and first recordings

In 1938 and 1939 the writers of the first book of jazz history, Jazzmen, interviewed several prominent musicians of the time, including Louis Armstrong, Sidney Bechet, and Clarence Williams, who spoke highly of Johnson in the old days in New Orleans. The writers tracked down Johnson's address, and traded several letters with him, where he recalled (and possibly embellished) his early career. Johnson stated that he could play again if he only had new teeth and a new trumpet. A collection was taken up by writers and musicians, and he was fitted with a set of dentures by Bechet's dentist brother, Leonard, and given a new trumpet. He made his first recordings in 1942, for Jazz Man Records.

Later touring career

These first recordings propelled Johnson (along with clarinetist George Lewis) into public attention, attracting a cult following. Johnson and his band played in New Orleans, San Francisco, Boston, and New York City and made many more recordings. Johnson's work in the 1940s shows why he was well regarded by his fellow musicians—on his best days playing with great imagination, subtlety, and beauty—as well as suggesting why he had not achieved fame earlier, for he was unpredictable, temperamental, with a passive-aggressive streak and a fondness for drinking alcohol to the point of impairment.

Death and legacy

Johnson suffered from a stroke in late 1948 and died in New Iberia the following year.

Jazz fans and historians still debate Johnson's legacy, and the extent to which his colorful reminiscences of his early career were accurate, misremembered, exaggerated, or untrue.

The majority of his recordings remain in print on CD reissues, and his playing is an important influence on many contemporary traditional jazz musicians. Johnson plays a small, but significant, role in Alan Schroeder's picture book Satchmo's Blues. In that book, Johnson serves as a source of musical inspiration to the young Louis Armstrong.