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new shop. new designs... https://catsonsynthesizersinspace.dashery.com đ

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Buchla 266 - Source of Uncertainty (variants)
ARP "The Arp Story" brochure, 1974
Retro Synth Ads
"ARP "The ARP Story" 8-page colour brochure for the Pro Soloist, Odyssey, 2600 and 2500, including two extra colour inserts for the Axxe and Explorer..."
MODEL 288.
Prebuild render. Â

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Round 1:
Which synth do you like more?
Buchla LEM218
Wurlitzer Orbit III
This is based off of LOOKS, not sound or reputation.
(2025)
Two new albums from Metropole Orkest - one on their own titled Arakatak:
And a live recording with legendary Buchla synth artist Suzanne Ciani called CIANI/ORKEST:
Electronic music pioneer and five-time Grammy nominee Suzanne Ciani joins the internationally acclaimed Metropole Orkest, conducted by Simon Dobson, for the release of CIANI/ORKEST, a landmark live album composed entirely of new work, created specifically for this unprecedented collaboration. Recorded at Amsterdam Dance Event (ADE) before a rapt audience, CIANI/ORKEST is not a retrospective. It is a bold, immersive meeting of the Buchla electronic instrument and 50-piece orchestral sound. The result is a sweeping sonic landscape, at once intimate and monumental. Under the direction of the Metropole Orkest, renowned for its genre-defying collaborations with artists from jazz to contemporary classical - strings shimmer, brass swells and woodwinds echo the organic, fluid qualities that have always defined Cianiâs sound. âThis project feels like a homecoming,â says Ciani. âThe Buchla was always orchestral to me, an instrument capable of infinite color. Hearing those colors unfold through the Metropole Orkest has been profoundly moving.â At the heart of CIANI/ORKEST lies Cianiâs lifelong commitment to quadraphonic sound. From her early Buchla performances in the late 1960s to her 2018 release LIVE Quadraphonic, Ciani has treated space as a primary compositional parameter. Working alongside immersive producer KamranV, Ciani continues to explore immersive sound as both artistic and human gesture. Kamranâs decades of work in spatial formats, converge here in service of a singular goal: to let sound behave as it does in the physical world. âFor both of us, quad is musical,â Kamran notes. âThe way Suzanne works, quadraphonic is nested in â not the technology per se â but the intent you bring to the work.â The recording stands as a meditation on legacy, evolution, and the enduring dialogue between technology and human expression. The live album captures the electricity of performance, the immediacy of touch plates under Cianiâs hands, the collective of musicians responding in real time, and the audienceâs shared immersion in quadraphonic-inspired space. This record is QUARK encoded to play in both stereo and Regular Matrix quadraphonic sound. QUARK is made possible by dublab & the National Endowment for the Arts.