October 1, 2019
Centipede E’Est - Brillobox - Pittsburgh, PA
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October 1, 2019
Centipede E’Est - Brillobox - Pittsburgh, PA

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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👶📦 In 1969 filmmaker Lisanne Skyler’s father paid $1,000 for a Warhol. Just over 40 years later it sold for $3 million in a record-breaking Christie’s auction. The story is the subject of Skyler’s acclaimed new documentary 'Brillo Box (3¢ Off)'. If you're in San Francisco, come and see the film at @FOGFair – 1.00 PM this Saturday – where we will be presenting a screening of the @HBO documentary as proud sponsors of #Fog2017. The screening will be followed by a discussion with director Lisanne Skyler, Christie’s Laura Paulson and @SFMoMA’s Gary Garrels, and moderated by Noah Cowan. Photo courtesy of HBO. #art #andywarhol #warhol #brillobox #fog2017 #popart #baby #lisanneskyler #film #photo #documentary #hbo #auction #recordbreaking #sanfranscisco
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
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Week10_Poststructuralism
I think understanding post-structuralism is very helpful and relevant to understanding contemporary art. I think that the attitude of trying to distinguish between what is art and what is not art is an outdated value that I personally should avoid having as an artist. Marcel Duchamp's <Fountain> is an important work that can support this idea, as it was able to be recognized as art for its body of work. As Wendy Warhol, a representative artist of contemporary art and a pioneer of pop art, demonstrates in his <Brillobox>, the distinction between real and fake becomes irrelevant (='breaking down the boundaries of art'), and this thinking, together with the philosophy of post-structuralism, explains where to place the value of a work as art with the keyword of 'flexibility' in thinking.
And it is precisely this post-structuralism that gives rise to the "flexibility" that I consider to be the most important attitude to evaluate the value of art today. To see the combination of signifier and signified as accidental, the only way to connect them is to find the difference between them and to delay in this process. It is in this process that a work of art is endowed with symbolism on its own, and it is all done through 'flexibility'.
It is my position to think that this process should be applied to all processes in which an artist perceives and decides something.