Like father like son
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Like father like son

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Jess Maybury photographed by Brandan Freeman for Vogue Portugal, July 2021
Dana Benton and Brandon Freeman in Seiwertâs Traveling Alone, Amy Seiwertâs Imagery, August 2015. Š David DeSilva.
Clad in a gridded garnet leotard with a geometric red cellophane âtutu,â Dana Benton opened the work with a dynamic spotlit solo. She dances as if possessed, a stressed-out android trying to fulfill a role that has been programmed into her. Her eyes are wild, feral even, and, at least initially, she appears to be a leader of sorts.
Title:Â Skateland Year:Â 2011 Director:Â Anthony Burns Writers:Â Anthony Burns, Brandon Freeman and Heath Freeman Starring:Â Shiloh Fernandez, Ashley Greene, Brett Cullen, James LeGros, Taylor Handley, Haley Ramm MPAA Rating:Â PG-13, violence, some sexuality, language, substance abuse and smoking â involving teens Runtime:Â 98 min IMDb Rating:Â 4.9 Rotten Tomatoes:Â 40% Metacritic:Â 51
Skateland came with some clear similarities to 2009â˛s Adventureland, and since that was my twentieth favorite film of that year, maybe my expectations were kind of high for me. They came because of the title, the fact that it was set in a small town in the 80â˛s, the fact that it was about finding yourself; the similarities were obviously there. And itâs a sweet little film, you know, a nostalgic and quite affectionate look at a group of people growing up at that place in that era. The thing is, however, that all of that wasnât because of the script, which is just full of characters and situations weâve seen time and time again in many other films, but rather because, at the very least, first-time director Anthony Burns (who also co-wrote the script) is good at crafting an atmosphere that really helped this one achieve its purpose, however so mildly.
The thing is, thatâs not really great. I mean when youâre a director that can achieve a sense of atmosphere to nicely compliment a good film then thatâs terrific, good for you, but instead inSkateland it felt as though Mr. Burns just wanted to craft something through which he could express all the nostalgia he has for the eighties era and the music and the personalities that came with it and that weâve grown so accustomed to seeing in many films (the film is even dedicated to John Hughes, master of 80â˛s teen cinema, for godâs sake!). Shiloh Fernandez, he who starred in the awful Red Riding Hood (which I gave a C- to) stars as Ritchie, a guy who works managing a skating rink but thatâs just not really worth investing too much in, since heâs just so uninteresting youâll get to the point in which you wonât care all that much about what he does.
Itâs such a pity that Skateland didnât turn out to be as great as Adventureland; I wanted to love the small-town business thatâs the titular skating rink here as much as I did the titular theme park in that 2009 film; I wanted to love watching those summery images and the antics of these guys as much as I did those of Brennan and Frigo and Joel and Lisa P; and I certainly wanted to be into the love interest of this film, Ashley Greeneâs character, Michelle, as much as I loved Kristen Stewartâs Em, when in fact the only resemblance about them is they were both played by actresses in their hiatusâ in between Twilight movies. Michelle and Ritchie are best friends, but the second you know Michelle and Ritchie youâll know theyâre obviously meant for much more than just that, and with Michelleâs older brother Brent they spent an eighties-drenched Texan summer just drinking beer and smoking and having blast. And itâs all good and nice, but it just goes nowhere, it spends too much time on the look to offer just a glance at the things of actual substance.
So Iâm kind of torn about whether to recommend this one or not, to know if I liked it somewhat or not. In the end I think I did, barely, I think itâs a competent film. The cinematography is certainly very good, with some really beautiful roller-skating shots done by Peter Simonite on just his second gig as cinematographer (though he cut his teeth as a camera operator on episodes of the gorgeous Friday Night Lights and did second unit work on Terrence Malickâs masterpiece The Tree of Life), but itâs just not great. There was just something off; instead of feeling like a film set in that special place and time, it felt like a cheap rehash, like it was pretending that, and that whole sense of not really grasping your surroundings, and the over-reliance on big hits of the era to get things going, just got me off the whole plot of the film, which wasnât much to begin with.
Go see Skateland if those kind of Adventureland or Dazed and Confused-esque films are your particular cup of tea. They are mine which is maybe why Iâm giving this one a passing grade, but donât be surprised if, more times than not, you find yourself distracted and just listing the similarities between this film and those, and notice just how basically every single time this film comes on the losing end of such comparison. As you watch Ritchie just being super unambitious at life, going along with Brent, who once seemed to be heading into something good with a motocross career, trying to mask their lack of purpose with partying and girls and more music that clogs the soundtrack here and gets you distracted (though the âFunky Townâtracking shot that introduces the characters is quite good), and realize how, much like its lead character, Skateland too never finds its purpose; it has a character I didnât really like and a story I didnât really care for as a consequence, but just enough great atmosphere for me to give it a recommendation grade.
Grade: B-