Fight Club (1999) Pt. 2
- Marxist/Class
When this movie first came out, some friends of mine and I liked to quote it. So much of the dialogue in this movie was just so outlandish and stark in contrast to the stuff we heard actual human beings saying, that it demanded repetition. One such line that always stuck with me came from this scene:
âYouâre not your fuckinâ khakisâ has a very different meaning in New England.Â
I remember laughing, hysterically: âYouâre not your fuckinâ khakisâ (Fight Club). Â âWhere or when would I ever get to hear Brad Pitt deliver such an absurd line again?â I wondered. What I failed to notice (to properly notice, I mean) were the many pro-socialist themes scattered throughout the movie. In my defense, I was a) 17 when I saw this film, and b) incredibly apathetic about anything with layered meaning. To me, at 17, I didnât have time to investigate every little thing in a movie (or a book, or a conversation); I took it all at face value, and evaluated it that way. A movie, a book, a video game, even people: their value was all based upon how much fun or entertainment I could squeeze out of them without digging any deeper than the surface. Also in my defense, I also remember having a firm belief that I wouldnât live past 30, and that the world was just a bunch of shiny, happy people holding hands. Iâm glad to have been wrong on both accounts: I was an idiot.
Returning to the point I was trying to make, Fight Club is mired with class criticism, specifically critiquing American capitalism. That fact isnât necessarily hidden; just refer to the first 30 seconds of this scene:Â
âWorking jobs we hate so we can buy shit we donât needâ is a quote not likely found in any of the training manuals at your place of employment.Â
Anyone with a mild understanding of capitalism will see that Fight Clubâs critique of it is anything but subtle. What is this film trying to tell us in regards to property? I think the film aims to persuade its audience of the fact that we could all be a little bit better off without the unnecessary pursuit of property. Tyler seems to be especially enamored with this idea of all of us becoming equal (which sounds like another type of system; hold that thought, though), telling us (using one of my favorite lines in the movie):Â âThe things you own end up owning youâ (Fight Club).
This idea, that the pursuit of property will eclipse humanityâs desire for almost anything else, is a poignant one; imagine how much worse things have become since the movieâs creator suggested it? Thatâs a question for another day, I suppose.Â
One way in which the movie proves its point- that pecuniary pursuits are lacking in purpose- is by showing the success of casting off such things. Fight Club is about forgetting those things, and living in the moment. Fight Club is the Narratorâs salvation. For example, examine the Narrator: before starting Fight Club, he is unhappy. He has a bit of money, job security, though he still canât sleep. He tries support groups, finding temporary solace, but Marla changes that, and he returns to a state of unfulfillment. Examine, through his monologue, how he talks about Fight Club after its creation:Â
âAfter Fight Club, everything else in your life gets the volume turned down. You can deal with anything.â
and âWe all started seeing things differently.â
andÂ
âFight club wasn't about winning or losing. It wasn't about words.â
and finally,Â
âAfterwards, we all felt saved.â (Fight Club)
These arenât the words of someone who is âin painâ; this is a man elated.Â
Another one of the things I thought was interesting, though a bit more veiled, was one way in which I found Project Mayhem to be metaphorical. While watching this to find more rhetoric, I noticed that not only is the movie pretty anti-capitalist, it actually praises socialism as an alternative.Â
Itâs probably not what Marx had in mind, but even he would have to admit: it has a certain panache to it. Â
Itâs not a perfect metaphor, but Iâll use some of the principles from the American Socialist Partyâs website and match them with things from the movie:Â
âFreedom & Equality:Â Democratic socialism is a political and economic system with freedom and equality for all, so that people may develop to their fullest potential in harmony with othersâ (Socialist).
The members of Project Mayhem are not even given names. They are all vetted through the same selection process, taking all kinds of people. Project Mayhem isnât a paying job; itâs a commune. Which brings me to the next point...
âProduction for use, not for profit:Â In a socialist system the people own and control the means of production and distribution... the primary goal of economic activity is to provide the necessities of life, including food, shelter...â (Socialist). Â
Oh, you mean similar to the way that Project Mayhem applicants all come to live in the house on Paper Street, farm the backyard, and make soap thatâs sold to further Project Mayhem? Commune style! How about:Â
âPeople across the world need to cast off the systems which oppress them, and build a new world fit for all humanityâ (Socialist).Â
I think that erasing the worldâs credit card debt is one way to âcast off the systems which oppress themâ (Socialist).
So what makes Fight Clubâs socialism so much better? A blog I was reading sums it up pretty well: âA personâs social class has become so relevant that it now has the ability to define a personâs self-worth... physical possessions can not be a replacement for self-fulfillment... it would only be a temporary feeling of self-worth, whereas the improvement of body and mind can go a long way â (KuriousKatz). Tylerâs way glorifies a type of socialism through its success. Even though the *MEGA SPOILER HERE* movie ended with Tyler being killed, the credit records were still erased. Tylerâs dream lives on. Thatâs success if Iâve ever seen it.Â
âSuccessâ.Â
Now that those are out of the way, I can finally get to the meat and potatoes of my review: the PROS & CONS. Stay tuned for part 3.Â











