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This can sometimes come down to personal preference, anonymous, but there are a number of choices, each sorted by move.

For one, some people with hypersensitivity issues find that using moves like Feather Dance or Cotton Spore effective—the latter especially because it can be done in small doses to create makeshift earmuffs that are effective in filtering sound. To this end, members of the cottonee line are especially popular.

Additionally, others prefer using Teleport to transport themselves to a fixed, calming location. It’s also useful when the person in question is rendered unable to verbalize their need to leave; most pokémon with this move are psychic and thus able to sense their partner’s distress or hear their thoughts. While the abra line are most known for their ability to use Teleport, the ralts line tends to be more popular, especially given ralts’s empathic powers (and kadabra’s tendency to induce headaches).

Other people with hypersensitivity issues prefer using moves such as Wonder Room, which can—depending on the power of the user—be used to create a comforting space anywhere the user’s partner may be. (Some pokémon capable of using this method are trained to keep their spaces small and to custom-tailor each space to suit their partner’s needs. Such spaces can be anywhere from soundless rooms with opaque walls in calming colors to transparent boxes that merely filter sound.) Solosis tends to be popular for this, as it can double as a stim toy if necessary (no, this doesn’t hurt it), but for reasons I admit I’m not sure of, psyduck is just as popular. Apparently, its vacant stare is both hypnotizing and calming.

And then, of course, some people may only need a pokémon that can help them navigate overstimulation without moves. In this case, psychic pokémon are often the best, as they’re capable of helping their partners communicate their needs, and because many psychic-types train through meditation, they often are extremely patient and capable of guiding their humans through similar calming techniques long enough to help them find a safe, calming (physical) place. Medicham is especially popular for this.

Speaking from experience, yes, we do indeed, anonymous. I must admit it’s rather difficult to describe because there are so many possible accents in the world. Some regions even have multiple possible accents, depending on which part you’re talking about. For example, people from Goldenrod City don’t actually sound like people from Ecruteak City, and even fellow Kinjin may sound different, depending on which district you come from. As an example within an example, both Bebe and I are from the same city, but she comes from the newer Northeast Side, which is close enough to Violet City to experience a sort of blending of the two populations. By contrast, I come from a far older neighborhood in the southwest, which itself has a unique accent due to the high number of rather ambitious immigrants, many of whom have given Goldenrod its reputation as a melting pot and center of art, business, and modern culture. Consequently, my accent is commonly thought to be the typical Goldenrod accent, whereas Bebe’s is far lighter and more mixed with a Violet City accent.

Ultimately, the divisions of accents depends completely on regional and personal history as well as general culture. Specifically, although we all speak the same language, one of the reasons we all have different accents due to the fact that prior to the introduction of Common, our languages were extremely varied. English sounds different from Japanese, after all, so when both speakers made the transition to Common, one could still tell what a person’s original language had been. Additionally, accents can vary from people to people, even if the native language had been the same. For example, Kinjin once spoke Japanese, as did many other people in the Kanto and Johto areas, but they emphasize their vowels, leading to longer, softer-sounding words. This lines up with Goldenrod’s history as a center of commerce: it’s easier to do business if you speak slowly and soften your voice, as you come off as more personable than the stiff and quick-speaking people of Kanto. And of course, there is also the fact that Goldenrod was a major entry point for immigrants, which in turn contributes to how different it sounds compared to the dialects of Kanto and the rest of Johto (what with assimilation and all).

Of course, this overly simplifies linguistics, but these tend to be the primary reasons why we still have accents despite, well, the fact that the majority of us speak the same language.

As for what we sound like specifically, that I can’t answer because it would take far too long to detail every single accent possible. I suppose I can describe my own accent in comparison to my colleagues’ and leave it at that. In which case, yes, I speak a bit slower than the others, and my voice largely comes from the back of the throat, rather than the palate or the front. As a result, my vowels tend to sound longer, and it’s been noted that I have “trouble” pronouncing H and R and that any word wherein R is the predominant sound becomes muddled (although quite honestly, all of you should be able to figure out what I’m talking about from context).

Well, to be fair, you were talking about a charizard’s breath that one time. —LH

Are you sure you aren’t a fomantis, anonymous?

Bill. —LH

Edit: In all seriousness, it’s very likely that you smell appealing to them. Sometimes, even subtle, floral soaps can draw attention from cutiefly.

Or alternatively, you’re secretly an animated princess.

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