1st Book Read in 2019
Blind Willow, Sleeping Woman by Haruki Murakami

seen from China

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seen from France

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seen from Spain
seen from TĂĽrkiye

seen from Singapore

seen from United States

seen from Pakistan
seen from Spain
seen from United States
seen from United Kingdom
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seen from France
seen from United States

seen from United States
1st Book Read in 2019
Blind Willow, Sleeping Woman by Haruki Murakami

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“I was born in 1949, entered junior high in 1961, and college in 1967. And reached my long-awaited twentieth birthday - my intro into adulthood - during the height of the boisterous slapstick that was the student movement. Which I suppose qualifies me as a typical child of the sixties. So there I was, during the most vulnerable, most immature, and yet most precious period of life, breathing in everything about this live-for-the-moment decade, high on the wildness of it all. There were doors we had to kick in, right in front of us, and you better believe we kicked them in! With Jim Morrison, the Beatles, and Dylan blasting out the sound track to our lives.
There was something special about the sixties. That seems true now, in retrospect, but even when I was caught up in the whirlwind of it happening I was convinced of it. But if you asked me to be more specific, to pinpoint what it was about the sixties that was so special, I don’t think I could do more than stammer out some trite reply. We were merely observers, getting totally absorbed in some exciting movie, our palms all sweaty, only to find that, after the houselights came on and we exited the theatre, the thrilling afterglow that coursed through us ultimately meant nothing whatsoever. Maybe something prevented us from learning a valuable lesson from all this? I don’t know. I’m way too close to the period to say.
I’m not bragging about the times I lived through. I’m simply trying to convey what it felt like to live through that age, and the fact that there really was something special about it. Yet if I were to try to unpack those times and point out something in particular that was extraordinary. I don’t know if I could. What I’d find if I did such a dissection would be these: the momentum and energy of the times, the tremendous spark of promise. More than anything else, the feeling of inevitable irritation like when you look through the wrong end of a telescope. Heroism and villainy, ecstasy and disillusionment, martyrdom and betrayal, outlines and specialized studies, silence and eloquence, people marking time in the most boring way-they were all there, for sure. Any age has all these. The present does, and so will the future. But in Our Age (to use an exaggerated term) these were more colourful, and you could actually grasp them. They were literally lined up on a shelf, right before our very eyes.
Nowadays, if you try to grasp the reality of anything, there’s always a whole slew of convoluted extras that come with it: hidden advertising, dubious discount coupons, point cards stores hand out that you know you should throw out but still hold on to, options that are forced on you before you know what’s happening. Back in Our Age, nobody plunked down indecipherable three-volume owner’s manuals in front of you. Whatever it was we just clutched it in our hands and took it straight home - like taking a baby chick home from one of those little nighttime stands. Everything was simple, and direct. Cause and effect were good buddies back then; thesis and reality hugged each other like it was the most natural thing in the world. And my guess is that the sixties were the last time that’ll ever happen.
A Pre-History of Late-Stage Capitalism-that’s my own personal name for that age.”
- excerpt from Haruki Murakami’s short story A Folklore For My Generation: A Pre-History of Late-Stage Capitalism in “Blind Willow, Sleeping Woman”