INTERVIEW: "Reflectif" Artists Reflect on Black Representation from their Upbringing
In one week, Lux Magna will have the pleasure of opening a month long art exhibit at Casa del Popolo, curated by local visual artists Kai Samuels and Joyce Joseph (a.k.a. JUICE); Reflectif is an exposition of art spanning various mediums, by 6 young Black artists coming from across the country.
Team member Mags (who is also a visual artist) spoke with Nafleri, Tyrin Kelly, Joseph Moore, Hasina Kamanzi (OTT), BlazenBlack (OTT) and Simone Heath (TO), about their respective experiences growing up with (or without) Black folk represented in the media and art that they consumed.
When was the first time you remember seeing Black folk represented in media or the arts?
Hasina: The first time I remember seeing Black people highlighted in media was when I went back to Burundi for the first time in 2014. I saw an oil painting exposition that was illustrating what life was like in Burundi pre-colonisation. I didn't realize at the time how influential it would be for me so, unfortunately, I can't recall what was the name of the artist or the name of the exposition.
Nafleri: Having grown up in Haiti, I was surrounded by Black people, so Carnival season was Black people and their joy put on a show. I knew whiteness existed but it was in light-skin Black [people] or missionaries; I wasn't fully aware how much opportunities catered to it. BUT, after arriving in Canada and being taught to be Black, around my second year, I remember TVA played films every Saturday, and during the week they would play the trailer for said movies; I remember once they played Fat Albert and all through out the week I was hype ācause it was movies with characters I felt I could relate to. I ended up being disappointed but, I still remember that child's hype. But in Haiti, I remember music, cinema, literature, paintings, sculptures, I wasnāt fully aware of it but I was lucky enough to experience Blackness in art.
Joseph: The first time that I remember seeing Black people represented within the media was The Proud Family. The show had a significant impact on my childhood, as it allowed for me to see various Black characters in a normalized and lighthearted setting on a regular basis.
BlazenBlack: Had to be the detective [Bulletproof] in the cartoon COPS, followed by X-Menās Storm.
Simone: The earliest Black character I could remember is Susie Carmichael from Rugrats. Pinpointing a first time is hard to say for sure. I grew up in the late 90ās-early 2000ās with a lot of Black shows, a few having more Black-centric protagonists. I can remember watching The Fresh Prince of Bel-Air, Family Matters and The Cosby Show with my family.
Tyrin: Iām not sureā¦ growing up I became really obsessed with the early jazz scene in America. It was drummers like Philly Joe Jones and Art Blakey that really inspired me to learn an instrument. K-OS is one of the first modern Black musicians that showed me you can make hip-hop and be a rock-star. I fell in love with Atlantis Hymns for Disco and really idolized that whole āB-Boy who makes indie musicā persona. In terms of visual art I wasnāt really aware of Black artists that stuck to my memory until high school art class I think. I was really invested in the poetry scene in Ottawa during that time and Saul Williams is another Black artist that really influenced me.
2. Who was your favorite fictional Black character growing up?
Nafleri: Can I answer Jesus? (laughs)Ā I remember reading (I know nada of Christian theology) that Jesus never wrote anything, his partners did, so in the writing of others, I'd see the fiction of Jesus, not that it's a bad thing, fictional characters can be inspirational butā¦ uncles, aunties and āem might roast for that one. (laughs). Jokes aside though, growing up I remember Bouki and Malice, which were folk stories of Haiti and in the literary work of Odette Roy Fombrun. I was able to see Black characters that weren't asked to be super, they existed in the complexities of their life. Looking back, I'm grateful to have experienced that.
BlazenBlack: My favorite fictional Black character must have been Piccolo [DragonBall Z] if he counts. If not, War Machine [Iron Man franchise].
Hasina: Growing up, my favorite Black fictional character was Pamela (from the Tea Sisters book series) [Thea Stilton series in North America]. Technically, she's a mouse but she was also very anthropomorphic & born in Tanzania (like me!) so baby Hasina read her as Black.
Joseph: This is a hard question to answer as I can think of many favourites, but if I had to choose, it would be between Alyx Vance from the Half Life video game series or Michonne from The Walking Dead.
Tyrin: My favourite fictional Black character growing up was Radio Raheem from Do The Right Thing. Also Q from Juice. Foxy Brown was also so badass. Those three will forever be cool.
Simone: Probably Raven Baxter from Thatās So Raven for a bit. I liked a lot of the outfits she would wear. She was multi-talented and funny.
3. What is your opinion on the current state of Black representation in Canadian media?
BlazenBlack: I donāt watch much Canadian TV, so I canāt speak on shows or movies, but in terms of animations, I canāt even name one off the top of my head. I'm hoping to change that.
Joseph: While I admit that I haven't been consuming as much Canadian media as I would like to as of late, I have found it harder to name many prominent or relatable Black characters within Canadian media off of the top of my head as opposed to American characters.
While I appreciate Canada's willingness to represent many different cultures and viewpoints, it would be interesting to see something centered around the regular lives of Black people living in Canada on a larger platform.
Simone: Black representation in Canadian media could be a lot better. It feels as though it isnāt really there or pushed into the background as apart of Canadian diversity. Most of the Black media I consume is from the States. I donāt watch a lot of Canadian television, but from what Iāve seen I donāt recall any Black protagonists, usually side characters with little to no background. I feel like Black Canadian artists/athletes arenāt recognized until they have made something of themselves outside of the country. Iām grateful for people that reach out and organize events like this to have ourselves shown. I also have a lot to learn myself when it comes to being more active in these conversations and connecting with other Black Canadians.
Nafleri: I feel like I can't speak of Canadian media, though this stretch ocean to ocean I've only visitedā I can't even say Torontoā Niagara Fallsā¦ once on a family trip. Quebec media however, having consumed a lot, hoping to fit in, I know for a fact, there is a big lack of representation. Though I stopped consuming QC media, late high school, my best friend studying in a theater institutions is closer to Quebec's media and we often discuss the lack of representation in his future field of work.
Tyrin: Um, Iām not sure itās so black and whiteā¦ if youāre looking at ācredibleā sources of media, yeah definitely a little convoluted. But in terms of independent mediaā media environments run by artistsĀ Ā for artistsā then I think itās thriving and itās all so cool! Like, looking at people I follow on social media or friends and peers that are making cool shit the list is giant. Definitely media representation is positive and important to an extent, and I think inĀ Ā Canadian media the effort is made, but thatās not what matters. What matters is honesty and published honesty is recognized in every format.
I mean, shouts out to: Tau Lewis, Marvin Luvualu AntĆ³nio, Moneyphone, Schwey, Elle Barbara, Tati au Miel, Neo Edo, Cole Craib, James Goddard, and all other Black artists who are doing their thing.
Hasina: There is a lot of work to be done but I'm hopeful because I see a lot of creatives doing great things both in Ottawa/Gatineau (where I live) and in Montreal.
Closing thoughts from co-curator JUICE
It's really cool how living Black is very different to other people. I always had this ideology that, because I was navigating spaces where there were a few Black children (or I was the only Black child) while growing up, meeting Black folks outside my environment meant that I could relate to them, just because they were Black. I wouldn't realize that our experiences could be different. Seeing how representation is so different but so important to each individual life, reminds me that, what ever they're doing creatively, you can do too, and you're not alone on the journey.
The first time I remember seeing Black folks was when my mother gave me a Spice Girl doll. Mel B (Melanie Brown) was the first Black doll I ever had and she had an Afro. She was the one doll I spent so much time on; I loved her so much. When I found out she was an actual person, I was shocked, and was interested in what she does, but I didn't have access to seeing what she did creatively (except on those celebrity TV talk shows when my mother would take me out to hair salons) . Later on growing up, I was into 1990's-2000's TV shows. The Fresh Prince of Bel-Air, My Wife and Kids, and Sister, Sister to name a few. Cartoons and anime were some other things I would watch when I would spend time with my siblings. Codename: Kids Next Door, Teen Titans and Bleach were a few of the earliest shows I would see Black characters. I would be extremely happy whenever they appeared on my screen. This only lasted during the years I moved and lived in Philadelphia. I moved back to Canada in 2008 and my spaces drastically changed. TV wasn't really the same after that.
The shows that depicted the Black characters I loved and enjoyed, weren't available in the country. Sometimes if they were, they would be 3-4 episodes behind from the American releases. At this point, I relied on the internet, or my brotherās video collections to air the shows I missed so much. Black representation was never really viewed as much as I was exposed to in the States. It became non-existent to me. The only time I would see a Black person in media or TV, is when a creative artist becomes popular, and outlets find out they're from Montreal. It was difficult to find representation growing up in this city, I always felt like we were side characters in our own adventures. People don't realize it but it does have an affect on people. It's nice to know that organizations are creating platforms for BIPOC representation, because we exist and we are not alone.
