September/October 1973 Ah, Youth, The Life Of an O’riginal Chainsaw Gal
A deep spring cleaning brought these little gems above to the surface.
In the days following filming Chainsaw ’74, after we’d wrapped, we were all finding our path, looking for ways to make money. I wasn’t in the brutal chainsaw dinner scenes (t’anks gods!!!). I was done and immediately looking for work, any work. Prior to filming I’d been working at Mrs. Robinson’s Restaurant at the corner of Riverside Drive and Congress Avenue in downtown Austin, for two years, paying for classes at St. Edward’s University, and doing well. Simultaneously, I’d been getting leads in all the plays at St Ed’s Mary Moody Northern Theater. After filming “Headcheese’ (Chainsaw ’74’s working title) for two-weeks, with little in the can, we shut down for a week. Then, we got a call that they found some money, filming was resuming. We all signed new contracts, but this time for ‘deferred money’. They’d kindly held my job at Mrs. R’s for the two weeks, but when we extended filming for another month, they had to hire someone to replace me. Drat. No job, no money.
Out of the blue, Daniel Pearl did me a solid. Our Chainsaw '74 cinematographer, Daniel, offered to shoot a portfolio for me with Daniel as the photographer, and Dottie Pearl assisting me with make-up and wardrobe. Both were full of great ideas, completely supportive, and very talented. Back in the day, with no internet, iPhones, computers, etc., we literally snail-mailed our pictures to casting agents and directors. When I think of the time-consuming hours of addressing, stamping, and trips to the post office, I get exhausted. Now, of course, you can scan and press Send.
Think about it.
The Good News: Everything finally worked out. As happens in life, things always change. For the past few years, our Chainsaw franchise has grown exponentially. I am pleased to report we have all grown close, appearing with my remaining cast mates to celebrate our 50th anniversary this year, since our filming and its release in 1974, appearing at various horror cons with my remaining cast members, together with our film crew members, Daniel Pearl, DP, JMichael McClary, ADP, and Ted Nicholaou, Sound Recordist. Fans love it and we love them!
Thanks to Kim Henkel, his son Ian Henkel, and Chase Anderson, we've been enjoying a real reunion to celebrate a little film we gave our hearts and souls to in the sweltering heat of July and August 1973, that went on to put Texas horror films on the map, a trailblazer, and lauded across the planet as a cult-classic in the horror genre. No sour grapes here, just great lessons learned, and thanks to all those who appreciate our work. We thank you.
The top right picture is from a print ad for Suzuki. Daniel had scored a local Suzuki commercial print ad shoot as DP in September 1973. When the director said they needed a girl who rode a motorcycle, Daniel did me yet another solid, he suggested me.🚀
Fifty years later, I’m still grateful.
xoxo,
Pammie 🪝💋
Original B&W photos by Daniel Pearl DP/ASC
Follow Daniel on Instagram: @danielpearldp
Colorization by Eric Goode @ericgoode106
