Listen to Bertrand Chamayou for free: https://music.cliggo.com/artist/2132527-Bertrand_Chamayou
seen from Bhutan
seen from United States

seen from Ukraine

seen from United States
seen from China

seen from United States

seen from United States
seen from Spain
seen from United States

seen from United States
seen from United States

seen from Sri Lanka

seen from Netherlands
seen from United States
seen from India
seen from China
seen from China

seen from Malaysia

seen from Malaysia
seen from China
Listen to Bertrand Chamayou for free: https://music.cliggo.com/artist/2132527-Bertrand_Chamayou

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
En attendant #bertrandchamayou et #solgabetta pour Beethoven Schumann Britten ... #tce #concertdudimanchematin @bertrandchamayouofficial @solgabetta (à Théâtre des Champs-Elysées)
French pianist Bertrand Chamayou has the right pedigree for Ravel: he studied with teachers at the Paris Conservatoire, whose lineage goes straight back to the composer, and it shows in the rock-solid technique and unfussy, unwavering interpretations he brings to this collection. There’s a confident swagger to the virtuosity of Valses Nobles et Sentimentales, and Chamayou articulates bittersweet melodies such as Pavane pour une Infante Défunte with striking straightforwardness. On the one hand, it’s refreshing to hear Ravel done so firmly, with zero hint of airiness, but the direct touch and staunch tempos end up leaving me a bit cold. Where’s the mystery in Gaspard de la Nuit when every note is so plainly defined? Where’s the majesty in the Sonatine when the cross rhythms are so literal? Mirroirs has more flux and Jeux d’Eau is relatively gentle, but it all feels fairly safe, measurable and sensible.