I find it funny how in terms of movies, the flops are usually panned by critics, but loved by audience. But in terms of Broadway, the story is almost always, critics loved it, but unfortunately not enough people came

man if only there was a musical about the rise of fascism and genocide as a result of so-called populism through the lens of a former presidential administration that could say something about this time in us history

The thing about really over-the-top and unsubtle political satire such as Bloody Bloody Andrew Jackson is it always gets criticized for being TOO unsubtle when it’s contemporary and but then you just let it marinate and it’s barely parody. here we are a decade later and BBAJ is practically a 1:1 representation of how people in politics talk today. Okay. Cool. We should all feel normal about that.