Natural plant dyes and ochre earth pigment on kapa (barkcloth). 21.5 inches H x 40.5 inches W. 2025.
Mele O Nā Kaukani Wai (Song of a Thousand Waters).
Mulberry paper, handmade plant dyes and mineral pigments, gouache, ceramic beads, thread. Approx. 8 feet H x 11 feet W installed. 2018. Collection of the National Gallery of Victoria (Australia).
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
on Sunday, I went to an art exhibition in a backroom in Midrand...
one of my friends arranged for us to attend a small showing of the Bark//Please exhibition held at the Backroom SCAM (Studio for Creative Arts in Midrand) and we had an inspirational afternoon. what I expected to be an impersonal hour or so at an underwhelming typical gallery turned out to be something quite different. One of the big reasons for this is the Studio is a backroom that has been converted into a gallery and studio space - I wasn't sure I'd come to the right place when I stood outside what appeared to be someone's house in a residential suburb.
we had made an appointment to view the art which was a concession to the space's capacity limitations that has been turned into a strength. it felt intimate to be guided through in a story in a little group. Lesiba Mabitsela, the gallery owner, presented a lot of information about the barkcloth exhibit and our handful had an interesting discussion touching on fashion, geopolitics, and history for about an hour.
after the appointed hour of barkcloth appreciation, my friend and I sat in Lesiba's backyard and chatted his ears off. We made our way into his storage and work space to get a private view of upcoming projects and made him promise to invite us back whenever the gallery has more events. It felt like making a very special memory to have this kind of experience, particularly in an area that doesn't have a developed commercial art scene.
I linked a bit of information below about the show and its inspirations - the Issey Miyake connection made my heart soft and I told Lesiba about my mother and my shared love of his design philosophy. I put a little section on abaca too because I was reminded of Dolly De Leon wearing Rajo Laurel at the Baftas.
"The exhibition showcases some early encounters, thought-processes and creative explorations between Ugandan visual artists Sheila Nakitende ( @sheila.nakitende ) and Liz Kobusinge ( @kobusinge ), including South African fashion practitioners Lesiba Mabitsela ( @souvenirs_of_conflict ) and Thabiso Ncanana ( @thabiso.ncanana ) in their explorations of bark, barkcloth and barkcloth papermaking in Kwa-Zulu Natal, South Africa. The exhibition comprises gifts and process work materialised during the Pan-African Research Residency (2023) that was facilitated by the African Fashion Research Institute (AFRI) ( @afri.digital ) in partnership with Creative Nestlings Foundation ( @creativenestlings ) as part of The Fold, a fashion research initiative supported by the British Council ( @britishcouncil )."
"Issey Miyake’s essential touchstone has been the concept of making clothing from “a Piece of Cloth.” His process explores the fundamental relationship between the body, the cloth that covers it, and the space and room that is created between these elements, divesting itself of the labels of “East” or “West”. Miyake’s creative process begins by studying a single thread and creating his material, which then leads to new clothing." - IsseyMiyake.com
In 1993, he launched PLEATS PLEASE ISSEY MIYAKE line using the unique “garment pleating” process. The label offered clothing as a product that was easy to wear, to care for and to travel with; practical for all aspects of daily life, comfortable, affordable, and elegant. He continued to pursue avenues through which to create clothing that could suit the needs and lifestyle of a modern woman. - IsseyMiyake.com