US Vogue December 1952
Avisco
Model : Jean Patchett

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US Vogue December 1952
Avisco
Model : Jean Patchett

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Avisco 1955
Leonie Vernet
US Vogue March 1, 1957
Anne St. Marie wears a Ceil Chapman blue-violet rayon chiffon sheath dress by Avisco. Rhinestone necklaces and gloves: Saks Fifth Avenue.
Anne St. Marie porte une robe fourreau en mousseline Robe de soirée Ceil Chapman en mousseline de rayonne bleu-violet Avisco. Colliers et gants en strass : Saks Fifth Avenue.
Photo Irving Pennsak
US Vogue January 15, 1960
Isabella Albonico wears a form-fitting pink dress that elegantly hugs her curves; the top is draped and tied. Designed by Gernreich-Bass, it's made of matte rayon jersey by Avisco. Necklaces in unexpected colors: Brania. Lipstick that completes this shimmering look: Orchid Pearl by Max Factor.
Isabella Albonico porte une robe rose moulante, qui épouse les formes avec élégance ; le haut drapé et noué. Signée Gernreich-Bass, en jersey mat de rayonne Avisco. Colliers aux couleurs inattendues : Brania. Rouge à lèvres qui complète ce tableau scintillant : Orchid Pearl, de Max Factor.
Photo Norman Parkinson
US Vogue May 1957
This ensemble consists of a jacket designed to be worn open. It's straight to the hips; the skirt is slightly fitted. The color, a lemony beige, is ideal for travel. By Handmacher, in Avisco grained rayon, acetate, and silk (Triplex fabric). Malbe blouse. Victory sunglasses by Kobley & Stern.
Ce tailleur se compose d’une veste conçue pour être portée ouverte. Celle-ci, droite jusqu’aux hanches ; la jupe, légèrement cintrée. La couleur, un beige citronné, est idéale pour voyager. Par Handmacher, en rayonne grainée Avisco, acétate et soie (tissu Triplex). Chemisier Malbe. Lunettes de soleil Victory chez Kobley & Stern.
Photo Paul Himmel

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US Vogue July 1954
Nina de Voogt on the left in a red wool and silk jersey dress. By Talmack. On the right, Patsy Shally wears a red wool with rayon Avisco dress. By Mollie Parnis. Carnegie Jewelry: Lord & Taylor.
Nina de Voogt à gauche dans une robe en jersey de laine et de soie rouge. Par Talmack. À droite, Patsy Shally porte une robe rouge en laine avec rayonne Avisco. Par Mollie Parnis. Bijoux Carnegie : Lord & Taylor.
Photo John Rawlings vogue archive
US Vogue October 15, 1958
Seated left, Anne St. Marie in a brown crepe "femme fatale" dress, deeply slit at the sides, with a small fishtail train. By Howard Greer, in Avisco rayon crepe. Closed "open" shoes by Evins. Standing right, Isabella Albonico wears a loose evening gown of great Renaissance magnificence; high waist, sleeves, loose in the back. Silk brocade woven with metallic threads, floral in green, red, gold, pink, yellow. By Gustave Tassell. Slippers by Andrew Geller.
Assise à gauche, Anne St. Marie dans une robe de "femme fatale" en crêpe marron, profondément fendue sur les côtés, avec une petite traîne en queue de poisson. Par Howard Greer, en crêpe de rayonne Avisco. Chaussures fermées "ouvertes" Evins. Debout à droite, Isabella Albonico porte une robe de soirée ample d'une grande magnificence Renaissance ; taille haute, manches, ample dans le dos. Brocart de soie tissé de fils métalliques, fleuri en vert, rouge, or, rose, jaune. Par Gustave Tassell. Chaussons par Andrew Geller.
Photo Jerry Schatzberg vogue archive
US Vogue July 1960
Maggie (Margaret) Brown wears a shirt dress. a narrow leather belt hugs the waist. Mark of distinction: four large buttons. By David Levine, of Avisco rayon and Celanese acetate crepe (Onondaga fabric). Rhinestone bracelet by Albert Weiss.
Maggie (Margaret) Brown porte une robe chemisier. une étroite ceinture en cuir enserre la taille. Marque de distinction : quatre gros boutons. Par David Levine, de rayonne Avisco et crêpe d'acétate Celanese (tissu Onondaga). Bracelet en strass d'Albert Weiss.
Photo Irving Penn vogue archive