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As we all know, rock and roll is made by Satanists intent on hiding subversive messages in their devil music. But what if I told you that all musicians are, in fact, colossal nerds, and those messages are actually all in Morse code?
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nehruvia has beef with Texas at SXSW.
Two years ago, Murray A. Lightburn began writing songs that clearly did not fit previous expectations, evoking the dark imagery of Dune, the humor of Slaughterhouse Five and the urgency of Jesus Christ Superstar. To say MASS: LIGHT is Lightburn's long-awaited solo-release is an understatement. The album is an electro pop opera he performs on drum machines and synthesizers. Inspired musically by the 80's soul and funk he grew up on, Murray has crafted modern orchestral timbres drawing from disco to electronica: The Dazz Band meets Phil Spector, Rick James fused with Wendy Carlos. He is now in the process of finalizing production on an acoustic version of the album. Il y a deux ans, Murray A. Lightburn s'est attelé à l'écriture de chansons qui ont pris tout le monde par surprise, à situer quelque part entre l'imagerie sombre de Dune, l'humour de Slaughterhouse Five et l'urgence de Jesus Christ Superstar. Le moins que l'on puisse dire de MASS: LIGHT, l'album solo de Lightburn sous forme d'opéra electro-pop exécuté à grand renfort de synthétiseurs et de boites à rythmes est qu'il attendu avec impatience. Très inspiré soul et funk des années 80, Murray façonne des timbres orchestraux modernes qui naviguent du disco à l'electronica : The Dazz Band à la sauce Phil Spector ou encore Rick James mâtiné de Wendy Carlos! Il en est en ce moment même à peaufiner une version acoustique de l'album. Le titre phare est disponible ici : link http://masstolight.com/ www.twitter.com/masstolight
Murray Lightburn's solo acoustic recording is an extension of MASS:LIGHT, expanding on a sound that is a major divergence from his music with The Dears. What began as an album comprised of synthesizers and drum machines, has been further stripped down to simply vocals and a guitar. The acoustic version further highlights Lightburn's incredibly skillful songwriting skills, highlighting the dark imagery and imagination of MASS:LIGHT, in an intimate and informal soundscape.
Murray Lightburn signe avec cet enregistrement acoustique en solo une extension de MASS:LIGHT qui s’avère totalement différente de ce qu’il crée d’habitude avec The Dears. Alors que l’album original comporte son lot de synthétiseurs et de boite à rythmes, on se contente ici d'une voix posée sur une guitare. Cette version acoustique, intime et informelle, confirme encore d’avantage les incroyables talents d’auteur compositeur de Lightburn et met en valeur l’imagerie sombre et l’imagination déployée avec MASS:LIGHT.
masstolight.com/
Scion Sessions took front row center at the 2013 Squamish Valley Music Festival. In its fourth year the outdoor festival, nestled in the beautiful scenic valleys of Squamish B.C, has seen significant growth in its lineup and vigor. Hosting over 17,000 music lovers and 54 artists the outdoor festival vibe is upbeat and genial. Local Vancouver bands and Canadian talent like Yukon Blonde, Bear Mountain, Fine Times, Gang Signs and Skratch Bastid, were all stoked to share the stages and positive vibes at this three day event. Les Sessions Scion se sont taillée une place de choix lors de l'édition 2013 du festival Squamish Valley Music. Pour sa quatrième année, ce festival en extérieur niché dans le superbe décor de la vallée de Squamish (CB) a connu une hausse significative en termes d'artistes participants autant que de public. Plus de 17 000 passionnés de musique ont profité des superbes prestations de 54 artistes. Des groupes vancouvérois et d'autres talents canadiens tels que Yukon Blonde, Bear Mountain, Fine Times, Gang Signs et Skratch Bastid partageaient la scène avec un plaisir évident et contagieux pendant les trois jours que durait le festival. http://aux.tv
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Scion Sessions gets personal at the 2013 Squamish Valley Music Festival with the quickly rising Vancouver four-piece electronic sensation, Bear Mountain. Their sound can be described as a prismatic compilation of sythns, a touch of dub, a sprinkle of sound bytes, a ton of dance, and a lot of soul. Bear Mountain, amongst other Vancouver favorites, brought a welcomed local flavor to the tremendous 2013 lineup. À l'occasion de l'édition 2013 du festival Squamish Valley Music, les Sessions Scion se sont accoquinées avec le quatuor electro vancouvérois Bear Mountain qui connaît une ascension fulgurante. Caractérisé par des synthés très présents, une touche de dub, un peu de sound bytes, des tonnes de dance et autant de soul, le son de Bear Mountain a contribué --avec d'autres talents de Vancouver- à apporter une vraie couleur locale à la fantastique affiche de cette édition 2013. www.aux.tv www.scionsessions.ca
Founders of Ottawa's now infamous Electric Pow Wow parties, A Tribe Called Red first found local notoriety for their original mix of contemporary electronic sounds and traditional powwow music. Their self-titled debut landed them on the Polaris long list, but the leap to 2013's "Nation II Nation" drew even greater acclaim and a place amongst the 10 short listers. With the help of Tribal Spirit Music, they took advantage of unprecedented access to multitrack powwow recordings to produce a cohesive, original set of songs that bridge the gap between the band's roots and the massive festivals stages they occupy today.
July Talk at Sound Academy, December 3
July Talk @ Sound Academy. See more here!
