Dec 27, 2017
Happy holidays from ASU Art Museum xx
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Happy holidays from ASU Art Museum xx
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Actual Source: Call Now ASU Art Museum, Phoenix AZ August 4 – September 15 2017
April 16, 2017
"FOR THE LOVE OF COLOR"
by PunkWasp
For four years, since buying the Phoenix property at Garfield and 3rd St N, Carrie Marill, aka PunkWasp, pondered what to paint on the back wall of the building while staring at the coil design of a crocheted trivet hanging above where she routinely changed her son's diaper. Eventually she made the connection and in 2015 put the design on display for all to appreciate. Built in the 1960s this property was in decline until Wayne Rainey turned it into live/work/exhibit space for young artists in 1999. PunkWasp and her artist husband, Matt Moore, were looking for new studio space when the building became available and reflecting the creative evolution of the nearby Roosevelt Row neighborhood it has been transformed into Combine Studios, not only housing Marill's and Moore's studio, but creating an opportunity for a new live/work ASU Art Museum International Artist Residency Program. @punk.wasp @asuartmuseum
Actual Source: Call Now ASU Art Museum, August 4 – September 15, 2017
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Diego Rivera, Niña Parada, 1937. Oil on Canvas. Collection of Arizona State University Art Museum.
Jane Peterson, Zinnias with Candlesticks. Painting.
Jane Peterson had an individualistic style, with bold color combinations and unique designs, and her canvases mix Fauvist and Impressionist tendencies with academic drawing. Peterson, born Jennie Christine in Elgin, IL, grew up in poverty. From her earliest years, Peterson drew from nature and took art lessons at the Elgin Public Schools. In 1895, she went to New York City to study art at the Pratt Institute. Before graduating in 1901, Peterson taught painting and became a popular teacher at Pratt. Peterson is a wonderful artist to highlight for Floral Design Day.
Elizabeth Catlett, Untitled (woman with stick), 1940. Lithograph on heavy cream paper.
Elizabeth Catlett, For My People, 1987. Reduction linocut.
African American artist Elizabeth Cateltt lived from 1915-2012, known for her depictions of the African-American experience in the 20th century. She was born and raised in Washington, D.C. to parents working in education and was the grandchild of freed slaves. It was difficult for a black woman in this time to pursue a career as a working artist. Catlett devoted much of her career to teaching. She then moved for a teaching job in Mexico, where she became the head of the sculpture department for the Escuela Nacional de Artes Plásticas. By the 1950s, her main means of artistic expression shifted from print to sculpture, though she would never give up the former.
Throughout her career, Catlett was a political progressive committed to improving the lives of African-American and Mexican women, and she often used her art explicitly to advance their cause. She has also protested, picketed and even been arrested in her quest to win justice for those she describes as "my people." Moving from the United States to Mexico in 1946, she was eventually identified as an "undesirable alien" by the U.S. State Department. For nearly a decade she was barred from visiting the United States.
Despite these struggles, Catlett's art reveals no trace of bitterness or despair. Indeed, she has remained true to the universal, life-affirming themes that first animated her in the 1940s: the beauty of the human form and the nobility of the human condition.