Korosenseiâs death (and AssClassâs ending in general), and why it hits me so hard: a huge thought dump because I really wanna get this get off my chest
Okay so firstly, my first time experiencing the story of Assclass was actually through reading the manga way back when the chapters were still releasing (when I caught up, it was around the civil war arc at that point) which was in like 2015. It's always remained one of my favourite series, but I later moved on to other series and never really super got back into it. Until recently. Basically, over the past 2 months, I pretty much ended up rewatching the entire anime (I watched the anime back in the day while it was releasing, too), and my interest in it got reignited.
And when I made it to the end, not only did I tear up at Korosensei's death this time, but during the following weeks, I've teared up from watching an AssClass AMV (this one if youâre interested skdfld), and literally three days ago, I teared up just from explaining why AssClass's ending hit me so hard to my friend over text. (our conversation is what inspired me to write this actually LOL)Â
And the thing is, over the past like 5 years, I already knew about Korosensei's inevitable doom. I knew he was going to die, and I don't think I even teared up the first time I experienced it. And during my rewatch, the ending was something I was completely aware about the entire time.Â
But now, I've come to realize that I don't think any amount of preparation or knowledge would've made me immune to the ending of series this time around.
And specifically this time around.Â
So firstly, to get the more minor/personal stuff out of the way: like I mentioned earlier, it's been 5 years since I really experienced Assclass and I loved it while reading it, so there's definitely this big nostalgia that comes with me re-experiencing one of my favourite series. And the timing of it all is honestly... perfect, actually. I was literally in middle school when I first read the manga, and this year I just graduated high school. The fact that the setting is a middle school (or junior high but close enough), and that the theme of graduation hits me in the face at the end, definitely struck a pretty personal chord with me. Watching the series again really did feel like I was revisiting my middle school days of loving and experiencing Assclass for the first time, and then the ending was like a pull to the reality that now I've graduated high school. There's this sentimentality I get from it all, especially with the fact that my last year in high school was cut in half by self-isolation and I ended up barely making any lasting memories with my friends towards the end of the school year. And even though I didn't consciously acknowledge all of this when I was rewatching Assclass, I think it definitely played a part in my feelings about it. It just hit too close to home for me, in several ways.
And secondly, it's me fully seeing Korosensei's death for what it is this time around. It's not just the death of an amazing teaching figure and a person, it's the death of the entire assassination classroom. Like, it truly hit me: the members of Class E will never be able to experience anything like this ever again, both this assassination classroom and this teacher.Â
All the assassination attempts, from the exciting to the absurd, all the hard work, in both assassination and studying, everything they've gone through with him, and this wonderful, funny, kind teacher who gave them so much warmth and guidance--the students were able to experience something so, so incredible over this past year.Â
And now, it's truly all come to an end.Â
It's... It's just such an incredibly bittersweet thing to fully realize, and when I think about this, my heart really hurts for Class E. Maybe it's because of my recent graduation, but this whole thing just resonates with me so much, and I think I can genuinely empathize with them in this situation.
And another thing is, we all knew that this was inevitable. They would've all graduated and left the class eventually. And although it's a very sentimental thing, but it's not necessarily bad.
And... I think that's part of why it hits me even harder.
Like, from my experience in anime, when someone dies, it's usually sad. The music is emotional, the characters are devastated, and overall it's portrayed as a very unfortunate event that the characters would want to avoid if possible.
But with Korosensei's death, it's happy and warm. In fact, I'd even say that he's probably happy to be able to spend his last moments with his students, receiving the thing that they've all been working towards for the entire year--his own assassination. He probably dies at peace and satisfied with everything he's been able to do, knowing that he's been able to nurture every member of the class into both better students and better people, and so happy and proud to see how far his students have grown since the beginning of the year.
And the song during the scene--it is emotional, but it's honestly... peaceful, too. Uplifting, almost. It's not a requiem to mourn Korosensei's death or the end of everything or anything like that. I probably say that it's celebrating it. Celebrating how far they've come, celebrating the start of a new chapter in their lives.Â
So when I think about this death, it's not two lovers being separated forever, or someone's best friend dying in front of them, or anything like that. It's not a tragedy.Â
If anything, itâs a testament of what they've accomplished and the mark of something new. Itâs the graduation that has always been awaiting them at the end of all of this, and honestly, I probably wouldnât change it at all.
And thatâs the thing. His death and the graduation that it symbolizes--itâs sad, but itâs not meant to just be sad. Itâs just... something that was bound to happen.
I think, when someone tells you to watch an anime like Clannad or Anohana, the main thing you hear is that itâll make you cry and itâs sad. But when someone tells you to watch AssClass, it's never about âKorosensei's death is going to be sad" or "youâre probably going to cry at some pointâ. It's about all the amazing moments--whether itâs the intriguing, the humorous, or the badass. I donât think people could even predict that the ending would leave them so emotional.
And so when I reach the end of AssClass and I watch Korosensei die and Class 3-E graduate and the story come to an end, itâs like experiencing the loss of something I genuinely care about. Iâm not watching this show to try to be sad, but when the story ends, I feel the loss of it. And the tears I cry arenât just from sadness. They're tears of everything: sorrow, gratitude, longing, joy. And watching the story come to a close in this way... itâs heartwarming as much as it is bittersweet and sad. It's the culmination of everything I've been through with him and the rest of Class 3-E.
And this, I think, is the reason why the death of Korosensei and the ending of AssClass is able to move me so much. These feelings are just too real.
PHEW OKAY sdfjalskdfajwieofj I legit didn't think that this would be this long or passionate, but man, this was IMMENSELY nice for me to get off my chest. Also I started writing this thing kinda for âI really need to put how I feel into wordsâ purposes more than anything, so if you made it here, I really appreciate you reading all of this!
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Apparently in 2015, Matsui was on an NHK show called Switch Interview, where two people from different fields take turns being the âinterviewerâ and the âguestâ as they learn about the other personâs trade. Matsui was paired with architect and designer Oki Sato, the head of nendo.
There's a video of it on YouTube but it doesnât have any audio and itâs looped and a bit jumbled, so the episode proper has kind of been scrubbed from the internet.
Matsuiâs âofficeâ in his apartment complex has a nice view of the Tokyo Metropolitan Government buildings and Shinjuku Park Tower.
What was interesting to me were Matsuiâs reference sheets. One of many which were stuck around his desk outlined whether characters used Android or iOS phones, no joke. Sato thought it was funny that Maehara in particular had a zebra-striped phone case.
Sugaya - iPhone (white) (I donât know why heâs listed twice and with different colours)
Shindou - iPhone
Bitch-sensei - iPad (Kind of out of place here, but thatâs what it says.)
And these three only had colours listed beside their names:
Isogai - white
Kayano - white
Yada - white
He also had character sheets for Class E put up around his work space, laid out in their class seating arrangement:
These character models are found as an extra in one of the volumes too, but Matsuiâs original papers have a lot of other scribbles and notes written on them, like screen tone numbers, or Shindouâs phone model (iPhone 5) and phone case design which happens to be in the likeness of a baseball:
For the record, Shindouâs baseball phone case is seen in chapters 50-51 of the manga, along with Suginoâs white phone case. And if you squint, you can tell the latter isn't using an iPhone either.
The anime didnât keep most of those little details, though Suginoâs phone still looks like it runs something vaguely similar to Android:
Back to the character model sheets, we actually get a cleaner look at one of them which happens to be the one containing all the kids sitting in the two rows at the back of the class prior to Ritsuâs transfer.
One of the interesting things about the reference sheets is that Matsui appeared to have scribbled down voice actors beside each of the kidsăŒmaybe he had voices in mind when he created them. Or maybe he just scribbled them down when they greenlit the anime. Other important characters are also listed on the side with VAs beside their names.
This image is a bit sharper.
The list:
Korosensei: Ono Daisuke
Karasuma: Nakamura Yuuichi (Funnily enough, Sugita Tomokazu, who is good friends with Nakamura Yuuichi, ended up voicing Karasuma in the TV anime.)
Bitch-sensei: Kawasumi Ayako (Aguri in the TV anime)
Board Chairman (Gakuhou): Sakurai Takahiro
Woman in flashback: Ohara Sayaka (Likely referring to Aguri. This interview aired in early March 2015, right around the time volume 13 was released; the magazine serialization was running somewhere at chapter 129-130 [volume 15], which is the big reveal with Kayano, and the anime was only about seven episodes in, hence why sheâs still listed as the woman in flashbacks.)
Ritsu: Yukana
Terasaka: Konishi Katsuyuki
Karma: Miyano Mamoru (This is hilarious to me in hindsight because Miyano actually voiced Asano in the anime. Also, Matsui actually missed a kanji in Miyanoâs name, but what he wrote can still be read the same way.)
Muramatsu: Yoshino Hiroyuki
Hazama: Sanada Asami
Chiba: Fukuyama Jun (Korosensei in the TV anime)
Okuda: Kanemoto Hisako (Kurahashi in the TV anime)
Sugaya: Suzumura Kenichi
Hara: Inoue Marina (?) (Itâs quite blurry though so Iâm not entirely sure.)
Karasumaâs subordinates
A (Ukai)
Glasses (Tsuruta)
Woman (Sonokawa): Fujimura Ayumi
Ryuuki (the leader of the delinquents who abducted Kayano and Kanzaki on the school trip) was also listed in the bottom right hand corner, but no VA was attached to him.
Lots of random information. To say nothing of the phones (long live Sugino and Sonokawa, the only Android users on that list), all the supplementary material Matsuiâs put out about the students and other characters really shows how much thought he, and Iâm sure a lot of other authors as well, put into their characters.
Maybe in some strange parallel universe, they got Kamina as Terasaka and Jotaro as Korosensei instead.
Karma and Okuda? People holding hands in chapter 179? If you look, there is Karma waiting for the train, so that means that the two people are Karma and Okuda. I think they were already a couple in the 'Class E', but thet kept this secret. In fact in the previuos fanbook is stating that they have a relationship out of the Class E. Okuda is a pretty girl, but she hides her appearance and only Karma noticed this. On the other hand Okuda noticed that a Karma isn' t a simple human being.
Well, hi anon.
So let me start by saying that youâre incorrect. Karma wasnât waiting for the train at all. He was standing in front of the METI (Ministry of Economy, Trade, and Industry) headquarters, which is where heâll be working after graduating. You can tell by the stone plate at the front entrance with the words engraved onto it.
Compare:
The manga
and the actual METI building
Itâs not the train station.
Another thing: keep in mind that both Karma and Okuda didnât make it to the reunion/clean-up. In the panel with the two people holding hands, one of the people mentions that everyone has already gathered â âeveryoneâ being the Class E students who made it out to the cleaning session. If the two people really were supposed to be Karma and Okuda, wouldnât it strike you as odd? It doesnât make much sense that Karma or Okuda would be talking about everyone already arriving at the school if neither one of them is actually going to be there.
One other point about the hand-holding panel that I want to point out is something thatâs lost in translation. In Japanese, both speakers speak using plain speech.
That means neither of these people are Okuda since, in the original Japanese, Okuda speaks in distal (-desu/-masu forms), otherwise known as âpoliteâ speech. People that are of equal standing or rank (e.g. students in the same grade in school) tend to use plain speech with one another, and this is also how the Class E students speak to each other. The only exceptions to this are Ritsu and Okuda. For Okuda, this is true even with the people sheâs closest with; whether itâs Kayano or Karma, she speaks to them using polite-style speech. You could make a theory that time has passed and Okuda has dropped the formal speaking pattern with her friends, but thereâs no solid evidence sheâs done this.
We can all speculate till the cows come home, but weâll probably never get 100% confirmation on whose hands those were. Honestly, I donât care whose hands those were because Matsui did it to mess with us and itâs never going to be revealed.
Karma and Okuda are really close, but buddy, I highly doubt they were dating each other while still in Class E. That goes for everyone else too. They had more important things going on, like, you know, assassinating a super being that might blow up the world. Hell, Karma ignored everyoneâs messages over winter break after Korosensei revealed his past to them because he wanted to think things over on his own â whether Korosensei should be killed or not. Thatâs quite telling of how focused Karma was on his objective. I hardly think being in a relationship was on his mind at all throughout the entire year.
If the previous fanbook youâre referring to is Roll Book Time, then no, thereâs nothing stating that they have some kind of ârelationship outside of Class E.â It gives us a good sense that theyâre actually quite close, but it never implies theyâre dating or that they have romantic feelings for one another.
As for Okudaâs appearance, the implication by canon is that sheâs not exceptionally pretty. Just look at the âGirls Youâre Interested In Rankingâ that the guys did during the school trip (chapter 19). The votes all went to Kanzaki (4), Yada (3), Kurahashi (2), Kayano (2), and Kataoka (1). Karma casting a vote for Okuda was met with surprise by the guys.
Thereâs a lot of info from the manga and official supplementary material that suggests Okuda is easily left out of conversations because sheâs shy and has weaker language (and social) skills. She also has a habit of being so focused on her hobbies that she forgets the world around her. Okudaâs not a head-turning natural beauty like Kanzaki who, although also quiet like Okuda, attracts attention because of her looks, even if itâs unwanted at times. So, I donât agree with the idea that Okuda is secretly a bishoujo behind her braids and glasses because everything suggests that sheâs somewhat plain and often forgotten. Basically, Okudaâs a bit of a wallflower.
But like I said, Okuda is charming in her own way. Karma never noticed her for her looks, but her talent in science. To be honest, Iâm happy that Karmaâs initial interest in Okuda was because he saw her scientific knowledge as an asset to his mischief-making and not because of conventional attractiveness. It shows how childish Karma can be, but also how he sees beyond peopleâs appearances and most importantly, although it was coincidental, he took an interest in Okuda for something about herself that sheâs proud of.
Okuda has never made any friends prior to joining Class E because sheâs been so engrossed in her little scientific world and neglected honing her social and communication skills. Her overt honesty along with her inability to lie were also presented as simpleminded and foolish, pointed out as weaknesses right from her introduction (chapter 7).
Okudaâs love of science has never helped her make any friends, but given Karmaâs love of pranks, he took an interest in her precisely because of her aptitude in the subject. Not only that, but Okudaâs kind yet honest-to-a-fault nature is, conversely, a positive for Karma. He feels at ease telling her anything precisely because sheâs so ridiculously honest. If anything, I think a guarded person like Karma who finds it hard to trust others would appreciate that kind of honesty more than most people.
I think itâs sweet, in a way, that the things about Okuda which might have hindered her in forming friendships (whether it was being too focused on science, or shortcomings like being honest to a fault) are actually some of the main reasons why Karma shares such a good relationship with her.
As for what Okuda sees in Karma, Iâve gone over it before.
I honestly do think Karma and Okuda are each otherâs best fit and that the nature of their friendship translates well into a relationship. Itâs hard for me to even entertain the idea of pairing them off with anyone but one another because to me, that feels inherently OOC. That sounds extreme, I know, but I am that stubborn about them and that serious about character interpretation.
That said, letâs be reasonable here. The only pairing that is canon is Karasuma/Irina. All the implied student pairs were left in limbo. That goes for Nagisa/Kayano and Maehara/Okano, much less Karma/Okuda. The first two are at least framed in a potentially romantic light, with Kayano having feelings for Nagisa, and Okano for Maehara. But Karma and Okuda? Their relationship has never been portrayed as explicitly romantic in nature. Theyâre friends just like Karma is friends with Nagisa andSugino.
Iâm going to end this long-winded answer by saying be supportive of what you like, but be logical and reasonable.Donât disregard facts or make up new, illogical ones â no matter how much you ship something.
I still almost canât believe they actually produced a real song for an Anime Within An Anime and included it in the Extra Lesson bonus CD.
The showâs title -- äżșăźćŠčăçȘç¶ćșćł¶ăăĄăłă«ăȘăŁăăźăŻćœŒæ°ăźćœ±éżă«éăăȘăä»¶ă«ă€ă㊠The Reason My Sister Suddenly Became a Hiroshima Fan Must Be Because of the Influence of Her Boyfriend -- is clearly poking fun at My Little Sister Canât Be This Cute (otherwise known as Oreimo) for its long title by being even more egregiously long-winded. This might as well be a jab at light novels in general for their uncreative and unnecessarily verbose naming conventions.
The fictional show is referencing the Hiroshima Toyo Carp, a Nippon Professional Baseball team. Korosensei mentions that the three characters Tsunemi, Kikuchi, and Maeda are all based on pro baseball players but doesnât go into more detail than that.
The C-shaped crest on their uniforms (and Maedaâs hairpin) is the same insignia used by the Carp, which is an imitation of the one used by MLBâs Cincinnati Reds. Naturally, the three people these characters are based on are all either current or former players for the Carp.
Tsunemi, the âlittle sister of flamesâ / âfiery little sisterâ is a reference to pitcher Tsunemi Tsuda, whose nickname, âStopper of Flame,â is mentioned in Suginoâs profile from the Character Book/Roll Book Time under Takebayashiâs section. In 1993, Tsuda passed away at the young age of 32 due to a brain tumour.
Kikuchi is a reference to Ryosuke Kikuchi, currently an infielder for the Hiroshima Carp and 5x Golden Glove winner, an award given to players who have shown outstanding defensive performance. Kikuchiâs trait of loving doughnuts is actually an old joke amongst fans that Ryosuke Kikuchi has (or had, anyway) a âdoughnut shaped fielding range.â Basically, heâs great at running and catching any ball that requires him to move laterally but when it comes flying straight at him, heâs prone to making errors. Matsui is cheeky as hell putting that joke in.
And finally, Maeda is a reference to Kenta Maeda, currently a pitcher for the Los Angeles Dodgers (hence the character trait of planning to go abroad).
The theme song for the Show Within A Show is called 性éè»ąâ柣èȘă·ă§ăł Daigyakuten â Sensei-tion. Itâs a pun, where by itself, sensei is written as the word for âoath,â but altogether can be read as the English word âsensation.â Daigyakuten means a âbig turnabout.â I canât think of a great way to translate it without keeping the nuance of both sensei-shon / sensation intact.
And similar to the AssClass animeâs opening themes, the song for the fictional show is sung by Tsunemi, Kikuchi, and Maeda who form a unit called æăźè”€ăă«äžäșșćš Koi no Aka Heru Sannin Musume (lit. âLoveâs Three Red Helmet Daughtersâ). The Red Helmets, or 蔀ăă« akaheru was the nickname given to the Carp during their golden age from the mid â70s to early â90s. The team changed the colour of their hats to red in 1975 as a symbol of their never-ending fighting spirit. Red remains the teamâs primary colour to this day.
And for the people who enjoy VA jokes, Tsunemi is voiced by Yada (Ayaka Suwa), Kikuchi is voiced by Okano (Minami Tanaka), and Maeda is voiced by Hara (Miho Hino).
Speaking of AssClass songs, I remember that thereâs an Itona feat. Terasaka Gang (Muramatsu, Yoshida, and Hazama) cover of âBye Bye Yesterdayâ from Megumi Ogataâs 25th anniversary CD (âAnimegu 25thâ). Ogata voiced Itona. Too bad there werenât more songs sung by characters as tie-ins to the anime.
If you count the cover of âBye Bye Yesterdayâ from Ogataâs CD, I think that leaves only Kimura, Takebayashi, and all of Group 2 minus Nakamuraâs VAs that didnât sing any songs from or for the anime. Aside from wanting Group 4 singing everything please Iâm biased as hell I think it wouldâve been hilarious if the Five Virtuosos sang a song because werenât they a band or something? Asano is even voiced by Mamoru F-ing Miyano. Missed! Opportunities!
The last time I made one of these posts, it was 3500 words long, so youâd think Iâd be done talking about Karma BUT WAIT, THEREâS MORE! ...Iâm sorry.
I like this manga-only scene and itâs too bad that Lerche cut it. Fair warning: lots of KaruMana spiel.
To me, this schism arc scene is the logical follow-up to Karma and Okuda's exchange during the test of courage. On its own, it's nice, but the scene holds much more weight to it when tied back to other moments in the story as it really fleshes out the characters.
Before I get to talking about the scene itself though, let's talk about Karma for a second.
I've gone over this before in a previous post, but a lot of Karma's character development focuses on learning the value of hard work. Through that, he also learns humility and respect for his peers. Karma has a very sharp mind and it shows in all facets of the assassination, whether it be in planning or in academics.
So let's go back in time a little -- back to the second semester's final exams. Recall Karma's monologue about "talent" during the the exams. I reference this scene a lot when discussing Karma's character as it serves as a culmination of much of his character development and is one of the few instances in which we really get a look inside his mind.
In a flashback, Nagisa and Karma compare their test scores.
Nagisa sees Karma as something of a prodigy, and according to Karma, he reiterates this point a lot. However, Karma doesn't seem to view himself as a genius. The rest of Karma's monologue follows up on this idea of perceiving talent. Now, I could go on about how the Assassination Classroom manga is way better than the anime, but the anime did do something (which the manga didn't do) that I liked.
Karma describes âtalentâ as being a part of oneself that people donât see.
In the manga, all we get is a panel of Karma's hands as he says this, but in the anime, that same line is paired with a visual of Karma studying earnestly at his desk. It's a good visual contrast between how Karma views himself, and how he feels he is viewed by others. To the people around him, Karma appears to be a genius, but that's only because they don't know the amount of hard work he's put in to achieve success. Basically, Karma seems to view his diligent nature as his real "talent." We, as the audience, know for a fact that Karma's been putting in a lot of effort since the end of first semester.
This is all the way back in chapter 76. When Korosensei goes to ask Karma if he'd like to go to the summer festival with the class, Karma acts like he's bored and says sure, he'll go, because he was just relaxing at home. ...And then you see a haphazard mess of textbooks on a lower table beside his desk. Later on, this scene gets called back to by Korosensei, who notes that the pile of textbooks didn't escape his eyes.
There's an implication that Karma didn't want Korosensei to know he was studying so much (which comes as no surprise when you consider how much Karma hates having his pride stepped on -- kid does not want to be reminded of the shame he felt when he underperformed on the math final because of his arrogance). Ever since he was humbled in the first semester final exams, Karma's learned to match his confidence to the amount of work he puts in.
Nagisa's not the only one who puts Karma on that pedestal of âgeniusâ either. When Karma and Nagisa are about to fight, Terasaka remarks that he'd always thought Karma was a genius, but after being pitted against his classmates and seeing hidden sides of them, he realizes that Karma has actually been really hardworking, and conversely, Nagisaâs the genius in this classroom.
To a lesser extent, thereâs also Maehara and Isogaiâs brief conversation. When prompted to pick a winner in the duel, Maehara gives Nagisa a chance because of his unpredictability, but his money's still largely on Karma winning. All of these moments show us how Karma is perceived by his peers. Terasaka and Nagisa both saw Karma as a genius of sorts, but with that label, there's always a connotation that you can achieve success without having to work hard, which is the complete opposite idea of the crux of Karma's character arc.
Karma's good at a lot of things and while his nonchalant front has a lot to do with it, the people around him tend to overlook his hard work (i.e. his own perception of his talent).
And that brings me to this scene.
It's the logical follow-up to Karma and Okuda's test of courage conversation what with how it rounds out Karma's character arc and goal, but I like how it also subtly ties into Karma's monologue about talent.
Karma seems to be perceived as a prodigy by his classmates, but in this scene, you have Okuda acknowledging all the hard work and resolve Karma's put in over time. Even though others would call him a genius, she recognized his commitment and dedication -- how serious he was about achieving his goal. Learning the value of hard work is such an integral part of Karma's character development but all that effort he spent studying -- much of it in the shadows, to be fair -- is chalked up to genius rather than his diligence. That diligence is a virtue Karma comes to be proud of and it becomes a central aspect of his character -- enough that he comes to see it as his "talent" -- that so-called "invisible" part of himself.
Okuda doesn't amount Karma's achievements to a gilded veneer of genius; she recognizes all his hard work and resolve when others tend to assume it all comes naturally to him. Okuda sees Karma's talent for what it is as opposed to how it's perceived by others.
Karma trusts Okuda a lot. I sometimes feel this fact is very understated. Karma hates showing weakness in front of others, but he feels at ease showing moments of vulnerability in front of just Okuda (see: the test of courage scene). I think it's nice that someone whom Karma trusts so much noticed and appreciated all his hard work and resolve when their classmates didn't initially.
The best thing about this scene is that it links up so well with other moments in the story and further builds on characterization and character relationships. I guess I love the connect-the-dots nature of it most, but there are a lot of other things I like about this scene too.
I remember seeing KaruMana shippers joke about how they wished Okuda had joined the Kill team with Karma. Now, I favour KaruMana a lot myself, but I'm more than happy that she chose to be on the Save team. First of all, it's way more in line with her personality to save than to kill -- hell, Roll Book Time even tells us that one of the reasons Karma is close with Okuda is because she shows zero aggression. Second, and just as important, Okuda doesn't exist as some satellite character to Karma; she's her own person and has her own goals and beliefs. Her friendship with Karma is a significant detail about her character, but her character does not revolve around her relationship with him. Okuda chose to join the Save team because she wanted to save Korosensei. Her choosing the Save team is what makes her support for Karma all the more meaningful as it shows how much she cares for Karma.
She wants Karma to win, but that doesn't mean she wants to kill Korosensei; she still wants to save him. However, the trigger for her outburst of support for Karma is because he's fighting Nagisa. It's a callback to their conversation during the test of courage, where Karma declares he won't lose despite Nagisa's talent making him better suited for the assassination. The moment Okuda heard it was a 1-on-1 fight between Karma and Nagisa, it wasn't just about Korosensei anymore. As much as it is Karma versus Nagisa in a duel to determine the fate of Korosensei, it's also a personal fight for Karma, who sees Nagisa as his biggest rival in their assassination classroom. I'm sorry for the title drop.
Voicing her support for Karma despite him being on the opposing team shows how much she values Karma as a person; as a friend. It's not that she wants the Kill team to win -- she just doesn't want Karma to lose. Okuda knows how hard Karma's been working and doesn't want to see all his effort and resolve amount to nothing because that would be crushing for him. She took Karma's feelings and motives into consideration, and they're just as important to her as saving Korosensei. Look at her mannerisms when she says she wants Karma to win: she shouts and sheâs a little flustered. Thereâs an urgency to her words, like she's afraid Karma might lose.
Even though Karma lost, Okuda is as happy as Kayano here when they see Karma and Nagisa reconcile their differences, showing they are friends once again. It wasn't about saving or killing Korosensei here, it was just joy in seeing that Karma and Nagisa could remain friends despite their differences. So even if Karma lost against Nagisa, seeing that Karma could accept the loss and be at peace with the result was more important.
The schism arc had a happy conclusion, but that doesnât mean there werenât regrets. I mean, we all see later on that it stings Karma that he doesn't get to be the one to deal the killing blow to Korosensei.
Visible silence/ellipses always mean theyâve got something on their minds but not saying it. ALWAYS.
Look at Karmaâs rueful expression and Okudaâs concern.
Even if Karma accepted his loss during the survival game, it still must have hurt to some degree that he didn't get to be the one to do the job after working hard towards that goal. Even after he conceded defeat to Nagisa, which was also somewhat a metaphorical concession of the status of best assassin in the class, Okuda can see that Karma still wants to be the one to deal the killing blow to Korosensei. Although Karma was able to gracefully bow out and accept his loss to Nagisa, part of him still wishes he could be the one to finish off their teacher, not Nagisa.
I like that Karma isnât 100% happy with the result. He canât just sweep all that hard work he put in under the rug, but I think it shows that Karma was mature enough to realize he couldnât always have it his way even if he did work hard for it. I rambled a bit there, but I like this panel. It's simple storytelling continuity from the cave scene and builds on what we know about Karma and even Okuda. Karma may have accepted the way things turned out against Nagisa, but even if he doesnât say it, Okuda can tell he isnât completely happy with the way things went.
Karma is close with Okuda for a very simple reason -- he appreciates her overt but kind honesty and thatâs why he can drop all his barriers when heâs with her. Despite his cautious attitude, he does appreciate having people that he can drop his guard around, but heâs very particular about whom he allows to get close to him. I think that cautiousness, paired with his sharp mind, makes him a good judge of people, and itâs also why heâs good at recognizing a personâs talents and positive traits (e.g. Karma talking about the talents of his friends; recognizing Mimuraâs ability for recon because of his talent and interest in film and production).
Just like how Karma recognizes peopleâs talents and their good points, I think itâs nice that Okuda noticed Karmaâs hard work and dedication when they flew under peopleâs radars initially. She cares about Karma a great deal and is always supportive of him, even if their ideals donât always line up (like in the schism arc) but her kindness isnât overbearing. I guess thatâs another reason they get along so well. Okuda doesnât pry into his business but is there to listen if Karma wants to talk.
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Well hi anon, itâs nice to see youâre so spirited about this. Hopefully I can address everything youâve outlined. Be warned, however, that this will be a very long post so itâs going beyond the jump. Iâd be happy if you (or anyone else) took the time to read all of it, though.
hey, i want to tell you that's you're probably thinking too much about karma reffered himself as 'akabane' to nakamura...
Iâll preface this by saying that I disagree; I donât believe Iâm overthinking it.
you know they're close if you read ankyou character profile from roll book time, karma and nakamura literally can talk about anything bcs they're kinda the same type of person...
As I said in the original post, Karma and Nakamura definitely do get along thanks to their similarities. However, that does not necessarily entail that theyâre close. I do think that on some level, they're friends, but more of the casual type of friends who actually donât spend time together outside of school much if at all. I wouldnât say they can talk about âliterally everythingâ but they do discuss topics that are reflective of their similarly mischievous personalities and high intelligence, which, as Roll Book Time shows, is along the lines of extortion[1] and world economics. They're both so smart and think on a similar wavelength that they can discuss things like economic issues on an equal level. Iâd also point out, though, that these two examples arenât exactly âpersonalâ topics.
Which brings me to what I want to say next: Iâd also hold up a little on calling them the âsameâ types of people. They share common traits like a penchant for mischief and high intellect, which allows them to get along and see eye-to-eye on things like strategy, but at their cores, I find they are quite different.
Nakamura is more outgoing and social. Sheâs a mood maker, if you will. As a child, her stunning grades and high intellect didnât make her happy though; rather, they left her feeling different and isolated from her peers. What she wanted was an unexceptional normality where she was no better or different from the people around her. She wanted to be normal and she wanted friends, so she acted like a fool in order to make herself more relatable to others and vice-versa. But when she does this, she realizes she lost something important to her: the happiness of her parents, who gradually watched as their daughter squandered away her academic potential, and the fact that she did want to remain smart. Her character growth focuses on being able to fit in with her peers while still maintaining her academic excellence, but itâs also about being comfortable in showing the serious side of herself as well, which both Terasaka and Karmaâs comments to her in Graduation Album Time make reference to.
Whereas Nakamura is quite social, Karma is much more distant and closed off due to how cautious he is of other people. He puts up walls between himself and others, especially so at the start of the series, and yet heâs never shown to express any sort of negativity or loneliness over not fitting in with Class E initially, to the point that he doesnât even care if he disrupts the classroom with his behaviour as long as he gets to do what he wants.
Like Nakamura, Karma is exceptionally intelligent, but unlike Nakamura, who felt isolated and lonely because of it, Karma enjoys the satisfying feeling of superiority it gives him. He goes around derisively labeling certain people or actions as âidioticâ or âstupidâ so often, itâs clear how much he values his higher IQ; heâd never try to act âdumbâ in order to fit in, is what Iâm saying. This is not a knock against Nakamura at all; rather, itâs a difference in their levels of pride and even their individual capacities for loneliness.
As far as his grades are concerned, Karma has always been an honour student without even having to try. This is what makes him so arrogant during the first semester finals -- because he perceived himself to be above his peers, he didnât study as hard as the others in his best subject (math), thinking he could ace it without putting in the work. The greatest chunk of Karmaâs character arc is not just about learning the importance of hard work, but also learning to appreciate the people around him and realizing what it means to be part of a group. That train of development culminates in his second semester finals monologue where he talks about how all his friends and classmates have their own individual talents, and in that regard, heâs no better than any of them because theyâre all equal.
However, one other aspect that I do find similar between them is that they both tend to hide the more serious and pensive sides of themselves from others, though their reasons differ slightly. Nakamura, because her fun and outgoing side is what landed her friends, and Karma, because he wants to be seen as someone who can do anything flawlessly, with no perceived weaknesses, when in reality heâs busting his brain learning and utilizing anything that can give him an edge in their assassination classroom.
about referring himself as 'akabane', i think the point is because karma call nakamura his 'vice commander' so he wanted to make his message more formal by calling himself 'akabane', that's it!
you know karma (and nakamura) are the type who joke about that,
So, youâre saying that Karma signs his name as âAkabaneâ to âjokeâ about being more formal -- âthatâs itâ -- but what exactly points to it being a joke? Is there anything I can draw reference to within the manga that shows Karmaâs name being signed as âAkabaneâ is supposed to be for the funnies? Is there anything telling me he actually wouldâve signed as âKarmaâ if he wasnât, as you put it, making a joke? Sure, Karma and Nakamura are pranksters, but how do we know that this is one of those cases? Itâs an abstract assumption if thereâs nothing to back it up.
Try thinking about it another way: if Karma really is equally close with Nakamura as he is with Okuda, Nagisa, and Terasaka, why didnât Matsui just have Karma sign his message to Nakamura using his first name to begin with? That wouldâve been so much simpler than any roundabout âjokeâ he was trying to make. Karma considers the entirety of Class E to be special to him, and nobody in Class E ever calls him âAkabaneâ anyway -- everyone uses his first name, âKarma.â Considering all that, it wouldnât have been strange in the least had he signed his message to Nakamura as âKarmaâ but thatâs not what happened. Karma specifically signed his name as âAkabaneâ for Nakamura, and I believe this was deliberate to underscore a point about Karmaâs character.
Remember that Karma also signs his message to Asano (Gakushuu) as âAkabane.â As I said in the original post, this is rather unsurprising because Asano addresses him by last name, Asano isnât part of Class E, and Karma and Asano definitely arenât friends. In other words, Karma and Asano are not close with one another.
Karma and Asano arenât close -- thatâs a valid reason for why Karma signed his message to Asano as âAkabaneâ instead of âKarma.â So then why, in your view, is this same reason not valid in the case of Karmaâs message to Nakamura?
I donât believe that Karma's name was signed as âAkabaneâ on account of some sort of joke that was being made. Itâs roundabout and counterintuitive if all Matsui wants to do is show that Karma and Nakamura are actually close friends. What is the point of having a lack of consistency in the reasoning behind why he writes âAkabaneâ for both Nakamura and Asano? The simplest explanation makes the most sense in this case: Karma isnât close with Asano, and he's closer with Okuda, Nagisa, and Terasaka than he is with Nakamura.
Karma and Nakamura arenât as close as people think.
Also, from what we know, the title of âVice-Commanderâ appears to have been self-styled by Nakamura during the survival game/civil war. Sheâs the first one to refer to herself by that title, and the only one to do so in the series proper. It was never depicted that Karma bestowed that title on her or referred to her as such himself, but he does call her "Vice-Commander (or fukukan-san)â in his comment to her in Graduation Album Time as a callback to their partnership during the survival game, where she understood his strategy without him having to point it out to her.
But again, mutual understanding of strategy doesnât necessarily make two people close. Especially in the case of a wary individual like Karma.
so you can't easily say nakamura is not as close to karma as okuda, nagisa, terasaka, bcs honestly that's kinda ridiculous!
Oh, itâs not ridiculous. You might not agree, but itâs not a farfetched claim by any stretch to say that Karma is closer with these three than Nakamura.
Remember when I said Karma is quite distant and closed off at first? This, of course, all stems from the hostility directed at him from other students (mostly delinquents) in addition to his former homeroom teacherâs betrayal of his trust. Karma finds it hard to trust others so he puts up walls around himself as a defense mechanism. He hides his rampant wariness of people behind a facade of composure and while he appears nonchalant, heâs ready to take action at literally any second. Roll Book Time states there are only a few students in Class E that he really allows to get close to him -- all because heâs so cautious of other people. He's extremely careful about whom he befriends and those who approach him, because for a good while, the only people that neared him were looking to fight him.
So letâs take a look at the few students that I concluded Karma felt closest with, namely: Nagisa, Okuda, and Terasaka. These are people he seems to let his guard down around in particular, and the three characters being compared to Nakamura here. Nagisa and Okuda are quite simple to group together: theyâre genuinely nice people who wouldnât tease, ridicule, or senselessly harm others. Karma described Nagisa as being âan honest guyâ and Nagisaâs a very good-natured kid. Okuda is honest to a fault and unafraid of him, so Karma genuinely trusts her. Terasaka is slightly trickier. Heâs much more rough around the edges, but is ultimately well-meaning, particularly after the summer incident with Shiro. After that ordeal, Terasaka is much more caring towards Class E and always speaks his mind, partly because he apparently has no mind-to-mouth filter. But since Terasaka was a bit of a bully before, and Karma was basically a bully hunter, Karma also relishes in messing with him. Also, Karma can see right through him, so he doesnât see a need to be on guard when he can read his every move.
I also want to give a special mention to Sugino, whom Karma hangs out with often along with Nagisa. Karma mentions in his âtalentâ monologue that Sugino is friendly and good at endearing himself to others. Heâs a genuinely nice guy whoâs quite honest himself, especially when it comes to what he loves and cares about.
In other words? Karma has a particular affinity for people who are kind, honest, unafraid of him, and are willing to trust him -- in other words, theyâre kinda...not like Karma at all. Terasaka's not the best definition of âkind,â but, he is honest, trusts any plan Karma draws up, and isnât afraid to make fun of the guy. These are the types of people that he feels okay with dropping his guard around. Itâs important that theyâre not afraid of him, or else Karma likely wouldnât feel comfortable relaxing his guard with them. In a platonic sense, these are the types of people Karma likes being around because it allows him to take a break and not be so on edge all the time.
Earlier, I went over why I think Karma and Nakamura arenât completely the same, but they do share a number of similarities. Karma seems to be particularly fond of people that arenât like him, and since Nakamuraâs similar to Karma, well, she doesnât fall under that narrow umbrella just outlined.
Another thing I want to mention is that within the scope of the series and in terms of what they contribute to his character (and development), Karmaâs most significant friendships with Class E students are the ones he has with Terasaka, Nagisa, and Okuda.
Whether itâs the summer incident with Shiro or the civil war/survival game arc, thereâs a stronger sense of trust in place between both Karma and Terasaka, and Karma and Nagisa by the end of both. Karma comes to an understanding with both of them, and so too do they come to have a better understanding of Karma. Terasaka, with conviction, owns up to his mistake and atones for his actions after getting decked in the face by Karma; Nagisa and Karma go mano-a-mano and fight for what they believe to be correct in whatâs the first real showing of a rift in their friendship.
But in the end, everythingâs water under the bridge, and theyâre closer for it. Sometimes, having a serious argument/fight with someone, or being forced to work together with someone you donât really like in a pressure situation actually brings you closer together in the end, and I think thatâs true in both the cases of Karma and Terasaka, and Karma and Nagisa. When Karma insults and pranks Terasaka, Terasaka bites back and isnât afraid to give him a taste of his own medicine. People tend to be scared of Karma so they avoid him, which is why I think Terasakaâs willingness to insult and retaliate against the redhead is a good thing, as it shows that Terasaka was able to shed his slight fear of Karma.
I also mentioned Okuda. Okuda never butts heads with Karma like Nagisa and Terasaka do and she also gets fewer appearances than both, but we know from Roll Book Time that she and Karma get along well. As shown during the Test of Courage, Karma willingly confides in her about his fear, and he's completely at ease doing so. No false pretenses, no sarcasm; just his honest thoughts. This is also the scene where Karma declares he doesnât want to lose (against Nagisa) in the assassination. Considering how guarded he is, the fact that Karma could open up to Okuda is a testament to how much he trusts her. As Roll Book Time states, Karma feels he can talk to Okuda about anything -- he trusts her enough that the barriers he usually puts up drop when heâs with her. Okuda, for her part, is naively honest and well-meaning to the point of being easily tricked, but her honesty is one of the things that Karma finds makes her easy to talk to.
Karma was able to lay bare his feelings with all three of them, but the reverse is also true and thatâs important in forming close relationships, as friendship is very much a two-way street.
And that brings me to this: recall this scene from just before the start of the survival game. It seems fairly minor in terms of story significance, but I think Matsui has good attention to detail with character relationships, especially so in the case of such a guarded kid like Karma. Just before the war game begins, itâs just Nakamura and Karma on the mound as everyone sets off to their respective positions. Karma sits there looking pensive and Nakamura, suspecting that somethingâs on his mind, asks him whatâs wrong.
And how does Karma answer her?
By playing it off like nothing was wrong.
...And then quickly reverting back to how he usually appears.
He doesnât even give her a hint as to whatâs bothering him. If he really is as close with Nakamura like you say he is, then surely he couldâve let her known even vaguely, even a tiny bit as to what he was thinking like he did with Okuda in the cave during the Test of Courage.
From Okudaâs profile in Roll Book Time, the caption on the side of the panel reads:
âWhen Karma declares he wonât lose to Nagisa, Okuda is there to offer him a reassuring[2] smile. Just as Okuda is not afraid of him, Karma trusts[3] her as well.â
Pretty different from the above example with Nakamura, Karma talked quite a bit about what was on his mind with Okuda.
but your opinion can be proven if karma also referred himself as 'akabane' to the other girls (or also boys) in class E
but you don't know that!
Of course, none of us know how he would have signed his name for other girls (or guys) in Class E, but to be frank, if he didnât even sign his name as âKarmaâ for Nakamura -- someone we can all agree he seemed to get along pretty well with -- then itâs very unlikely he signed his name as âKarmaâ for any of the other girls either except maybe Kayano.
 i know it's your opinion but you can spread a hoax by false opinion!
It definitely is an opinion, anon, but itâs an opinion formed after deliberating information found in the manga, Roll Book Time, and even Graduation Album Time. To say I could spread a hoax is quite a stretch, and to call it a âfalse opinionâ is equivalent to saying my post was baseless and unjustified, which I donât at all agree is the case.
if you want to make statement of nakamura and karma's closeness bcs of his tiny formality, why don't you pay attention to the fact that ALL THIS TIME karma call okuda 'okuda-san' and karma call nakamura only 'nakamura' without '-san', how about that? i'm not blaming you, but yes your statement that judge their closeness based on reckless opinion kinda annoyed me, i hope you answer my question, thank you so much! have a nice day
Donât worry, anon. Iâve been paying plenty of attention, so I assure you itâs not a âreckless opinionâ at all. Itâs an inference made based on information from the manga as well as Roll Book Time and Graduation Album Time. As for the matter of Karma dropping honorifics with Nakamura, anon, keep in mind that Karma also doesnât use honorifics with Okano or Yada. What was that about reckless opinions again? Since Karma drops honorifics with Okano and Yada, does that mean heâs close with them? No -- heâs barely even interacted with them. Simply put, in Karmaâs case, the way he uses honorifics with the girls in Class E isnât actually indicative of how close he is with them.
Just because Nagisa only drops honorifics with his closest friends (Sugino, Kayano, and eventually Karma), it doesnât mean that Karma, or everyone else, for that matter, operates on the exact same principle.
For example, Kurahashi tends to give the boys nicknames. Does that mean sheâs close with all of them? Or how about Kataoka, who addresses Isogai as Isogai-kun, but then drops honorifics with Karma, Nagisa, and Sugino? Last I checked, she spends way more time around Isogai than the boys from Group 4, and yet she doesnât drop honorifics with him. Alright, we know that Kataoka canonically likes Isogai romantically, so maybe thatâs why she keeps the -kun honorific attached to his name. ...But then she also addresses Okajima as Okajima-kun. Whatâs the deal?
Basically, the way characters use or drop honorifics with each other is so arbitrary in some cases, the fact that Karma addresses Nakamura without honorifics isnât really evidence of anything, especially because he also drops honorifics with Okano and Yada, both of whom weâve almost never seen him interact with.
oh i remember when watching civil war arc, i think nakamura call karma only 'karma', while okuda call him 'karma-kun', i really think karma referred himself as 'akabane' following the term that he call nakamura 'miss vice commander', the formality is to make a joke about the formal relationship between 'commander' and 'vice commander' not bcs of nakamura is not as close to karma as okuda, nagisa, terasaka like you said
Most of the Class E kids follow a general âruleâ in how they address their classmates (typically, that means honorifics or no honorifics), but as I said earlier, it can be rather arbitrary in some cases. Nakamura is one such case: she seems to lean towards dropping honorifics with her male classmates -- like Karma, Nagisa, and even Takebayashi -- but then also has at least one exception to the rule in Chiba, whom she addresses as Chiba-kun according to Roll Book Time. I wouldnât say Nakamuraâs particularly close with Takebayashi either, so again, it seems rather arbitrary in some cases. Whatever conditions some of the Class E kids use to determine whether they use or drop honorifics with their classmates isnât something made entirely obvious to us.
As for Okuda, she addresses everyone with honorifics. Everyone. No exceptions. But hereâs another thing to keep in mind: in Japanese, Okuda always speaks in standard distal, otherwise known as âpoliteâ speech. This is the case even with her classmates. Aside from Ritsu, all the other kids speak to each other in plain (otherwise known as âinformalâ) speech which is common among not only friends but also peers of equal rank or standing (e.g. people in the same grade as you in school). With that in mind, the fact that Okuda addresses everyone with honorifics is more reflective of her polite personality rather than how close she is with the person sheâs addressing.
And again, the basis for Karma signing as âAkabaneâ being a joking formality is completely abstract. If Matsui really is trying to show that Karmaâs equally close with Nakamura as he is with Okuda, Nagisa, and Terasaka, then he could have just had him sign as âKarmaâ instead of âAkabaneâ straight up. That would have indicated and with solid evidence, that Karma didnât necessarily separate which students he was closest with and wasnât as close with in his mind. But thatâs not what happened. His name was signed as âAkabaneâ in his comment left to Nakamura and not âKarmaâ like it was for the other three.
Karmaâs very wary of people and the first name/last name discrepancy was a simple but effective way to illustrate that he still maintains certain boundaries with people while also showing that heâs made very close friends in Class E. It might seem minor but this one tiny difference shows great attention to detail in characterization.
If anyone actually did read all of this, then congrats and thanks for reading these walls of text. I think I went on a tangent in some sections but oh well.
Notes
[1] I believe this was translated as candy from the Japanese --> Chinese (--> English) translation of Roll Book Time, but apparently, the original Japanese actually says ă«ăăąăČ katsuage as the first topic, and that refers to mugging or extorting money from people.
There was this in chapter 33, so...not surprising.
[2] I used âreassuringâ to make it sound more natural while hopefully still encapsulating the original meaning, but the text says èŠćźăăăăȘçŹéĄ mimamoru you na egao or more literally, âa smile that watches over himâ or âa watchful smile.â I think it ties in well to when Okuda says she wants Karma to win against Nagisa during the survival game -- sheâs seen the effort and resolve heâs put in ever since he shared his thoughts with her during the Test of Courage.
[3] The phrase is kokoro wo yurusu, which can also mean âto relax oneâs guard (around someone)â, so it could also be read as âKarma also lets his guard down around her.â In this specific example, I think that one also implies the other, so both work.
This was supposed to be a note at the end of Nakamuraâs profile, but I figured itâs better off as its own post since itâs a bit lengthy as a note and I didnât want to hijack a post about Nakamura with meta thatâs not about her.
On Nakamuraâs message board in her Graduation Album profile, Karmaâs one of the students whose comment is shown. Interestingly, though, he doesnât sign his name as Karma like he does for Okuda, Nagisa, and Terasaka, but as Akabane â his last name â which no one in Class E ever calls him.
Itâs a little odd considering everyone in Class E only ever addresses him by his first name, and he doesnât seem to care that they do. In Karmaâs proper introduction, he even tells Korosensei that he can just call him by his first name, and this seems to have stuck with the rest of Class E as well.
I saw it as a disarming tactic used by Karma to make Korosensei drop his guard, but later on, Karma states that he actually likes his name, so thereâs a chance it might have been somewhat preferential on his part, though Iâd find that a bit strange, since in Japanese culture, addressing a person by their first name indicates a very tight-knit relationship between the speaker and the person being addressed, and Karma is extremely wary of other people.
You see this with other charactersâ message boards in their Graduation Album profiles, too: Kayano signs her name as âKaedeâ for her female classmates, but âKayanoâ for the boys; similarly, Kurahashi uses her first name âHinanoâ for the girls, but her last name for the boys. Itâs not uncommon for peers to be on first-name basis with people of the same gender and last name-basis with those of the opposite, particularly in the case of classmates. This seems to be the case for at least a few of the girls in Class E.
In contrast, everyone outside of Class E addresses Karma by his last name. Take Asano (Gakushuu) for example: Karma has a comment on the message board in his profile, but his name is signed âAkabaneâ there. This is unsurprising, considering how the two of them arenât friends, Asanoâs not part of Class E, and Asano addresses Karma by last name.
By comparison, Nagisa and Itona are also only ever addressed by their first names within Class E, though unlike Karma, they appear to only sign their messages to their classmates with their first names. Nagisa, for example, signs his comments as âNagisaâ not only for his closest friends Karma and Sugino, but also Fuwa. Itâs more or less spelled out that Nagisa wants to be addressed by his first name rather than his last name due to his family circumstances.
Interestingly, Karmaâs message to Nakamura is signed as âAkabane.â As stated earlier, nobody in Class E calls him that. And whatâs more, he and Nakamura are shown to get along well due to their similarities; theyâre both highly intellectual, but they also love messing with people for their own amusement. Despite the fact that Class E is special to Karma as the only place he can lay bare his feelings and despite the fact that he gets along well with Nakamura, thereâs an inferred sense of distance on Karmaâs part when he signs his name as âAkabaneâ â a distance that the more familiar âKarmaâ he signs off as for his messages left to Okuda, Nagisa, and Terasaka doesnât exude.
Roll Book Time notes that Karma carries himself with an extreme sense of caution around others and that there are few students he allows to get close to him. Well, perhaps intentionally, not only are Okuda, Nagisa, and Terasaka the three characters whose comments appear on Karmaâs message board in his Graduation Album profile, they also happen to be three of the four people â with the fourth being Sugino â that he singles out in his monologue about âtalentâ during the second semesterâs final exams.
It could have been anyone in Class E, but Matsui specifically had these four stand out in Karmaâs mind. Likewise, itâs a small but interesting detail that he signed his messages to Okuda, Nagisa, and Terasaka as âKarmaâ, but as "Akabaneâ for Nakamura.
It can be inferred that Nagisa, Sugino, Okuda, and Terasaka are the people he singles out because heâs around them the most; heâs more familiar with their qualities and their personalities because theyâre the people heâs closest with. With the Graduation Album profiles, he signs off as âAkabaneâ with Nakamura because heâs not as close with her as he is with Okuda, Nagisa, and Terasaka.
A far cry from the start of the year, Karmaâs integrated himself well into Class E by graduation. Heâs become closer with the class as a whole, but he still draws some boundaries, and thatâs very in-line with his character as someone whoâs hard to approach because he tends to put up walls around others. That doesnât mean he's got no close friends though. He does have them, though the closest ones are few in number.
The whole first name/last name discrepancy seems like such a minor detail, but it makes an interesting point about his character.
EDIT: Added Fuwaâs profile link to the post now that Iâve translated it.