#askbrooks

all music is subjective. honestly every person is someone else's 'hipster' and someone is always gonna hate the music you love and you're always gonna hate the music someone else likes so fuck it.just listen to whatever speaks to you, if that's skrillex and nickelback imma hate your taste but i'll respect your connection to the music you dig.

Asking questions and defying christianity at my catholic school K-8 was always pretty terrifying tbh...I'm like, hella good at guiding people into surprise parties unsuspiciously

I listen to all types of music - Honestly I have mixes of Bob Dylan & Death Grips lmao

Lmao, yeah way back in 8th grade I got into a fight at a school dance.

oh shucks

Look, this technique of provoking a realistic reaction isn’t new to film, (ALIEN, The Exorcist, Willy Wonka…) but I think there has to be a sense of boundary. Filmmaking, above all, is all a trick. The goal of every director is to throw their audience into a story that is so captivating and believable that they forget what they are watching is a facade.I understand the inherent risks in how far this approach to believable acting can go, and I think eventually every director will face the same question: Is the overall safety of your actors more important than perfecting your vision?But I’m definitely jumping ahead. Ultimately, in this case, I believe that if Diane Kruger’s ambition as an actress matched that of Tarantino’s in terms of directing, it was the best way to go. I’d truly be lying if I didn’t think that scene was 100% convincing.

A director should know how to direct his actors and their acting.

Here.