titty fucks your muses

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titty fucks your muses

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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@ dean. : did you say β¦ you will be cheating death?
he opens his mouth to speak and then promptly shuts it, repeats the gesture like a floundering guppy. it's not often dean winchester is left speechless, but every response that seems appropriate initially is rapidly retracted once the consequences are more thoroughly thought out. β well, when you put it like that it just sounds bad. β the retort of a stubborn child by any other name, helpless shrug rippling through his body like a wave. β cheating is a strong word. β
π - deacon and dean !!
SEND π FOR PRESENTS (SPECIFY MUSES). ACCEPTING.
DEAN FOR LARA : 1. croft sherry. he's not the most inventive gift giver so everyone gets an alcohol of sorts, and he thinks the specific choice is funny. 2. women's tank tops multipack. look, he is all about the practical and he knows she digs them and they have to be tearing and staining like crazy in her line of work, right? 3. scratch card. always a christmas staple with dean, everyone gets one alongside the same old joke about him getting a cut if you win big. 4. fake artifact. got sold some story at a market about spanish armadas, pirates, pieces of eight. obviously lara spots the gimmick straight away, but i'm ngl it probably isn't hard. bet they say made in china.
DEACON FOR LARA : 1. bubble wrap. some stray sheets scavenged here and there after countless jokes of having to wrap her in it every time she gets bruised and scraped. 2. pot plantain. consulted sarah on medicinal plants, apparently this one heals cuts and ulcers faster. sensing a theme here... 3. a cap. again scavenged and in a lot poorer condition than pictured, but it's had a wash and it made him think of her. and they gotta match, right? 4. biker gloves. picture is just for vague reference, he actually got some guidance on how to embroider and has (poorly) managed to put E L S I E (LC) along the knuckles/fingers.
11 & 21 for amΓ©lie π§‘
CANON CHARACTER QUESTIONNAIRE. 11. are there some things you dislike about how the show/series/etc. portray the character you have picked up? If so, what?
1000000%! overw.atch 2 really did bring some horrific lore for amΓ©lie/widowmaker that completely stomped on everything they'd built in my opinion. we have a story about a woman's agency being stripped away, a literal consumption/reshaping of the body into a vessel for destruction and erasure of its original personality without any consent. it's a really visceral story actually and partly what drew me to writing her, only to then get retconned for this idea that amΓ©lie willingly went back to talon to undergo the procedure? i rebuke this entirely and stand firmly by the idea that the entire neural reconditioning process/birth of widowmaker was talon's own idea and experiment and amΓ©lie was not aware of this and certainly didn't agree to it.
other more minor but nevertheless annoying aspects of widowmaker as we know her are her oversexualisation as well as suggestions that she is regaining her emotions/feeling guilt over her actions. i don't believe there is anything left to regain. widowmaker as i portray her will certainly experience morbid curiosity almost as per her past life but for all intents and purposes she acts as a different person entirely and does not experience remorse, regret, or anything of the like. her curiosity comes from an almost intel gathering angle, as well as an almost childlike curiosity, see below taken from my important metas for her:
* birth is a very intentional word. widowmaker has elements of childlike curiosity and wonder to her. she is in many ways a literally reborn person with remnants of the previous overstaying their welcome. she can strangely come across quite naive and innocent in certain aspects but only piecemeal. she is of course lethal, unsettling, dangerous. but just like any born creature has questions and self-exploration to do that many of us as adults already have the answer to.
also let's stop giving her scoliosis maaaaaaaan, her natural posture/spine position is just NOT normal whether she's a ballet dancer or not.
21. which song do you feel describes your character the most and why?
focusing on french songs or ballet-related ones as i feel they fit her most in theme, non, je ne regrette rien by Γ©dith piaf is an instant lightbulb in my head the minute i saw the question! here's the (translated) lyrics, i think they speak for themselves:
No, nothing at all No, I regret nothing Neither the good that was done to me Nor the evil, I couldn't care less No, nothing at all No, I regret nothing It's paid for, swept away, forgotten I don't care about the past With my memories I lit the fire My sorrows, my pleasures I'm no longer in need of them Swept away the loves With their tremolos Swept away forever I'm starting over
[ π ] does your muse believe in true love? do they believe in love at all? / alisha!!
headcanon memes. accepting!
alisha has... a very complicated relationship with love that i don't think ever gets quite fully resolved in her canon narrative. it progresses and develops, sure, changes entirely in her own perception but i still don't think she's got a full grasp of what it means for her.
she starts pre-show very cynical and superficial, doesn't necessarily think love is a first sight type gesture but looks sure help! she doesn't believe love is destined for her and allocates it to prim and perfect stereotypical ( and heterosexual ) couples in a higher sociopolitical class than she. at this point in time she views love as inachievable, a preconceived notion that may or may not exist but she certainly has no experience in it nor does she give it much thought because, again, it's not destined for her.
when she gains her 'power' she yearns. she starts to value the smaller intimacies that come with ( physical ) love, sees the idea of love in a broader narrative of touch, closeness, comfort, friendship, and sex of course, but sex is no longer the prerequisite for love. love comes in many forms and through people like curtis and simon she realises that she is loved in spite of her inability to touch, not because of her sexual appeal. this is a crucial tipping point for her realisation of a) what love is/can be and b) that she is equally worthy of it.
this is where the show leaves her really : at the apex of discovery and ready to dip into love in all of its forms. she's very influential in this time and the way people treat her now that she is open to it will shape her ( for better or worse ) and her relationship to love.

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πΈ!!
send πΈ for a starter from a randomly generated muse!
he awakens with a splutter, memories a vacuum before rushing in all at once. the slashing claws of harpies, their siren's call ineffective on him but a melody that rang alarm for his brother. a clarity rune is still imprinted on his collarbone but fading fast. the clamour of feathers in an attempt to harass and distract is not sufficient to erase the searing pain of deep rooted talons in his stomach, seeking his liver, wishing to pry his entrails from his abdomen until he were little more than viscera for the vultures to scavenge from.
why isn't he ?
intuitively his palm reaches for the phantom lesion, recalling its depth ( far too severe a gouge for even his half - nephilim tinged blood to heal alone ) and finds little more than a mottled ridge, a small mountain range of bumps where a canyon should be. scars, scabs, stitches ? his head is too heavy and aching to discern the details.
more alarmingly, he starts at the realisation of company. more a feeling than any definitive sound, the same nigh telepathic sense that alerts one to being watched. vulnerability is not a ravine he traverses well.
β who are you ? what do you want ? β
a demand, stiff and clipped syllables from a throat hoarse from lack of use, fatigued. still ever the noble lightwood even in the dreaded role of victim. the blurring of his vision slowly dissipates, three women becoming two, then one. his shoulders relax, although whether or not they should is another matter.
β‘ @parentify.
β i caught a glimpse of hell today. β / @ dean
β oh, i highly doubt that, sweetheart. β his voice lilts, riding on a wave of amusement and bemusement in tandem. it's not often he bumps into other hunters but he's willing to bet he holds the monopoly on how many layers of hell have been visited. he remembers it vividly : scorching flames, searing whips and laughter of the uncanny, made by nothing close to human. tongues and teeth and chains, barbs and hybrid - like creatures strewn together from the limbs of the dead. desert - like visions of loved ones long lost. a mirage for a man thirsty for forgiveness. a cruel commodity.
β hell doesn't give you a glimpse. no, hell will catch you in its clawsβ β he shucks another splinter off his stake, brings the point up to the light to measure its sharpness. shucks again. β and twist and pull atcha like a ragdoll, shake you about a bit . . . swallow you. not whole, piece by piece. then spit you back up and leave you pulling yourself together when it's done with you. if you're lucky. β
that's hell, rings the finality of his words. bitterly held behind clenched teeth, he eyes his company solemnly. a weak attempt at lightening the mood . . . β what you saw today was purgatory at best. β
@arghent.
π β i love how you portray your muse(s)
π β i love your aesthetic / graphics
π― β your headcanon posts are always on point
β¨ β i love the way you write
π« β i enjoy writing with you
π β i enjoy talking to you
π β you seem like a genuinely nice person
βοΈ β your posts always bring me joy
β€οΈ β you're one of my favorite blogs
πΊ β simply admiring you from UP CLOSE
SMALL SYMBOLS OF KINDNESS. ACCEPTING.
π β i love how you portray your muse(s) π β i love your aesthetic / graphics π― β your headcanon posts are always on point β¨ β i love the way you write π« β i enjoy writing with you π β i enjoy talking to you π β you seem like a genuinely nice person βοΈ β your posts always bring me joy β€οΈ β you're one of my favorite blogs πΊ β simply admiring you from afar UP CLOSE
oh you went full house huh!! DFLSDKLF no but so lucky to have you as a constant on my dash for such a LONG time now, you were sorely missed in your hiatus moments and bring such a cool and unique vibe to the function (i.e. the dashboard) that scratches my horror itches and I LOVEEEE OUR DYNAMICS both past present and future to come!!! woohoo thank you for this <3