Ashish Spring 2026 Ready-To-Wear

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seen from United States

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Ashish Spring 2026 Ready-To-Wear

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CMAT at the Ivor Novello Awards 2026, wearing Ashish SS26.
She won Best Album for EURO-COUNTRY! 🎉👏
In her acceptance speech, CMAT said she has a “very specific idea of what songwriting is supposed to be for”.
“I think it is to reflect the times through your own personal view, so that everybody can have something to connect to and something to learn from years later.
“Now I would compel my fellow artists in the room – it is not the time to sit on the fence.
“I have no time, sympathy, or empathy for anybody that decides to make life more difficult for people who are just trying to live, and that’s what this record is about."
The Eras Tour Costumes: Ashish "This Is Not Taylor's Version" Red shirt
ASHISH Fall 2026 RTW
CMAT at the 2025 Mercury Prize
Wearing dress and coat by Ashish (SS24 and SS25), with a Kerrygold Butter clutch bag by Maya Grisham. Styled by Mia Maxwell.

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The Eras Tour | RED section | Version 4
Ashish Sequin Tee - custom
During the RED set I wasn't just confused because it was the first set to have moved from its original spot in the setlist, but Taylor's new shirt saying took me aback.
Firstly, we haven't had a new addition costume-wise to this set since the early days of the tour. You might recall that Version 3 of the shirt (featuring "We Are Never Ever" lyrics) was added in March 2023 during the show's first three-day run in Arlington, Texas.
This phrase also took me aback because it's our first in the series that isn't a direct callback to an established moment within the RED era lexicon. In addition to the aforementioned V3's lyrics, Version 1 ("Not A Lot Going On") is a direct lift from the "22" music video costuming and Version 2 also features "22" lyrics ("Who's Taylor Swift Anyway? Ew.").
So what does this particular phrase mean?
To me one of the key functions of the Eras Tour, especially in the form of its costuming, has been toeing the line between referencing eras of the past while also giving them a slightly refreshed, modern facelift. We saw that in the fringed dresses of Fearless, the dramatic princess ballgowns of Speak Now, and the matching sets of 1989. But as we also saw tonight in Paris, all of those respective outfits got what I suppose we could call a 'makeunder'. Which is to say, they all took a time machine to more closely resemble their original, canonical tour ensembles and not the refreshed 'Taylor Versions' we've seen thus far on the Eras Tour in 2023/24.
But why is she now beginning to more overtly replicate instead of subtly reference? Something to think about!
Worn with: Gladys Tamez hat, Ashish bodysuit, and Christian Louboutin oxfords
Photo by Kevin Mazur/TAS24 via Getty Images
Ashish SS26