#artolution

Magical Child

NEW YORK CITY (EAST VILLAGE,) NEW YORK STREET ART: PUZZLE PIECES by JOEL ARTISTA & MAX FRIEDER

“…we worked with teens going through a variety of life challenges, from being bullied for being LGBTQ to being misunderstood for having autism. The resulting mural is a testament to the power of public art to provide a platform for people to share their stories and experiences with the world.” – Joel Artista https://www.instagram.com/joelartista/?hl=en &…

Associated Press, July 26, 2018

KUTUPALONG, Bangladesh--With his blond dreads tied in a ponytail and baggy jeans caked with paint smudges, Max Frieder first arrived at the cramped Rohingya refugee camps last December. Unlike many other foreigners, he wasn’t an aid worker in one of the biggest camps for Myanmar’s persecuted minority in southern Bangladesh.

His mission: bringing color and art to one of the most dismal places in the world.

Amid the sea of makeshift bamboo-and-tarp shelters dotting the rolling hills of Kutupalong, some huts are now painted over with colorful murals. Each mural is a collection of stories from the lives of Rohingya refugees and their hopes for the future.

Frieder and his partner Joel Bergner run a public art organization called Artolution. They’ve made hundreds of large-scale murals around the world, particularly with communities living in conflict zones, from Syrian refugee camps in Jordan and Lebanon to the Gaza Strip and Israel.

“You might have food, you might have water, you might have shelter, but there are many deep-rooted psychological traumas that refugees around the world are facing today,” Frieder said.

In Bangladesh, they spent several weeks interacting with children and other refugees interested in drawing and painting. They created more than a dozen murals spread across the expansive camps--covering schools, toilets and gathering spaces with a myriad of colors.

While hundreds of children, teenagers and entire families came together to participate in painting the murals, some refugees said they found their calling in art.

Hasina, 20, who covers her face in a veil in accordance to her Islamic faith and uses only one name, said she never thought women were allowed to draw and paint. She is now part of Artolution’s group of local Rohingya artists who continue to make public art and work with children in the camps.

She said the paintings were therapeutic for children. “The Rohingya have suffered greatly in Myanmar. They (government soldiers) slaughtered mothers and shot people dead. When children see this art, they forget about all that and become happy instead,” Hasina said.

Mohammad Hasan, another Rohingya who was trained by Frieder, said he feels proud when people in his community call him a painter. He believes learning to draw and paint is a means for his people to move on.

“If they can temporarily forget about their memories from Myanmar, they can use the happiness they get here and move forward with their lives,” Hasan, 28, said. “Also, they are becoming perfect at drawing and painting.”

In May, Artolution joined hands with UNICEF to create an exchange mural, which was painted by children and other Rohingya in Kutupalong. It was later hand-carried to New York City, where it is now on display inside the World Trade Center transit hub known as the Oculus.

Frieder said almost half a million people now see the art created by Rohingya in New York every day. He believes the murals are making people aware, some for the first time, about the displacement of more than 900,000 Rohingya Muslims.