Black lives matter and are more important than property
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Black lives matter and are more important than property

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Still glueing my eyes to avoid to see the injustice in the world. I hope you like my recent selfie!
2nd month glue my eye to avoid to see the wrong and injustice in the world. Seems to Work - already see less #closeyoureyetosee Follow @SebastianBieniek to see he not see because of glueing eye. . . . . . . .
To avoid to see the wrong and injustice in the world I glued myself an eye - unfortunately I need the other eye to make a nice selfie of it.
Last night, The Illuminator was in Manhattan's Meatpacking District to project mayday messages on the facade of the soon-to-be-opened Whitney Museum, while a group of two dozen protesters supported...
Street Artists Protest LA MoCA Removal Of Mural
A crew of street and graffiti artists, together with a handful of war veterans, gathered Monday night in the dark, empty parking lot of MOCA's Geffen Contemporary in Little Tokyo to stage a guerrilla protest performance against the museum's director, Jeffrey Deitch. Cloaked in knit caps and heavy wool scarves in the cold night air, the 20 or so self-described art activists huddled near the museum's expansive north wall, projecting laser graffiti out of the back seat of a silver VW Passat with a laptop perched precariously on the roof of the car.
The group of artists -- which included respected Chicano artist/Vietnam War veteran Leo Limon as well as Joey Krebs a.k.a. The Phantom Street Artist -- took turns tagging the museum wall using a handmade laser graffiti gun created for the event by artist/computer programmer Todd Moyer. A specially designed computer program animated the light-graffiti so that it looked like dripping paint as it hit the wall.
The MOCA wall has been blank since Deitch had Italian street artist Blu's antiwar mural whitewashed from it in early December. Deitch had commissioned Blu to paint the mural; but after it was completed, Deitch became concerned that its provocative imagery of coffins draped in dollar bills would be offensive to some in the neighborhood as it was adjacent to a Veterans Affairs hospital and a war memorial to Japanese American soldiers. The incident sparked heated, and sharply divided, opinions that continue to rattle many in the art community.
"All of us political poster artists have been a little outraged," said artist Karen Fiorito. "It shows how corporations and private institutions can control the dialogue in the public forum."
One by one, the artists took aim and shot their messages onto MOCA's exterior -- drippy, handwritten, illuminated scrawl: "Dump Deitch." "Give us back our walls!" "War is over?" "Peace Now!" The group meticulously documented the event, with plans to upload photos and video clips to Facebook and YouTube within days.
via latimesblogs.latimes.com

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