For Rachael Tarravechia, video games, horror films, and anime are potent sources of inspiration to conjure a sense of playful unease.
Rachael Tarravechia, Terminal Horror (2023). Photo: Adam Reich. Courtesy of the artist and Ceysson and Bénétière
Rachael Tarravechia, Snuff (2023). Photo: Adam Reich. Courtesy of the artist and Ceysson and Bénétière.
Rachael Tarravechia, Gunblade (2024). Photo: Adam Reich. Courtesy of the artist and Ceysson and Bénétière.
Rachael Tarravechia, Cold Reprise (2024). Photo: Adam Reich. Courtesy of the artist and Ceysson and Bénétière.
Rachael Tarravechia, Endless Staircase (Moogle Parade) (2024). Photo: Adam Reich. Courtesy of the artist and Ceysson and Bénétière.
Rachael Tarravechia, Italian Mobstar (2023). Photo: Adam Reich. Courtesy of the artist and Ceysson and Bénétière.
“The nail bat is a much more tongue in cheek response to the nunchucks. My grandpa looked like a stereotypical Sicilian man, so I wanted to create a weapon that would be suited for a mob princess (me in another life). Something blingy, cute, but will seriously do damage,” she explained.
Obliterating the boundaries between painting and other graphic arts and genres, Tarravechia’s work is a masterclass in worldbuilding—and will be sure to materialize in the back of your mind the next time you’re perusing Zillow.
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