In Memoriam | Epilogue Part 2
The cover story that is released and circulated throughout internet forums and professional media alike is that there was an accident. The incoming class of new Hopeās Peak students were sent on an all expenses paid study program, and there was a malfunction on the plane trip back that caused a crash.
A crash site is found, complete with twisted remains of a private jet and the burned and damaged body parts and corpses of the missing students. There is even a body that is identified by professionals as belonging to Arlechenno di Mercurio. Authorities continue to investigate the conflicting versions of events. The crash story is denied by some Hopeās Peak officials and supported by others. The added prospect of a conspiracy does some damage to the schoolās reputation, but not as much as it might have with confirmation.
Benoit Lowell, Teddi Tatsumi, and Dai Fukou are on record as supporting the story of the trip and the accident. The mystery surrounding the event continues to be a controversial one in many circles. Many people pick sides, others dismiss the entire issue as a publicity stunt, or simply not their business. Whatever the case, the exact truth remains uncertain.
And those lost in the Hopeās Peak Tragedy leave effects of their own behind, like ripples in a pond.
Magic Mallumās Wonder Emporium, the circus owned by Hidehisa Murahashiās family, receives a massive surge in attendance and public attention. Several anonymous but generous investors revive the struggling circus and make it into a major attraction in the area of the Japanese countryside it calls home. People from around the world come to see the shows, which with the influx of funds are bigger and better - and safer - than ever. New, state-of-the-art equipment and staff are hired, new enclosures and handlers ensure the health and happiness of the animals, and when Twinkletoes the elephant reaches an age where performances are too much of a strain, she is happily retired to the Inoue Zoo, where she does very well, although she never stops hoping to see the clownish redhead who called her his best friend again. Elephants never forget, they say.
Any and every manga that Brittany āMokoā Smith worked on reaches a new height of popularity, and the sketchbooks sheād kept, along with the stories sheād had in progress, are taken up by her best friends so that her dreams may at last come true - even without her there to see them realized.
The fans of YuriĀ āLily Roseā Kamisumiās work, both old and new, long lament the loss of such an iconic author - the voice of a generation many call her - and are further saddened that her unfinished works are retired unseen. Shubbansha Bokkon, the publishing company run by her father and uncle, does reprintings of her previously released works, but states that in respect to the wishes sheād expressed during her life, any works in progress will remain unpublished. The press and any well-wishers are asked to please leave the Kamisumi family to mourn in privacy and peace, and all interviews are politely but firmly refusedā¦
Although there is some minor scandal when Yuriās biological mother, a well known British socialite by the name of Charlotte Woods, begins bemoaning her loss to the media, and anyone else who will listen. āShe was such a perfect girl, my greatest regret is how weād grown apart over the last few years. I never stopped thinking of her, oh if only we could have reconciled! How horrible that itās now too late!ā Fortunately Charlotteās exaggerated and over-publicized grief over her estranged daughter only caused significant backlash and damage to her reputation, leaving her to quietly withdraw from public for the time being.
Meanwhile, the family of Mariko Tomomi had little comment, her parents professing that sheād moved out and become independent several years ago. Her uncle was quoted as saying that she was certainly unlucky enough to have died in an accident, but showed no interest in the investigation beyond that. Marikoās various works in progress were scrapped or the concepts sold, and her running shows seemed likely to be cancelled - in fact, the entirety of the I! Glamorous Life! network that sheād exclusively produced content for collapsed after an anonymous source submitted overwhelming evidence that the company which owned the network, Ginsi, had covered up a wrongful death scandal on one of their sets and committed malicious acts of coercion in their contracts. Ginsi itself suffered a dramatic drop in net worth, and was ultimately subject to a hostile takeover by a rival entertainment company in the ensuing months.
With the truth unveiled, a youth rights activist group put forward that there should be greater protections for young adults and minors in the entertainment industry. With continuous efforts and the garnering of public pressure, the Mariko Tomomi Youth In Media Protection Act was introduced, something which required certain standards and time periods be satisfied when companies created contracts for new actors and writers in the film industry. Among other changes, exclusivity contracts for new talent under the age of twenty-five were no longer permitted to last for longer than five years at a time.
Meanwhile in Italy, RomeoĀ GalloāsĀ sisters went through an appropriate mourning period for their golden brother. Bianca Gallo, the younger sister, began studying and learning to take on the role of running the Gallo brand in her brotherās stead, and showed a competent level of skill. Privately, the Gallo sisters gave support as needed to the Future Foundation, although publicly they simply continued on with the glamorous facade of their lives.
After all, like any good show, life must go on.