By the early 80's some of these people had formed something of a hippie commune in Ireland, and attempted to live what they had preached in their magazines for the better part of a decade. These were called the Rhennish. They were a little bit like Amish hippies, rejecting modernity and living spiritually. Their spiritual beliefs were referred to as Lux Madriana.

Only a couple of years later, by the mid 1980s, the men had been kicked out of the club and the aesthetics had turned very Victorian. In this era they still claimed to exist without electricity, but they also published a number of text-based adventure games for computers. This was the St. Brides era. This was the name of their publishing company, as well the name of their "school" that ran week long events. It was a bit like a role-playing game or a LARP. Women would pay about £ 120 to spend the week reliving their school days for fun. The inhabitants of the St. Brides School called themselves the Silver Sisterhood.

The late 1980s saw an Aristasian off-shoot that included men called "Romantia". They held similar anti-modern values to the Aristasians. They produced some newsletters and zines about their world view and perhaps hosted events. Aesthetic wise, they tended to drift further into the 20th century than the Silver Sisterhood's pseudo-Victorian role-play. The groundworks for what would later become familiar in Aristasia were laid here, but they referred to themselves as "Olympians" when they didn't call themselves "Romantics". What would later be known as "The Pit" or "The Void" was known as "Babylon".

The early 1990s saw the end of the St. Brides School. They seemed to have had some disagreements with the landlords, stopped paying rent, and then left one day, leaving a lot of their stuff behind. The early 1990s also saw an assault charge against the woman who would become Miss Martindale, for some whipping her live-in-maid, who was acting as a maid in order to learn about the female-divine religion that they popularized in the mid-70s and still seemed to practice behind closed doors. Newspaper articles came out about some very problematic materials found in the house, including correspondence with National Party members and anti-semitic publications, as well as BDSM pornography, catalogs, and equipment. They largely denied this had anything to do with the Sisterhood, and insisted it was junk mail sent by perverts and things their boarders brought into the house without them knowing.

Things were quiet for about a year, until the girls came back in full force in the mid 1990s. This was Aristasia's first big day in the sun and the height of the Wildfire Club, their lesbian publishing company that leant heavily into BDSM and master and servant relationships. A large portion of their most well known books were published in this era, which were largely erotic stories interspersed with Aristasian lore. There was a lot of push and pull between releasing racy material, calling attention to it, and then insisting it has nothing to do with sex. I believe this was the first time they called what they did "Aristasia". Aesthetics in this era largely shied away from the Victorian and focused more on the glamourous 30s-50s. There was a big focus on vintage stockings. Aristasians began setting up early websites in this era. The infamous "A Weekend with Miss Martindale" was aired on late night BBC.

This era kept on rolling into the late 90s throughout the early 2000s, with Aristasian nights at local lesbian bars, as well as fetish clubs. They sold fetish supplies, vintage clothing, vintage style stockings, as well as their own books and other fetish books. This was the height of Aristasia-in-Telluria, with several households of Aristasians living together as Embassies. Girls could schedule appointments online to meet with Aristasians to see if they were a good fit for their world. The woman who was known as Miss Martindale was something of a celebrity and had gained international renown for the brief BBC documentary about her from 1996, although she had perhaps moved to America in the late 90s.

The mid-2000s put a screeching halt to Aristasia-in-Telluria and their embassy was moved almost entirely online. The girls gradually seemed to move away from real-world events, and perhaps each other, and they moved their Aristasian adventures to forums, chat rooms, and the Second Life game, where they set up their Aristasia-in-Elektraspace. Operation Bridgehead was announced in late 2005, which seemed to make a very big statement about Aristasia: It was a real place, Aristasians are aliens from that planet, and all that spanking stuff was just a big misunderstanding and not that serious at all. This is the era of Aristasia Pura. The game got very serious: the religious parts came back out in the open, the world building got elaborate, more websites popped up, and more girls started showing up to play in their sandbox. A mysterious girl known as The Mushroom Princess was the Aristasian welcome committee on Second Life and seemed to play a big part in charming new girls and directing the game. The mysterious Mushroom Princess was, in fact, one of the girls who played a major part in creating the religion that was the underlying belief that linked all of these eras together.

The mid-2000s also saw the Miss Martindale BBC documentary go online, being uploaded to early Youtube, seeming to attracting a mixed group of people to Aristasia. Some people saw it as an intense group of friends where they could create a fantasy world together online, complete with a built-in spirituality, and others were seeing the racy 1990s erotic and stylish club of ladies in vintage clothes aggressively rebelling against modernity with their femininity. Something of a fanclub for Miss Martindale popped up online, completely separate from the true Aristasians, with a big emphasis on their Romantia and Wildfire Club days. Small Romantia revival meetups pop up in the UK after people online, particularly men, discover the old Aristasia and want to experience it for themselves. The old Romantia magazines are put online. These new groups were completely unaffiliated with Aristasia.

Things chugged on, more or less the same, through the late-2000s with the Aristasians-in-Elektraspace becoming more and more interested in Anime and learning Japanese language. The fall of Second Life perhaps shrank their numbers, because in this era they seemed to put out a lot of sites attempting to entice people into their belief system, without outright calling it Aristasia. You see them making "femmekin" blogs to attract otherkins, multiple Filinist/Deanist religious blogs, several sites about Amazon warriors, and other "all girl world" websites.

Things start to get rocky in the early 2010s. The last remaining true UK Aristasians, who seemed to have receded completely into elektraspace at that point, sell their vintage school girl supplies on Ebay to fund a move to America. Anime and Japan becomes more and more important to every conversation they have. Their aesthetics change to the kawaii. Discussions in the forums often take place in Japanese. However, despite this, they start Sun Daughter Press, and publish two fiction sci-fi adventures that seem to harken back to an the early days of Aristasia Pura.

In 2013 the boat is thoroughly rocked, the seas are stormy. Old-style Aristasians, and the Miss Martindale fan club, are sick of talking about anime and kawaii things, they have noticed the gradual change and don't understand why the game has changed so drastically. They miss the old Aristasia and notice the name of their homeworld is hardly ever mentioned any more and their old ways are downplayed or utterly erased. Critical blog posts are made. "Turncoat" and "traitor" accusations are made. There's evidence an Operation Bridgehead Version 2 was in the works. The old URLs that were allowed to lapse were bought by Aristasian purists, perhaps the people that had come in from the mid-2000s, who were looking back to the 1990s. All their old archived sites were put back online to preserve the old ways. Even the near-pornographic sites that were associated with the 1990s Aristasian empire are back in the Aristaisa Preservation Project. Almost immediately after the APP goes online, Aristasia changes its name to Chelouranya. Operation Bridgehead Version 2 is, presumably, cancelled. The old Aristasia is dead, and is claimed it never really existed, Chelouranya reigns supreme. Those who have been shut out of the new Aristasia suggest starting "Nova Aristasia" to revive the old ways, but it never comes to pass.

Chelouranya is quiet throughout the mid-to-late 2010s. It's a small group of girls who are devoted to Japan. Or rather, to the Aristasian version of Japan. They learn Japanese, The Mushroom Princess visits Japan and has something of a religious awakening where she realizes that Japan is as close to their lost Motherland of Aristasia as they're ever going to get, they speak in Japanese. They start teaching Japanese to outlanders and it's surprisingly successful. The early proto-Vtuber Cure Dolly is created for this purpose and controlled by The Mushroom Princess. She has a successful patreon. If any more Aristasian world-building happens, it's done privately. The woman formerly known as Miss Martindale lives in America, her husband (for that's why she left for America) dies in the mid-2010s, she dabbles in hosting non-Aristasian spiritual retreats in California, she does some art, hosts some plays. Meanwhile the mysterious mushroom-shaped figure who brought anime into Aristasia continues teaching outlanders to speak Japanese and the former Miss Martindale helps her out, and perhaps even lends her her home. In the late 2010s and early 2020 there is a bit of a revival of the Filianic beliefs, with several independent Filianists, some of which used to be involved in the offshoots in the 1980s. Through some intense research they make all of the old 1970s religious works available online, release their own version of the scriptures, and untangle the complicated web of the authorship of the early Filianic works.

Nevertheless a blonde will tend to be submissive to her own brunette, and perhaps submissive in general. In Aristasia submission is considered a spiritual quality. At the same time Brunettes will pay respect to blondes, standing, for example, when one enters a room. There is a delicate and charming interplay of respect and submission between the two sexes.

It is partly because of their sacredness that blondes are treated more strictly than brunettes under many circumstances (though as with many generalisations one may make about Aristasia there is also a converse side: a brunette may often receive severer punishment as the party who ought to have been more responsible. Much can be forgiven blonde frailty and the highly emotional nature of blonde psychology). We will encounter throughout this book the idea that frequent chastening is a necessary part of the upbringing of a blonde and helps her to develop gentleness, purity and a delicate ætherial sensibility.

Those unfamiliar with the Aristasian mind might fancy that they detect here a trace of the dogma of "social conditioning" so dear to the doctrinaire masculinists of your post-Eclipse.—The dogma, that is, that there are no real mental or psychological differencesbetween the sexes (women being but men in differently-shaped bodies) and that everything we know by the name of femininity is only "social conditioning" forced upon women by men. It is a curious dogma, especially in view of the fact that the copious scientific research conducted in recent years in your world shows incontestably that the mental and psychological differences between men and women are inborn, ineradicable and if anything more wide-ranging than even the Victorians imagined. However, your post-Eclipse world never allows scientific facts to interfere with its official social mythologies.

The truth is that femininity is a natural and vitally important aspect of human existence which has been undervalued and undermined in your world for millennia, and the ultimate consummation of this process is the extirpation of femininity from its last refuge: the heart of woman herself—a process which is only possible because woman has been tricked by the subtly twisted arguments of a false "feminism" into collaborating with her own de-feminisation.

Since Aristasia knows nothing of these matters, it goes without saying for an Aristasian that the upbringing of a blonde—however it may vary in different places—is not a question of inculcating an artificial consciousness, but of coöperating with nature, of developing her inborn sensibility, of creating a perfect blondeness; an image of the Archetype of femininity; a marriage of nature and art.