Sep 19, 2024
Az áradó Duna nemcsak az emberek otthonait és közlekedési útvonalait veszélyezteti. Az állatok is menekülni kénytelenek. A Duna árterében él
Na ettol feltem :((((
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Az áradó Duna nemcsak az emberek otthonait és közlekedési útvonalait veszélyezteti. Az állatok is menekülni kénytelenek. A Duna árterében él
Na ettol feltem :((((
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La Festa Major de Vilabella
La Festa Major de Vilabella
 La festa major de Vilabella, que es celebra aquest primer cap de setmana d’agost, és una festa per no perdre’s. Una festa com les d’abans. El dilluns hi ha ruta de tapes, com el dimecres. El dijous hi ha pregó, un psicolabis popular, diables i correfoc, molt espectacular, no n’heu vist mai cap de tan bestial, increïble. Dissabte i diumenge fan inflables per la canalla, a la piscina, inflables…
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Novo Acólito a caminho da Ordenação de Padre. A Instituição do Acolitado rumo ao Sacerdócio terá lugar este domingo, 6 de janeiro, às 11 horas na igreja de Aradas.
Festa Major a Vilabella La festa major de Vilabella, que es celebra aquest primer cap de setmana d'agost, és una festa per no perdre's.
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Les margarides de Vilabella 2018
Les margarides de Vilabella 2018
Al poble de Vilabella del Camp, a Tarragona, molt proper a Valls, passa una cosa curiosa a la primavera. Els camps i camins dels voltants del poble s’omplen de margarides. Grans mates de margarides, grogues, blanques, grocblanques, blancgrogues… cobreixen com un mantell les vores de les carreteres i senders, els erms, els cultius. És molt espectacular i mai no ho havĂem vist en un altre lloc.…
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“In the village of Aradas, on the north-central coast of Portugal, a 400-year-old church houses statues dating to the 17th century. The figures look almost lifelike, so uncannily realistic is the depiction of skin tones: you can see rosy cheeks and lips, highlights and shadows around the eyes, even stubble on the chins of men. Yet the statue of Saint Benedict of Palermo is different. Instead of exhibiting subtle flesh tones, his body—hair, face, hands, feet—is painted a single tone of black.
In baroque art, says Erin Rowe, an associate professor of history at Johns Hopkins University, the “blackness” of black saints “was the central feature of their sanctity that the painters wanted to elevate.” Rowe is writing a book on the spread of devotion to black saints during the early modern era, focusing on the Iberian world (both the peninsula and the American colonies) and on four saints in particular: Benedict of Palermo, Ifigenia, Elesban, and Antonio de Noto.”—Elyse Graham, “The Color of Faith”Â