Tragically Greek

This 1955 edition of Oedipus the King, written by Sophocles, features the original Greek text alongside the English verse translation. Offering a rich, immersive reading experience results from hard work, dedication, and creative minds coming together to create this masterpiece.

Jan van Krimpen (1892-1958), Dutch typographer, book designer, and type designer, designed the two typefaces. The Greek type is named “Antigone,” and the English type is called “Romulus.” The translator for this work was Francis Storr (1839-1919), a British classicist, translator, and teacher.

The paper was specially manufactured at the historic Dutch Pannekoek Papermill, a mill with a rich history that unfortunately met its end in a fire in 1944. This exclusive feature adds a touch of rarity to your reading experience. Printed in the offices of Johannes Enschedé, under the supervision of Mijnheer van Krimpen, it was for the members of the Limited Editions Club. 

Adding to the richness of this edition is the detailed and insightful introduction provided by Pulitzer Prize winner Thornton Wilder (1897-1975), American playwright, novelist, and native of Madison, WI. His esteemed perspective offers an enlightening preface to the classic tale.

The illustrations are black and terra-cotta wood engravings designed by Greek artist Demetrios Galanis (1879-1966). He was the trailblazer of modern Greek engraving and was once touted as one of the greatest living Greek artists at the time of the book’s release. 

Sophocles (c. 497/496 – winter 406/405 BC) was an ancient Greek playwright born in Colonus near Athens. He is one of the three great tragedians of classical Athens, along with Aeschylus and Euripides. Sophocles wrote over 120 plays during his lifetime, although only seven have survived in their entirety. His works are characterized by their complex characters, well-crafted plots, and profound exploration of moral and philosophical themes. 

Among his most famous plays is the tragedy Oedipus the King. The story is about Oedipus, the king of Thebes, who tries to uncover the truth behind a plague that has struck his city. In doing so, he discovers that he himself is responsible for the plague, having unknowingly killed his father and married his mother. The play delves into themes of fate, free will, and the consequences of one's actions.

-Melissa, Special Collections Classics Intern

It's Fine Press Friday!

On this Fine Press Friday we present a collection of poems by Sappho entitled Sappho Revocata, compiled and translated by poet, English classicist, and Cambridge lecturer J.M. Edmonds with two drawings printed in collotype by British artist Véra Willoughby, and published in 1928 by Peter Davies in an edition of 350 copies.

Sappho Revocata includes Sappho’s complete and fragmentary poems in two sections; the first half records her poetry in Greek, while the second half has the corresponding English versions of the same works. Sappho is particularly lauded in popular culture for her frequent discussion of romantic love between women. Her poetry was so admired in the ancient world that Plato referred to her as “the tenth muse” in his writings.

This book is the first to use Jan van Krimpen’s Greek type Antigone, with his Lutetia type for the preliminary pages and English section of the text. It was printed by the distinguished Dutch printing house of Joh. Enschedé en Zonen in Haarlem, Holland. The two illustrations by Véra Willoughby were printed at the Chiswick Press in London. 150 copies were reserved for the United States and distributed by Random House.

Our copy, another gift from our friend Jerry Buff, bears the bookplate of Joan Whitney. We're not sure who that may be, but we know this copy was acquired in New York, so we're hoping that it belonged to American heiress, art collector, and co-founder and former majority owner of the New York Mets, Joan Whitney Payson (1903-1975).

View more Fine Press Friday Posts.

Typography Tuesday

This week, it’s all Greek to us . . . with an emphasis on Dutch type and book designer Jan van Krimpen’s Antigone typeface, designed in 1927. The images shown here are from the article “Greek Types and Van Krimpen’s Antigone” in Matrix 4, Winter 1984, pp. 37-41, by Michael Mitchell (1940-2018), founder and proprietor of Libanus Press in Marlborough, Wiltshire, England. The press was about to publish a new, bilingual (Greek/English) edition of Plato’s Symposium using Van Krimpen’s Antigone typeface, and Mitchell saw this an an opportunity to examine Greek types over the ages as a way of understanding the lineage of Antigone.

He offers a summary of Greek type used over five centuries from Aldus to Garamond and Bodoni to Van Krimpen. Curiously, he does not give John Baskerville’s controversial Greek typeface any mention, perhaps because it was only used once. He does offer a sample page of Libanus Symposium‘s use of of Van Krimpen’s beautiful Antigone (matched with Van Krimpen’s Lutetia for the English). The last image presents examples of the development of Greek typefaces from the 15th to 20th centuries.

Matrix was printed by John and Rosalind Randle at the Whittington Press in England, and is a donation from our friend Jerry Buff.

View more posts with work by Jan Van Krimpen.

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