#anthonyvandyck

Portrait of a Man in Armour with Red Scarf, 1627, Anthony van Dyck

Self-Portrait, Anthony van Dyck, ca. 1620–21, European Paintings

The Jules Bache Collection, 1949 Size: 47 1/8 x 34 5/8 in. (119.7 x 87.9 cm) Medium: Oil on canvas

Christ on the Cross; verso: St. Jerome Reading by Candlelight, and Sketch of Male Torso (?), Anthony van Dyck, n.d., Metropolitan Museum of Art: Drawings and Prints

Bequest of Walter C. Baker, 1971 Size: 9 15/16 x 16 5/8 in. (25.2 x 42.3 cm) Medium: Recto and verso: black and white chalk

Erasmus of Rotterdam, Anthony van Dyck, 17th century, Harvard Art Museums: Prints

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray

The Betrayal of Christ, Anthony van Dyck, c. 1618–1620, Minneapolis Institute of Art: Paintings

Kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. The scene is described in the Bible: Matthew 26:51, Mark 14:47, Luke 22:47, John 18:3-10 (Then Simon Peter, having a sword, drew it and struck the high priest's slave (Malchus) and cut off his right ear." John 18:10) Looser and less formal than the portraits that made him famous, this work was completed shortly before Van Dyck began a six-year stint in Italy. It follows the biblical description of Jesus Christ’s betrayal in the Garden of Gethsemane. Judas, one of Jesus’ disciples, brings a band of soldiers and religious officers with lanterns, torches, and weapons to arrest Jesus, whom Judas identifies with a kiss. Size: 55 7/8 x 44 1/2 in. (141.92 x 113.03 cm) (canvas) 70 x 58 x 5 in. (177.8 x 147.32 x 12.7 cm) (outer frame) Medium: Oil on canvas