Mar 5, 2025
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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79 field reports by natural scientists, social scientists, humanists and artists
Conceptual field
Patchiness of the Anthropocene
Reading room
Feral Atlas as a method for studying the Anthropocene
Brass key > Super Index
Meta-essays
Risky business
Ecological patch as a unit
Scott Frickel brownfield research
Multiple kinds of time: Detonator time (political-economic programs), Systems time (tippers, tipping point) and nonhuman histories
Political-economic programs (Anthropocene detonators): Multispecies invasions, Terraforming governance, Industrial capitalism and The Great Acceleration
What are the Anthropocene stories in Hong Kong (former twice-colony, neo-colonised by developers, capitalist and terraforming government, etc.)?
'Pasture grasses are barriers to forest regeneration in Latin America' — Rosa E. Ficek. Similar to the bocage at the ZAD, and maybe the "green belt" in Wang Chau...
Multispecies invasion (invasive species). The lanternfly in the US
Tippers (verbs): Burn, Grid, Take, Pipe, Crowd, Dump, and Smooth and Speed
Feral Qualities as patterns, of what humans have been up to as 'dangerous collaborators'
Superpowers such as Omicron and mosquitoes in slave ships
Kudzu and its spookiness
Can humans and other species continue to inhabit the earth together?
Feral Atlas invites you to explore the ecological worlds created when nonhuman entities become tangled up with human infrastructure projects. Seventy-nine field reports from scientists, humanists, and artists show you how to recognize “feral” ecologies, that is, ecologies that have been encouraged by human-built infrastructures, but which have developed and spread beyond human control.
We should stop the industrial shipping of soil. If you want to have all the familiar and helpful trees around us that have kept multispecies landscapes alive. If we want those to continue to exist we have to stop the industrial shipment of soil. It’s not just the top crust. There’s no reason to ship soil. We can all live with local nurseries.
40:30+, Anna Tsing, The World in Which We Occur: The Underground, https://archive.org/details/TWWWOsession7
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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These plagues are coming from us too. We are manufacturing these plagues in a sense, under industrial conditions that we put them [animals] in, and they will come at us, I believe. So this all leads back to my original question, how can we hold onto landscapes of more-than-human visibility?
39:40+, Anna Tsing, The World in Which We Occur: The Underground, https://archive.org/details/TWWWOsession7
Friction is required to keep global power in motion. It shows us (as one advertising jingle puts it) where the rubber meets the road. Roads are a good image for conceptualizing how friction works: Roads create pathways that make motion easier and more efficient, but in doing so they limit where we go. The ease of travel they facilitate is also a structure of confinement. Friction inflects historical trajectories, enabling, excluding, and particularizing.
Anna Tsing, who is my jam