Apr 5, 2019
Bertie Carvel in rehearsals for Coram Boy, National Theatre, 2005
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Bertie Carvel in rehearsals for Coram Boy, National Theatre, 2005
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Bertie Carvel during rehearsals of Coram Boy, National Theatre, 2006
It’s hard to speak my heart. I’m not a man who bares his soul. I let the moment pass me by – I stay where I am in control. I hide behind my work, Safe and sure of what to say… I know I must seem hard, I know I must seem cold.
Throwback Thursday: Elisabeth Dermot Walsh and Bertie Carvel in rehearsals for The Life of Galileo, National Theatre, 2006
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A beautifully posed (and poised) shot of Sarah Pickering as Amy Dorrit by Lord Snowdon
While opinion is understandably divided over her interpretation of the character – personally I would rather have her dry, even 'flat' Little Dorrit than a weepy, melodramatic one which Dickens' original in the novel, by the way, veers dangerously close to being, particularly when she's reunited with Arthur in the Marshalsea... melodrama galore! – she had Little Dorrit's image down perfectly.
Plus when her Little Dorrit did ever cry, it was infinitely more moving (cue the scene in Venice when she tries to write a letter to Arthur. That part combined with Verdi's music never fails to impress me). It's a pity that this was to be her only film.
It Takes Two to Tango – Derek Jacobi and Anne Reid
For those who couldn't get a copy of the 16th to 22nd November edition of Radio Times (apologies for the edges being cut off, my scanner, alas, wasn't big enough...)
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