Prometheus as a TV series
Firstly, I want to specify that I only saw Alien, Alien Romulus, and the prequels. I'm due to watch Aliens this weekend. I've not read ANY comic or novel.
From my POV, Prometheus and Covenant are extremely weird because they are clearly excellent premises for TV series.
This was originally written in reply to someone who thought the Prequels undermined the cosmic horror by leaning too much into sci-fi and genomics around the Engineers. I argued that none of the prequels' content goes against horror and that the films are simply in the wrong format!
They're both currently terrible because people are forced into dumb exposition to cram information on the screen and dumb actions in order to make a monster movie happen inside what is otherwise an ambitious and philosophical sci-fi premise.
There's large casts of very skilled people. Fuck, in Prometheus there's one of the richest and most influential people in the human galaxy secretly aboard the ship. You'd think this would be absolutely great stuff to explore. Perfect opportunity to see how warped someone like Peter Weyland is, and also the sort of bonkers power he wields.
His relationship to his children (his daughter and his android "son") was very intriguing to me in the film, and considering how vital David 8 is to the prequels as a whole, this would have been great drama to explore further.
Focusing on Prometheus here:
A TV series would have given us a smart, not hectic Holloway. His turn to despondency could be more gradual. His difference in reaction to Shaw could, given time, explore different ways people of faith react to having that faith shaken. I think he's the main source of idiotic scenes throughout, and making him less of a wanker and more of a driven and soft spoken nerd would go a very long way.
Our extra time could also give us time to flesh out Shaw. She could reveal her infertility in a more reasonable environment, like while testing prior to the original cryo-sleep.
Starting on Earth and staying there longer would also help build the Engineers and the act of going after them as something spookier.
In general, the prequels massively sanitize space. It's also the case in Romulus. Space is treated as this negative area that is a source of hard vacuum and zero G. It's not treated as something inherently scary, but we all know that's perfectly doable.
Going to look after the "Engineers" sounds silly in the film because the team is honest to goodness just following cave paintings. They would benefit from following a lead, like perhaps finding the star system and studying it, only to detect strange emissions from it.
(Just in case you forgot, looking at a star is looking at how it was in the past. You look at a star 30,000 light years away and see how it was 30,000 years ago, when those photons left it. Which means we could reasonably pick up sus stuff that motivates a visit, but also means Holloway would understand the concept of being late to the fucking party lmao).
This entire idea, going on a very distant trip to an unknown system, could use time to have anxiety built around it. People could push with serious argument, highlight in universe disasters that happened during similar blind trips, etc. The emptiness and harshness of space are very easy to capitalise on, and going to an unknown system without sending probes first could help frame this as a risky venture, having us on edge and also showing the depth of faith of Shaw and Holloway. BUT ALSO the depth of wicked corporate slavery Weyland can go to, with the rest of the crew hired without any information that would let them make an informed choice on this job.
The arrival around the planet could be spent scanning and being professional. If we spend actual time scanning the surface and following reasonable protocols, the audience won't be poking fun at your show/film for showcasing scientists doing unsafe/idiotic stuff, and also have time to get attached to the red shirts! So it'll hurt when they begin dying!
I think the fans of alien would also appreciate a show that takes its time with the alien world discovery aspect? I feel like these films have neither the time nor the inclination to lean into the science and discovery aspect. Like it happens, but it's not indulged in or treated seriously. Yet aren't we also fans of Arrival? Of Annihilation? Or JC's Avatar?
There are scifi films out there that expect us to be invested in the discovery process, and we are! But Alien isn't one of those franchises. Every film I've seen so far has the science kept secret (Ash), already ruined (Romulus), aborted or discarded in the face of action, but also entirely handwaved or ignored (Prometheus and Covenant)
Like honest to god, you have an Android who is the only one paying attention to ALIEN WRITING and immediately knows HOW TO USE IT and nobody gives a shit, asks about it, is curious about annotating it or even learning it. It's never even mentioned? Like What the Actual Fuck? And in a film where the main goal is to find the aliens in question to have a chat to them, nobody is interested in decrypting the language??
Going back to our timeline, since we have time for the exploration process, we can begin ramping up the anxiety. We can make up some fun new stuff, like this:
What if we were blocked from communications? We could have the characters make incredible discoveries (that the buildings are made by real aliens would be exciting enough, but writing on the walls??) and promptly our crew realises that all communications are being jammed. Not between them, but between the main ship and anywhere else in the galaxy. Maybe the entire system is shrouded somehow and they have literally no idea how. Can't figure the tech behind it or its source. You can start having the one security/military guy announce they should retreat. After all, the planet is there, the buildings have been there for a very long time, they should go and come back later. It'd be more secure to figure out the range of this jamming and maybe call in reinforcement.
We can start dividing the crew! With all the scientists basically too over the moon to mind, and Weyland a silent driving force who doesn't give a shit!!
I think that Holloway sticking to protocol and not removing his helmet at all would help making the confusion and angst greater if he started showing symptoms like his wormy eyes. When did it happen? Was bringing the head aboard a mistake? Was that all it took? ((David grinning in the background))
We could then enjoy an entire episode of mounting paranoia and terror as the show splits between the geologist and biologist stranded in the building and the Prometheus crew growing paranoid and further divided: what if the team was split between the science crew and the ship crew? The scientists are containing Holloway and getting absolutely horrified by what they see happening to him, while the workers are being kept in the dark and told nothing.
A downtrodden and disrespected Wey-yu worker POV wouldn't hurt!
I personally think that Holloway basically morphing/dissolving/losing himself in front of the scientists while they all fail to understand what's happening to him and are completely incapable of stabilising him would be far more horrifying than his suicide by immolation at the hands of a neurotic billionaire. It would also make David's jab about Shaw's dad dying of Ebola more impactful. Rewatched the movie recently and was like "what, her dad died burnt alive before her too??? Oh..."
By the time David finds an Engineer alive, tensions could be high enough that the ship would be on the cusp of mutiny. A good writer could make us really feel 50-50 on "value of answers from a live engineer" vs. "getting the fuck away from this planet".
Also "the engineers are us, we have the same DNA" bit is flat out stupid and leaves a million more questions than it answers, and zero mystery besides. This concept could be much better explored for angst. There are so many directions we could go!
Their DNA could contain every human genome and then more. It could change while it's observed. It could be related to us without being a perfect match. Better yet: it could refuse observation, making every machine bug out and return invalid results. Just stuff to keep us on our toes while David does his parallel observations on the black goo.
Even if we go in depth in the genomics, explaining the thing doesn't have to destroy the appeal of the thing.
I think in particular that we could explain the engineers themselves as our creators and users of the goo, only to thicken the plot as we realise they have no fucking clue what they're doing with it and we're a stray experiment left to run wild in a forgotten petri dish. The idea that the engineers used but did not understand the goo, that it was a tool they inherited themselves from fucking around darker, deeper corners of the galaxy, would be cool.
WORSE yet, it would be interesting to discover they themselves were made by some other culture/force/entity/creation process, and we are like... a by-product. What if we are the David 8 of the engineers, who are the David 8's of something else yet? Or that the Engineers aren't even "made in the image of" their creators? Maybe the whole likeness (between them, us, and our androids) is just a recent tendency we're showing, but not something the Engineers have to share with their own creators.
We could come seeking answers, and realise the Engineers didn't even have any themselves. We could be left to realise we are just the mold on the rind of a cheese, far from understanding the intricacies of 5-star dining. That's how far removed we are from understanding the forces at play.
This would be plenty cosmic horror.
God is a well polished concept, but we have a very narrow and human centric understanding of it, and it may be meaningless. Imagine if you saw Shaw lose faith only to regain it with a streak of madness? Imagine if we had the time to explore what a cosmic horror on the scale of "At the mountains of madness" would do to a religious modern person who has come searching answers and found more than she could take?
If Shaw were a Lovecraft protag, she'd say stuff like the black goo being the blood of the gods that made the Engineers, all bled dry now. Weird poetic shit should come back xD
Also. Close your eyes for a second and imagine the scene of David speaking to the Engineer. And for the lolz, let's say that the Engineer speaks back, and David adjusts, and they end up having what looks like a meaningful exchange of a few words.
Then the Engineer pats his head and wrenches him apart, and the ending comes around, only for David to staunchly refuse to ever elaborate on what the Engineer told him. Certainly another great reason to keep him around...
I hope I've made my point. If more than 50 people lose their shit on this post, I'll make a Covenant TV show post too, though it's more of a fixer-upper.
Bonus for reaching the end, a happy David:
The ultimate argument, of course, is that given 16-18 episodes of great Prometheus TV, we would have had so much more David...
