so much online poetry now feels like the same haunted ai-generated Pinterest paragraph hidden beneath expensive fonts and pretty templates and we’re all pretending not to notice
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so much online poetry now feels like the same haunted ai-generated Pinterest paragraph hidden beneath expensive fonts and pretty templates and we’re all pretending not to notice

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Reflexive Capture — The Rise of the Algorithmic Double – Part 2
In the expanding architectures of datalogical power, the self is no longer merely a passive object of surveillance or an externalised phenomenon of institutional capture. Rather, it becomes a self-generating artefact, a reflexive construction that emerges through the constant folding of information back into experience, affect, habit, and choice. The individual, once imagined as a discrete…
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Next Rembrandt is a 3D printed painting created by art historians and technicians using data and facial recognition techniques from 346 of Rembrandt’s paintings. It is part of a promotional campaign for the Dutch multinational banking group, ING. https://www.nextrembrandt.com https://www.ing.com/Newsroom/All-news/Rembrandt-goes-digital-.htm https://www.theguardian.com/artanddesign/2016/apr/05/new-rembrandt-to-be-unveiled-in-amsterdam — “The qualitative difference between art and science does not simply consist in using the latter as an instrument for knowing the former. The categories employed by science stand in so obtuse a relation to the inner-artistic categories that their direct projection onto the extra-aesthetic categories inevitably wipes out what the investigation was supposed to explain. The growing relevance of technology in artworks must not become a motive for subordinating them to that type of reason that produced technology and finds its continuation in it.” — Adorno, Aesthetic Theory
‪Dwelling: In this space we breathe‬ ‪—Khadija Saye‬

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