#alexboya

“Nothing Exactly” 

art trade with Alex Boya

ink/pencil

commissions open

A monumental industrial sign structure becomes repurposed as an execution scaffold inside the Bread Will Walk universe. Black feeding tubes spread outward like roots or veins while a suspended worker figure hangs beneath the system in a posture somewhere between maintenance labor and ritual sacrifice.

The repeated forks emerging from the ground suggest a civilization reorganized entirely around consumption. Commercial infrastructure mutates into biological infrastructure. Advertising towers become monuments to engineered appetite.

The image merges public signage, agricultural machinery, pipeline systems, and dystopian propaganda into a single contaminated landscape tied to The Mill’s expansion across industrial territories.

A distorted child figure from the Bread Will Walk universe overtakes the Prince of Wales tower facade like an invasive public broadcast. The image reframes the architecture as part of The Mill’s psychological contamination system, where advertising, hunger, and bodily transformation merge into a single urban signal.

The composition treats the city itself as infected infrastructure. Corporate surfaces become carriers for appetite contagion, synthetic identity, and passive consumption. The oversized face functions somewhere between propaganda mural, failed mascot, and mutation event.