#alejandro lafontant

Review:  This one hits deep. You want a Laura and Carmilla absolutely wrecked for each other and broken-hearted when first their own fears, and then later, Carmilla’s mother and her abuse, literally rip them apart?  Well, you have it here. You want a Laura who has courage, who is willing to fight for Carmilla? Well, you have it here.  You want to see good overcome evil, and chains get broken? Have a read. And yet, thankfully, there is mutual pining and fake-dating fluff throughout a majority of chapters so the weight of the main struggle doesn’t become too depressing.

The story is written in third person limited, alternating Carmilla/Laura POVs.

The Good: The story has substance and takes full advantage of the core characteristics of canon Laura and Carmilla’s backgrounds: Carmilla is the puppet daughter of a villainous, powerful, cunning mother. Laura is a truth-seeking, justice-demanding investigative reporter with the tenacity of a dog on a scent. Laura’s goodness and dorkiness (and love of sugar) endear her to Carmilla. Carmilla’s depth and quiet steadiness make her Laura’s rock. The main difference between canon Hollstein and this version of them, though? Laura for once is willing to put Carm above her need to out the truth and right the wrongs. And (Ahem, glaring at you, canon-Laura Hollis), it still works out in the end!

The romance unfolding between these two feels more sweeping than we usually receive in a Hollstein fic. I think a few things accomplish this. First, setting this against the stretch of a political campaign adds a certain built-in sense of time and weight. Second, more of their romance is conveyed and developed through actions than through the simple narration of their private feelings. (The first being a significantly stronger writing style, and one I’m perpetually envious of.) The date Laura sets up for Carmilla, the melt-down disaster that happens at the dress shop, Carmilla flooding the newpaper’s lobby with cupcakes or buying them greasy burgers from their old college favorite burger joint, the lightning storms… they all speak volumes without having to rely on internals. And, in turn, they result in evocative physical reactions by the characters and amplify the particular relationship-aspect being highlighted at the time, either through using mirroring metaphors or contrasting metaphors.

In that same vein, locations and things have weight given to them as well, rather than being simply included as background detail. This isn’t a fake-dating plot that could take place just anywhere, or which could theoretically be limited to a few typical, hum-drum locations. The locations and weather (the lake, the city, the newspaper lobby, the dress shop, the frozen river, the cafe, etc.), the literal atmosphere (Fall, stormy nights, crisp days, snowflakes, a chilly sunset seen through the glass windows of a broken down boathouse), and objects (a black swan paddle boat, the ring(s), Sir Bearington, cue cards), all are presented with vivid imagery and matter as to why the characters respond a certain way in that moment. All of this adds a definite theatrical/visual dimension to the story. That is great writing.

The Concrit:  Perry, LaF, Kirsc… They feel a little like throw-aways. That’s not too big of a deal, since that is already the case in many Hollstein fics. But, I would have appreciated a bit more of them mattering in small ways. Matska didn’t have a huge word-count, and yet, her presence was *felt* in the same way the setting, items, and atmosphere mattered to the plot: Her absence would have changed the story. And even Danny, though she only had one scene and a minor role in it, mattered in a tangible, if still small way. The other three, not so much (despite the whole period-table analogy LaF tried to share with Laura). 

Secondly... While I’m not sure how accurate Carmilla’s (verbal) conditioned responses are, this is fan fiction and I don’t think the author was making any claims to be an expert. (And, as it went, it definitely worked well as a plot-device to flag for the reader when Carmilla was in one of her regressive episodes.) But that being said, it was a disconnect for me how normal-functioning Carmilla was in the absence of (or triggering by) her mother. Yes, we’re told she had some self-worth issues, but aside from being told that, really, she seemed just fine.

Finally, I would enjoy an epilogue. Although, as written, it definitely stands on its own without one. 

NEXT IN THE QUE: We’re still on the fake dating / fake relationship au binge for the next two weeks!