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A vector phot of my design for of a water fountain located in the middle of a roundabout in Al-Hasakah city - northeastern Syria.

Most of the roundabouts in the city of Hasaka are constructed a monument in it, whether it is a statue of a figure or a symbolic thing, and most of the old roundabouts have a water fountain in the middle. I do not know exactly the reason for this, but it may have been rich in water, as the area is known as the island because it is in the middle of the Tigris and Euphrates And passes through it many subsidiary rivers.

However, it is currently suffering from water scarcity as a result of the policies of Turkey and its militias in the region, and in recent days the pumping of water from the wells feeding the city has been stopped by the militias affiliated with Turkey that controlling the city of Ras al-Ain where the wells are located, in violation of the agreement concluded between them and the Autonomous Administration of North and East Syria.

Therefore, I designed this image, which represents one of the well-known roundabouts in the city, with a water fountain in the center, and designed it without water as its current condition and an expression of the city's current situation.

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صورة "vector " من تصميمي لنافورة مياه تقع في منتصف دوار في مدينة الحسكة - شمال شرق سوريا.

أغلب الدوارات في مدينة الحسكة تم إنشاء نصُب فيها، سواء كانت تمثال لشخصية ما أو شيء رمزي، وأغلب الدورات القديمة تتوسطها نافورة مياه، لا ادري ما السبب في ذلك لكن ربما كانت سابقاً غنية بالمياه، فالمنطقة معروفة بالجزيرة نظراً لأنها تتوسط نهري دجلة والفرات ويمر فيها العديد من الأنهار الفرعية.

لكن حالياً تعاني من شح المياه نتيجة سياسات تركيا والميلشيات التابعة لها في المنطقة، وفي الأيام الأخيرة تم إيقاف ضخ المياه من الآبار المغذية للمدينة من قبل الميليشيات التابعة لتركيا والمسيطرة على مدينة رأس العين التي تقع فيها الآبار وذلك في خرق للإتفاق المبرم بينهم من طرف وبين الإدارة الذاتية من طرف آخر.

لذا صممت هذه الصورة والتي تمثل إحدى الدوارات المعروفة في المدينة والتي يتوسطها نافورة مياه، وصممتها بدون مياه كوضعها الحالي و تعبيراً عن وضع المدينة الحالي.

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"The best books are the ones that tell you what you already know," says George Orwell.  In this regard, the “Thrones’ Conflict ”will only tell us what most of us already know, namely that the world is a completely unfair place, and it is precisely for this quality that it is one of the most important works presented on the small screen years ago, but there are some defects that are not hidden from the observers eye of events, for example, when looking at the tribes and cities built in the Gulf of slaves, we find that it corresponds to a large extent with the "Orientalist" view of this part of the world, a backward place, with no human rights, its inhabitants are pagan or without religion, they know neither the government nor obedience, they are brutal Very, the strong eat the weak, very materialistic, And they never know shame. This can be seen clearly in the episode that showed Drogo and Daenerys' wedding.

One of the things that strengthens the oriental vision theory in the series is the behavior and personality of one of her heroes, Diners Targaryan, who is an extremely white girl despite staying in desert lands for a very long time, who will play the role of liberating savior of the people of this unfortunate East, who are unaware of the importance of freedom.

This is what I noticed during seven parts of the series. As for the eighth part, it was not the same level as the previous parts in terms of the anecdotal plot. I mention here, for example, how quickly John Snow’s point of view toward Diners has shifted, and the meeting of the masters of Westeros in the next scene also shifted from a discussion of John Snow’s fate to a discussion The fate of the Seven Kingdoms, and within a few minutes, i.e. what happens is the heroes of the story in seven seasons unable to achieve it: the king is determined, the system of government is changed, and the separation of the northern kingdom is done with the consent of all without any mention of the conflict.

The image is a "Vector Photo" of my design for the "Iron Throne", it is a symbol or metaphor referred to by the fictional monarchy in Westeros and is the material throne of the king in the series Ice and Fire Song novels written by George R. R. Martin and Game of Thrones series.