Thanks to Alan Lomax, we can hear the original sounds of traditional American music: from blues out of the Mississippi Delta, to jazz and mo
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Thanks to Alan Lomax, we can hear the original sounds of traditional American music: from blues out of the Mississippi Delta, to jazz and mo

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Everyone knows "House of the Rising Sun," which is one of the most over-recorded and over-exposed songs in American folk music even if we ignore the Animals' recording of the song, which is so ubiquitous that many people think they wrote it. The Animals got their version from Bob Dylan, who recorded it on his first album after learning the song from Dave Van Ronk, who always said that he learned it from a recording by folklorist Hally Wood, who got it from Alan Lomax, who also taught the song to Lead Belly and Josh White. Lomax was convinced the song came from Black tradition, which is why he taught it to Lead Belly and White, though he recorded three versions of the song in 1937 in eastern Kentucky, all from white singers, and the only earlier recording was one by Tom Ashley in 1933, also a white musician, although he was from Tennessee. Lomax confirmed his suspicions about the song's origins to his own satisfaction by asking older New Orleans jazz players about it, though this confirmation seems to have consisted of a few people saying they thought it sounded familiar. But the song very well could have white origins, since New Orleans was seen as the "sin capital" of the entire south and considering the provenance of the early versions.
There were also unprintable and unrecordable versions of the song circulating throughout the south, with verses like There is a house in New Orleans They call the Rising Sun And when you want your pecker spoilt That's where you get it done They drink all day and fuck all night And when your money's gone They throw your ass out on the street When the second shift comes on Which seems to give the lie to the idea that the song is actually about a jail, not a brothel, something that even Dave Van Ronk himself came to believe.
[Rec. Alan LOMAX]
"Negro Prison Songs"
(LP. Albatros. 1977 / rec. 1947) [US]
New episode of Conversations with Ghosts! This one's VERY Daniel Powell-centric. It's written by Dan, Dan's dad plays the Alan Lomax-inspired ghost, and it includes an original Daniel Powell song, performed by the super-talented Ali Dineen! Take a listen!
Oh, and if you'd like to download "Heaven is a Ghost," the incredible song from the episode, just support our Patreon at any level: https://www.patreon.com/posts/music-folk-song-147604634
A huge treasure trove of songs and interviews recorded by the legendary folklorist Alan Lomax from the 1940s into the 1990s has been digitiz
An amazing library of field recordings by the most renowned U.S. music historian and archivist of the 20th century. The interface is a bit wonky, but the results are gold. If you've ever read Lomax's book Land Where the Blues Began, which details his trip down to the Deep South to hear and record Black musicians in 1942 and subsequently—and I recommend it highly—this'll give you an idea of some of the music he found on that trip.
Here's a sample: "I'll Fly Away," as performed by the congregation of the Silent Grove Baptist Church, Clarksdale, MS, in August of 1942.
via Open Culture

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[African American children playing singing games, Eatonville, Florida]
Lomax, Alan, 1915-2002, photographer
Created / Published 1935 June.
The Biscuit Eaters, Appalachian Family Band
Joe Savage: Texas Is My Home (1978)
'Joe Savage, former muleskinner and Parchman Farm inmate, sings a holler called "Texas Is My Home." Introduced by Walter Brown and Arthur [last name unknown]. Shot by Alan Lomax, Worth Long, and John Bishop, September 2, 1978, on the levee in Greenville, Mississippi.'