We will take a brief dive into the elements surrounding this incredible unique land, people, and culture through the the lenses of authors Akemi Johnson, Night in the American Village, and Elizabeth Miki Brina, Speak, Okinawa, in a conversation moderated by Mariko Middleton of the Ichariba Choodee: Okinawan Voices and Stories Podcast. We’ll talk about identity, inspiration, history, and inquire into the future of Okinawa, concluding with hopes and dreams.
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To learn more about our moderator and panelists, check out the following websites:
Akemi Johnson: https://akemijohnson.com/
Night in the American Village: https://janmstore.com/products/night-...
Elizabeth Miki Brina: https://www.goodlifeproject.com/podca...
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One of our co-creators, Mariko, will be be moderating the conversation with memoirist Elizabeth Miki Brina about Speak, Okinawa and Akemi Johnson, Night in the American Village with Tadaima (Japanese American Memorial Pilgrimage)!
After growing up in the U.S., Elizabeth Miki Brina traveled to discover things about her mother and herself
By Akemi Johnson
Akemi Johnson is the author of “Night in the American Village: Women in the Shadow of the U.S. Military Bases in Okinawa.”
When she was a young child, Elizabeth Miki Brina lived in her mother’s homeland of Okinawa, Japan’s southernmost prefecture. She rode on her grandmother’s back, played under the subtropical sun, heard the roar of military jets and spoke Japanese.
Then, her parents moved her to the United States, and she didn’t think about Okinawa for three decades. As she grew up, she spoke only English, knowing nothing of her mother’s history. “Which is to say,” Brina writes, “that I grew up not knowing my mother or myself.”
Brina’s poignant memoir, “Speak, Okinawa,” is the story of her discovery of Okinawa as an adult — and discoveries about her mother and herself. Brina also explores Okinawa as an overlooked piece of the American story in need of hard scrutiny.
Once an independent kingdom, Okinawa was taken over by Japan in 1879. In World War II, it was the site of a brutal battle between the United States and Japan, and as Brina points out, many Americans know of Okinawa only in connection to that battle. But the wartime clash, which decimated the civilian population, wasn’t the end of the United States’ involvement in Okinawa. After the war, the United States occupied Okinawa for 27 years, forcing thousands of Okinawans from their land to build sprawling military facilities. Even after the United States “‘sold’ [Okinawa ] back to Japan” in 1972, the bases remained, Brina writes. Today, about one in eight U.S. servicemembers abroad is stationed in Okinawa. The U.S.-Okinawa relationship has long been a fraught one because of the bases, which many locals protest as sources of noise pollution, traffic and training accidents, and crimes committed by U.S. servicemen.
Brina’s mother was born three years after World War II. Like many Okinawans, her family survived the U.S. occupation by working for the U.S. military — building bases, serving cafeteria food, cleaning barracks. They lived in poverty, eating sweet potatoes for every meal, as military installations took over their island. Brina’s mother dropped out of school in the eighth grade to work in a factory and later became a waitress in a nightclub. By then the Vietnam War was raging, and the U.S. military had turned Okinawa into a weapons depot and rest-and-relaxation destination, with tens of thousands of American troops stopping over on the island.
At the club, Brina’s mother met an American soldier from Manhattan, a college graduate from a wealthy white family. Brina imagines their meeting. He is “Elvis handsome” and seems “like a way out.” “She is beautiful, exotic . . . too vulnerable to resist.”
They married and eventually settled in the suburbs of Rochester, N.Y., where Brina grew up in a 99-percent-white community. In her eyes, her father was her hero, the one with all the answers, who navigated their world with confidence and power. “He knew what to say, and he said it so well,” Brina writes. “His pronunciation was perfect.” Meanwhile, her mother struggled to learn English and seemed “never entirely welcome” in their town, “never [able to] fully participate.” Her mother coped by drinking, sometimes once a month, sometimes once a week, until she passed out. Brina, internalizing the racism of her peers, idolized her father and was “cruel” to her mother. She alternately ignored her and mocked her; she cut up her dresses and kimonos for scraps.
As an adult, Brina contended with her own challenges with drinking and relationships, and began to empathize with her mother’s pain. Visiting her parents one weekend at age 26, she engaged in her “typical rant-exchange” over politics with her father during dinner, the two of them shouting different views and ignoring her mother, who drank two bottles of wine and then crawled under the table. When her mother started screaming and kicking, knocking over glasses, Brina joined her on the floor, curling their bodies together. In earlier days, Brina might have run away, but in that instant she saw that “her trauma is my trauma, that our pain comes from the same source.”
Brina’s curiosity grew, and at age 34, she traveled to Okinawa and began to delve into its history of war, colonialism and survival. In her mother, she began to see strength instead of weakness, the weight of history instead of personal failing. She detected traces of Okinawa’s subjugation in both her own life and her mother’s, in the way they were “fighting to be acknowledged and understood. Fighting to matter.” This battle was most evident in their relationships with men. Brina’s father treated her mother “more like a daughter than a wife.” As a teenager, Brina began believing she must say yes to anything boys and men asked of her. When they found her attractive, she didn’t know “how to channel this attraction toward respect, toward care, toward love.” The memoir becomes a testament to the importance of their lives as Asian women, as mother and daughter, and an apology for all the years Brina thought otherwise.
“Speak, Okinawa” is strongest when Brina is recounting, with piercing candidness and clarity, the almost claustrophobic world of an only child and her parents — their shifting allegiances, the wounds they inflict on each other and their rocky path toward acceptance, apology and forgiveness. The memoir is also a portrait of the devastating effects of imperialism and racism on a person’s identity, self-worth and relationships—and offers a perspective on how a person can combat these legacies.
It’s easy to think of things in black and white, and to paint things with a broad brush of imperialism, colonialism, racism, militarism (take your pick). But dig just a tiny bit under the surface, and you’ll find that reality is rarely that simple. Is the solution really so obvious, simple to achieve, and definitively the right thing to do? Is it truly the case that the only obstacles to that…
