Dinuk Wijeratne - 2 Pop Songs on Antique Poems: No. 1, A Letter from the Afterlife played by theĀ Afiara Quartet
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Dinuk Wijeratne - 2 Pop Songs on Antique Poems: No. 1, A Letter from the Afterlife played by theĀ Afiara Quartet

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Last night I had the chance to enjoy a truly inspirational performance. Kid Koalaās Nufonia Must Fall, based off of his graphic novel of the same name, plays on the carpe diem sentiment that is ever sought after by much of the current youth but too often elusive to the seasoned and fresh alike, and not the carpe diem aesthetic that breeds LMAO.
Being the sucker for animation and stop motion films that I am, this performance blends three things that I love, breathing life into lifeless objects, performance art, and music(technically considered performance art). Directly below the screen were three stations for Kid Koala, Afiara Quartet and the only station of the puppet show that didnāt involve puppets. Below them were around twelve other stations dedicated to scenes for the puppet show, all which are small sets to where the puppeteers do their choreography. The syncopation of the musicians is one feat, but the syncopation of the musicians and the puppeteersā choreography into their puppets is a completely different level. At various times I had to look away from the projectors and watch the puppeteers to reassure myself that what Iām witnessing is live, especially in how the exceptional lighting flawlessly and seamlessly sets the entire showās various moods from somber to hopeful, mundane to blissful.
Nufonia Must Fall stars a robot who, at one point was the pinnacle of technology, finds itself drudging through its life working jobs with demands that he can not satisfy that do not satisfy it as if it ever knew anything to have that kind of effect. That is until it meets and befriends an unusually brilliant woman named Malory. And up until act three does it begin to feel like it has become an allegory for faith, but for those who have neither read the book nor seen the show, Iāll go no further. And for those who have neither read the book nor seen the show it is a rare experience for art lovers to appreciate a well thought out and produced show that is heavily intentional in what it wants to convey.
My "Learning in the Wild" - Activity 10
My āLearning in the Wildā ā ActivityĀ 10
My learning in the wild āoutingā was attending the first night of the āNew Creations Festivalā by the Toronto Symphony Orchestra at Roy Thompson Hall. The festival, now in its 12th year, seeks to push the boundaries of classical music through artistic fusion. Full disclosure: it has probably been over a decade since I last attended the symphony. While I appreciate most types of music, I haveā¦
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Music for the long pre-Monday night: Beethoven's Op. 131, a weighty work from intimacy to sheer brilliance. bit.ly/13lGn61

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