#adolescenceedit

"But he was in his room, weren't he? You know, we thought he was safe, didn't we?…You know, what harm can he do in there? I thought we were doing the right thing."

Adolescence (2025) dir. Philip Barantini

Faye Marsay as DS Misha Frank

One of the details that makes “Adolescence” so extraordinary is its camera work. Each of the series’ four hourlong episodes is a oner, meaning it was filmed in one shot with no breaks for editing. It’s a style of filmmaking that Barantini, who’s known for his work on the movie “Boiling Point,” has mastered. But the Stephen Graham-starring series doesn’t just use its one-shots as a cheap gimmick. Every minute the show progresses without cutting away from its cast, the tension of this high-stakes story racketing up another degree. So incorporating a drone shot into the mix is extra impressive.

According to a thread posted by Netflix’s U.K. and Ireland X account, the director of photography carried the camera and followed Jade (Fatima Bojang) as she walked to a traffic light, a shot that helped indicate that the school day had ended. That’s what the audience sees. But behind the camera, the team attached the camera to a drone before Jade crosses the road. That camera then flew roughly 0.3 miles to the murder scene where a second team was present. That team of grips along with a camera operator then caught the camera just in time to capture a close-up shot of Graham’s grieving father, Eddie.

“Easy,” the post joked. (x)