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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Taguchi Art collection exhibition 角川武蔵野ミュージアム タグチアートコレクション展「タグコレ 現代アートはわからんね」 会期: 2023年2月4日(土)から5月7日(日) Photos by ADF URL : http://bit.ly/3X9eNce Courtesy Press Projects: Izumi Kato Untitled 2010 Wood, oil, acrylic, stone and iron 211 x 58 x 96 cm Taguchi Art Collection/Taguchi Art Foundatio Ad Minoliti Kitty 2019 Furry mask, gloves, tail and clothes on mannequin, metal hardware, glass 180 x 70 x 40 cm Taguchi Art Collection/Taguchi Art Foundation SUPERFLEX It Is Not The End Of The World 2019 LED lights, acrylic, aluminum letters, power adaptor 210 x 648 x 140 cm Taguchi Art Collection/Taguchi Art Foundation Tatsuo Miyajima Floating Time V2-11-Sky Blue, V2-02-Yellow-Shanghai, V2-10-Pink 2000 Computers, CG, software and liquid crystal projector Dimensions variable Taguchi Art Collection . . . #izumikato #koheinawa #adminoliti #tatsuomiyajima #superflex #yoshitomonara #tokyotokyo #tokyoart #artdesign #artlovers #artcollective #aoyamadesignforum #artforartssake #arttoday #contemporary_art #collectingart #artexpression #現代アート #アート巡り #美術館巡り #アートギャラリー #コンテンポラリーアート #インスタレーション #会田誠 #加藤泉 #奈良美智 #名和晃平 #宮島達男 #森村泰昌 (Japan) https://www.instagram.com/p/CoPaQiWSCag/?igshid=NGJjMDIxMWI=
Exhibition
Ad Minoliti: Nave Vermelhe Kunsthalle Lissabon 16.09.2020 – 21.11.2020 assistant curator
Ad Minoliti. Nave Vermelhe, 2020. Installation view. Kunsthalle Lissabon, Lisbon, 2020. Photo Bruno Lopes.
La artista argentina @minoliti, con su estilo geométrico de ciencia ficción y fantasía de peluche transfeminista -como ella misma la define- es una de las figuras más relevantes en la escena latinoamericana de arte contemporáneo. Su colorida propuesta lanza mensajes sobre los roles de género que se imponen a través de los juegos infantiles. Estas piezas “Cubos” y “Mural” las fotografiamos en @labiennale 2019 de arte en Venecia, dispuestas tanto en el Arsenale como el pabellón central de “May you live in interesting times” #art #arte #artecontemporaneo #contemporaryart #adminoliti #argentina #biennaledivenezia (at Venice, Italy) https://www.instagram.com/p/CHXyq6QLDHJ/?igshid=9o1e16note4b
A rad #adminoliti here to tell you that TOMORROW TUESDAY we’ll have KIMCHI UDON. @wigglybug is making her special treat for us and I’m so excited to treat myself to some high key g l u t e n. See you there, 4-7, call to make a res to make sure we don’t sell out!! @minoliti you make very good art!!!! https://www.instagram.com/p/B8IIMReA_Eq/?igshid=uxhyfh7n9f7x

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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✨🦊✨#labiennaledivenezia #mural #adminoliti #collage #collageart #3d #fiction #metaphysical #painting ✨🇮🇹✨🍕✨ #italy (at La Biennale di Venezia) https://www.instagram.com/p/B42tFtFFjS8/?igshid=1vbi1vnjuw3n0
@flores_la_fe en la expo de #adminoliti 💕 gracias 🌈
Pi Artworks London is pleased to announce What’s The Riddle curated by Berlin based curator Övül Ö. Durmusoglu. What’s The Riddle is the first of five exhibitions that make up Pi Artworks London’s Curatorial Season that runs from October 2016 – July 2017. For the season Övül Ö. Durmusoglu, Alexandra Schwartz, Sacha Craddock, Oliver Sumner, and Morgan Quaintance have been invited to devise and develop their own curatorial project working with artists predominantly or entirely from outside the gallery’s roster.
Our personal and political environments are shaped and sometimes traumatised by the choices we are asked to make; like or dislike, yes or no, in or out. They offer no solutions to widespread discontent. Perhaps if the answers cannot suffice, then it’s time to reformulate the questions. A parallel reality where things are organically more complex and diverse requires the artistic ability to critique, to imagine beyond the perceived knowledge, and to shift the collective memory. What’s The Riddle brings together artworks that return to fundamental formal questions of artistic work and its system in their alternative conception of time. Kasper Bosmans, Geta Brătescu, Osman Dinç, Rodrigo Hernández, Ad Minoliti, Anca Munteanu Rimnic, and Pilvi Takala search for the riddle, challenge the drive to seek correct answers, and reconfigure their mythologies.