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Câest vrai que vous sonnez espagnol
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Câest vrai que vous sonnez espagnol

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Evelyne Brochu and Félix Dyotte performed Maintenant ou jamais at the ADISQ gala.
Evelyne Brochu in a few questions
Q1: The moment where I preferred the silence of anything in 2020.Â
There was this time where I thought there were too many shows, too many opinions. We couldnât assume it was just a moment where we should have let go, I would have liked that we would have been solitary. I kinda withdraw into myself I think. The family cocoon that is very pleasant when we have a life with the atypical timetable and for me, it was a second maternity leave and sometimes there were people that were saying âwhat are you doing to keep the artistic side?â and I was like ah Iâm not there, there was a moment where I was in the silence.
Q2: Is there an artist that I hide to listen to?Â
Thatâs the thing with the 30s is that we donât hide anymore, I remember when I was a teen, the big identity was to say like âoh that I donât likeâ we couldnât like rap, we couldnât like country music or we had to like rap it depends where you lived. What I find cool in our generation because I think the younger ones are not like that anymore, we have the right to like everything, so Iâm not ashamed of anything.
Q3: Would I change something during my quarantine?
No, I would change something like I think it has very sad effects on the nature of our city, I have the feeling that Montreal is a city or alive art and restaurants, and the quarantine hurts these two subjects, it kills me, it kills me on many levels. It is not like the culture and the restaurants stand-alone, on the other side I felt a lot of peace, being able to receive someone we love at home is the most precious thing.
Q4: What future do I see for music with the year we just experienced?
I think the first breathe that we will take will have to blow air in our artist circles or alive art and the music and the theatre and we will have to go out to help the people that will be standing up again. I also wish that the artists that had to change to take this time to create beautiful works, I wish for ourselves to welcome those works.
Q5: The most incredible thing that I ordered online?
Itâs not really linked to quarantine itâs linked to the fact that my house is in renovation and Iâm not home and Iâm on the edge of giving birth so some baby clothes, Iâm guilty to have bought some cute sheets with flowers đ. Iâm ashamed of saying it but I ordered some sandals from Korea. It was not the season for sandals anymore when they came in đđ it was not even my size, that will teach us of not supporting our locals' shops.
Q6: In what am I very good at?
Thereâs not a lot of things in what I am very good at so Iâm not hiding them (wheeze) đ I used to play drums in high school but Iâm not very good so thatâs it đ, well I cut hair, I cut the hair of my boyfriendâs father, a little sympathetic hair cut outside on a little chair (laughs)
Gino Chouinard et son Artis. Hubert Lenoir et son Adisq.

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Viviane Audet performing her album 'Le piano et le torrent'
Notre musique, câest notre accent collectif
Hier soir, ma fille chantait du Roxanne Bruneau, du Fouki, du 2FrĂšres et du Pierre Lapointe pendant le gala de lâADISQ. La musique quĂ©bĂ©coise vient de gagner un round. đđ€ https://hugobourque.com/2025/11/08/notre-musique-cest-notre-accent-collectif/
New Audio: Choses Sauvages Shares Tense and Danceable "En joue"
New Audio: Choses Sauvages Shares Tense and Danceable "En joue" @audiogram_ @chosessauvages1
With the release of their Emmanuel Ethier-produced 2018 self-titled, full-length debut, MontrĂ©al-based dance punks Choses Sauvages â Totalement Sublimeâs Marc-Antoine Barbier (guitar), Theirry MalĂ©part (keys), Tony BĂ©lisle (keys), Philippe Gauthier-Boudreau (drums) and La SĂ©curitĂ©âs FĂ©lix BĂ©lisle (vocals) with Foreign Diplomatsâ and Frais Dispoâs Charles Primeau (bass) as a touring member ââŠ