#adelaar

US Vogue October 15, 1957 ❤️❤️❤️❤️❤️

At left, model Mary McLaughlin wears a bright red chiffon pleated blouse belted over black velvet trousers with a ribbon. Made of silk and rayon fabric manufactured by Skinner. The slender pants, in Italian velvet.

Above, model Anne St. Marie wears a delightful pale blue blouse. entirely Theda Bara, gathered in shape and in a curved skirt of black velvet. Rayon crepe blouse. Everything by Adelaar.

À gauche, le modèle Mary McLaughlin porte un chemisier plissé en mousseline rouge vif ceinturé sur le pantalon en velours noir avec un ruban. En tissu de soie et de rayonne fabriqué par Skinner. Le pantalon slender, en velours italien.

Au dessus, le modèle Anne St. Marie porte un délicieux chemisier bleu pâle. entièrement Theda Bara, rassemblée en forme et dans une jupe incurvée de velours noir. Chemisier en crêpe de rayonne. Tout par Adelaar.

Photo Leombruno-Bodi

Khira, 24

“I'm wearing all vintage. A dirndl top, an Adelaar 70’s skirt, cowboy boots, Nine West faux mini purse. You happened to catch me at a very femme moment, this is one of two skirts I own. Mostly my style is how I feel. How I feel is typically inspired by music or films, and they’re usually old. Motown, Sam Cooke, period films, nihilistic movies, or anything with Natalie Portman is my go-to. The cowboy trend is cool, since I’m from a rural area, now what I’ve had for years looks super stylish. Right now I really enjoy everything Jacquemus, Bode and Hillier Bartley. Honestly, I think all the interesting fashion is coming from design students, such as Alix Habran Jensen and Daniela Geraci, I think they’re having more fun with it than the consumer brands and luxury houses.”

Adelaar 1953

Adelaar 1956