Showtime. Shot by @justlatasha at @AcmeBrooklyn #AcmeBrooklyn #acmestudio #NewSoulRenaissance (at ACME Studio)
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Showtime. Shot by @justlatasha at @AcmeBrooklyn #AcmeBrooklyn #acmestudio #NewSoulRenaissance (at ACME Studio)

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Hitting the stage at @AcmeBrooklyn in Williamsburg, BK for @yasha_fierce & @eiyoe birthday party hosted by @bruceglen come thru (63 North 3rd Street. BK 11419pm) #acmestudio #AcmeBrooklyn #NewSoulRenaissance (at ACME Studio)
Chickapea Headdresses spotted on NYE at Acme Studio Brooklyn
SOFIA COPPOLA IN THE HOLLYWOOD REPORTER
Shawn Patrick Anderson and the ACME crew created this set for The Hollywood Reporter's Sofia Coppola cover story. Photographed by Ruven Afanador at Milk Studios in Manhattan.
See a behind the scenes video and interview with Sofia here.
MISSY ELLIOT AT ACME
Missy Elliot shot her scenes for UK girl group Little Mix's current top twenty single "How Ya Doin'?" at ACME last month. See the full video here.
The set was created through some ingenious painting directly on our cyc!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
ZAC EFRON AT ACME
Flaunt Magazine's Zac Efron cover story was shot by Ruven Afanador at our home base in Brooklyn, ACME Studio. Set styling by our own Shawn Patrick Anderson.
ACME for ROBERT REDFORD
Shawn Patrick Anderson and the ACME crew handled the set for Esquire's April cover story featuring the legendary Robert Redford. Photographed by Marc Hom at Industria Studios in Manhattan.
We brought a horse that didn't make the final cut, see a video here!
ACME TURNS THREE
ACME Studio is three years old! Before we blow out the candles (this Friday at 4/12 7PM, come on by), we thought it'd be fun to find out the story behind how this baby was conceived, from the father and mother himself Shawn Patrick Anderson. The year is 2010. Shawn and crew have been building sets and working out of a leaky, rat-filled garage space across the street from the Brooklyn Navy Yard for about four years.
"My friend Mary Ellen shot the band Chairlift in that space, and then another friend Dennis shot Sonic Youth," said Shawn. "And I had lunch with my friend Andy, the pornographer, and was telling him about that, how cool it was that people wanted to shoot there. And he said, okay, Shawn, why don't you get a better space? And I'm defending the shit hole I have, my rat space. I'm going on about how I'll get a shuttle bus to ferry people from Manhattan all the way over to my rat space." "But eventually he convinces me, because Andy is someone who knows me, knows my abilities, and wouldn't set me up for failure. So I call my friend Mike, who is THE real estate guy in Williamsburg, and say do you have a space? And he said, well, one." Mike took Shawn to see only one space, at 63 N. 3rd St., which was little else than an empty room with cinderblock walls and some broken windows. Actually, let's just show you a picture:
"And I thought, absolutely! Without a doubt," Shawn said. "Let's get it. I knew this would be an amazing thing to do." And ACME Studio was born. Three years later, ACME has welcomed artists, celebrities, CEOs, lecturers, authors, builders, programmers, dancers, musicians, and strippers. It has hosted three weddings (including the nuptials of Andy, the above mentioned pornographer), art openings, art installations, dance performances, dinner parties, product launches, taxidermy classes, and more than three parties. ACME's crew has build an indoor heated pool, a faux snow cave, driven a Smart Car through the front doors, had circus performers dangle from the ceiling, and docked an enormous, LED-lit styrofoam spaceship over the cyc. And there was Buddy, the studio bunny.
"The motivation of ACME has never been about money, it's been about offering a space where people can come and do their own projects, bring their own ideas, and take what we have and what we've offered and make it their own," Shawn said. "ACME aims to be a catalyst to help creative people be creative. When you have 4,000 square feet of space to play with and you don't have to apologize or ask permission, and you run with it, it's like, yeah. This is what New York City is about. And we're just getting started."