「食べている姿が綺麗な人は滅多にいない。目の前に鏡を置いて食事すると自分の姿の醜さに食欲を失い痩せる」という方法を実践した友達が、鏡の中の自分があまりに美味しそうに食べているのにつられて暴食して太ったと聞いて大笑いした
ぬえさんはTwitterを使っています
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「食べている姿が綺麗な人は滅多にいない。目の前に鏡を置いて食事すると自分の姿の醜さに食欲を失い痩せる」という方法を実践した友達が、鏡の中の自分があまりに美味しそうに食べているのにつられて暴食して太ったと聞いて大笑いした
ぬえさんはTwitterを使っています

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20062
Thoughts about Arbors Lane & what it takes to break down some of the toughest old walls in music
Uhhh, do I have to make a confession?
Okay, but it’s a doozy. I confess that I pretty rigorously ignored female-fronted bands. Pretty well forever. But I see the light. I promise!
Now, can I come in?
So, I saw you had a couple posts in here about Arbors Lane, whom I credit greatly for my post-chauvinism coming-to-terms.
That’s to say, I love ‘em. Love their music. I think about it, and why it works so brilliantly.
Before I knew about this board, I wrote the first in a series of posts that talk about them in the context of genres and styles. And the challenges faced by female voices in power genres.
Jenny Palacios has actually previewed this. She loved the 'deliver the shiver’ line, though she hasn’t commented about the other stuff yet.
I may have left her speechless?
Anyway, enough crazy confessions: the main post (part I of V) is at:
http://ghlfiction.tumblr.com/post/176992031888/about-arbors-lane-genres-vocal-resonance-and
20062 No marks
BIO: Argentine fake. Unlicensed Minimodels Industria Argentina (aprox. 1987)
20062 W.Germany 1980 © Peyo signature Schleich (4) (unclear)
BIO: Probably Spanish fake (type 1). Unlicensed 108 in catalogue Comics Spain
20062 No Marks
BIO: Spanish fake (type 3)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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