Musicologist, musician, composer, writer, PhD in Musicology performer, activist, provocateur, avant - garde pioneer, Barreto promoted advanced music in Portugal since 1967.
At the age of 61, Fernando Jorge da Ponte Lima Barreto, founder of the Anar Band (1972) with Rui Reininho, and the Telectu (1982) with Vitor Rua.
Only with the Telectu, Jorge Lima Barreto and Vitor Rua edited, until 2002, sixteen albums.
Some of them had the participation of renowned musicians like Saheb Sarbib, Chris Cutler, Louis Sclavis, Jacques Berrocal or Daniel Kientz. Barreto also played with Carloz Zingaro, Eddie Prévost, Nuno Rebelo, Evan Parker, Sunny Murray, Paul Rutherford, Barry Altschul, Tom Chant, Sei Miguel, among others.
Jorge Lima Barreto always lived ahead of the times (Portuguese) and Portugal very little considered or deserved it. It remains the work, to re-listen or to discover.
As a musician he founded the Anar Band in 1972, a project shared with Rui Reininho, and from 1982 onwards he developed an unparalleled journey with the Telectu project, alongside Vítor Rua.
Telectu has become the great reference of Portuguese experimental music, while working improvisation and combining principles of jazz, experimentation and electronics.
Barreto also developed solo works and in collaboration with musicians like Saheb Sarbib (Encounters, 1977) and Carlos Zíngaro (Kits of 1992 and Kits 2 of 2008).
Most recent before his death Jorge Lima Barreto was working on the Zul Zelub project, in partnership with Jonas Runa. In parallel with the musical activity, Barreto developed an intense non-performative activity, specifically in the field of musicology.
He founded with Carlos Zíngaro the Association of Conceptual Music (1973) and edited a vast bibliography addressing a wide variety of musical fields: Jazz Revolution (1972), Jazz-Off (1973), Rock Trip (1974), Rock & ), Minimal Repetitive Music (1990), JazzArte (1994), Music and Mass Media (1996), Musa Lusa (1997), b-boy (1998) and Zapp (2000), among others.
He had a unique path, pioneered paths, was a forerunner of what today can be considered avant-garde music in Portugal.














