11.12.2013
SHINee World 2013 JAT ~Boys Meet You~ en NAGOYA
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11.12.2013
SHINee World 2013 JAT ~Boys Meet You~ en NAGOYA

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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التشيع تحت المجهر "امتهان الشيعة للمرأة " الشيخ اسلام العطار 11-12-2013
التشيع تحت المجهر "امتهان الشيعة للمرأة " الشيخ اسلام العطار 11-12-2013
[11.12.2013]
Habit (n.)
1
-“to have, to hold, to possess”
(past participle of habere)
2
-“hand, forearm”
(cf. Sanskrit gabhasti-)
-“act of taking”
(gabal)
Habit (v.)
-“to live, dwell”
(from Latin habitare)
Inhabit (v.)
1
-“hold, have”
(requentative of habere)
2
-“to dwell in”
(from Latin inhabitare)
[11.11.2013]
1
To draw the ordinary can be kitsch. It can also be tragic. And as well to draw a “tragic” ordinary can become kitsch (by its means of representation). But what about drawing “the spaces of” the ordinary? Then perhaps the generic, empty, non-personal spaces can represent kitsch as kitsch, tragic as tragic, melancholic as melancholic.
What is to draw the personal without drawing the person? Or: the personal, now and in a broad sense, is generic.
2
As an architect we are told to draw. To produce the best design for places that people live in, spaces people reproduce themselves in. To draw the most “sustainable” buildings, the most beautiful buildings, the most “meaningful” buildings, the most economically sufficient buildings, and so forth. Are we ever asked to draw spaces for ourselves? Perhaps it should have been the first exercise in architectural studies. And if it was, then how many of us would basically draw almost the same space at that time? What if we are asked now in the second year of a postgraduate program to draw spaces for ourselves? Wouldn’t we draw the same spaces with (even) the same (Ikea) furniture still–us generic human subjects never questioning any given?

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[11122013] Suzy @ Your Face Sounds Familiar
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